Showing posts with label Noir. Show all posts
Showing posts with label Noir. Show all posts

Monday, March 1, 2021

FEATURED AUTHOR: INDY PERRO

 



ABOUT THE BOOK


Kane Kulpa learned which laws could be bent and which broken after a short stint in prison courtesy of Detective Vincent Bayonne. Bound by time, integrity, and the reality of life in Central City, Bayonne and Kane made peace with the past. Now, gang tension spirals from corrupt to deadly, and a series of murders stresses Kane and Bayonne’s uneasy alliance. Kane balances on a razor’s edge to protect his bar, power, life, and family, and Bayonne hustles to keep another lonely man from being strangled.

Central City is a city struggling for identity. The cops protect the rackets, and the criminals shelter the injured. Innocence is only an appearance, and rage finds a voice.


Book Details

Title: Central City

Author: Indy Perro

Genre: mystery: hard-nboiled/noir

Series: Central City, book 1

Publisher: Dog’s Name Press (March 28, 2020)

Print length: 243 pages







LOVE IT OR LEAVE IT INTERVIEW WITH INDY PERRO


Things you need in order to write: either a computer or a notebook. Now that I think about it, however, I get a fair amount of work done when I’m not at my desk and ideas get a chance to bubble to the surface of my subconscious. That’s definitely a part of writing.
Things that hamper your writing: distraction. 


Things you love about writing: the opportunity to smooth ideas out, to connect them, develop them, and turn them into imagery.
Things you hate about writing: the business of doing business. To paraphrase Allen Toussaint, it’s a sad thing and a bad thing, but oh so necessary, that this cold world holds your values to become monetary.

Easiest thing about being a writer: putting words on a page.

Hardest thing about being a writer: developing the skill to write well enough that you won’t be ignored.


Things you never want to run out of: words and combinations of words.
Things you wish you’d never bought: I wish I’d never bought into the idea of prestige. Nothing, in my opinion, poisons art more quickly or with greater ruthlessness than prestige.


Words that describe you:
indescribable.
Words that describe you but you wish they didn’t: ambiguous.

Favorite foods: anything Mexican or Central American.
Things that make you want to throw up: coconut; it’s a hell of a thing to do to chocolate.

Favorite beverage: limeade.

Something that gives you a pickle face: an excess of dill.

Favorite smell: puppy breath.

Something that makes you hold your nose: my dog’s breath now that she’s no longer a puppy.

Something you wish you could do: dunk a basketball.
Something you wish you’d never learned to do: criticize.

Last best thing you ate: a lime popsicle.

Last thing you regret eating: I’m not sure what you call it, and perhaps it shouldn’t have been that color or texture or consistency.

Things to say to an author: The same things you’d say to anyone.

Things to say to an author if you want to be fictionally killed off in their next book: If you’re a writer, what do you do for a living? Also, any statement that conveys a belief that being a writer is comparable to being a samurai or some other historical profession or mythological being. I assure you, being a writer has more in common with being a carpenter than being a Viking.

Favorite places you’ve been: Clifton, Arizona, which lives up to its name.
Places you never want to go to again: in North Platte, Nebraska, there’s a diner that serves omelets made with canned mushrooms.

Things that make you happy: art museums, concerts, great movies, and Led Zeppelin.

Things that drive you crazy: people who don’t like Led Zeppelin.

Biggest lie you’ve ever told: “It’s not a lie, if you believe it.”

A lie you wish you’d told: “No, those pants don’t make you look fat. Why do you ask?”

Best thing you’ve ever done: Marriage.

Biggest mistake: I was counting my chickens when, all of a sudden, I tripped and dropped my eggs.

Most daring thing you’ve ever done: I once summited a volcano during a thunderstorm.

Something you chickened out from doing: nobody said the high dive would be so . . . high.

The last thing you did for the first time: I recently discovered the importance of Willie Nelson, and I must admit that’s a bigger deal than it sounds.

Something you’ll never do again: summit a volcano during a thunderstorm. That’s just stupid.


ABOUT THE AUTHOR 



Indy Perro is a novelist, an independent thinker, and a recovering academic. Indy has a degree in history, graduate degrees in religious studies, comparative literature, and education, and has spent more than a decade teaching philosophy, religious studies, writing, and literature. He lives in northern Colorado, and when he’s not at his desk, he loves to hike, run, read, and study languages. Central City is Indy’s first novel.



Connect with Indy:
Website  |  Facebook  |  Twitter Goodreads 

Buy the book:
Amazon  |  Barnes & Noble

Thursday, February 4, 2021

FEATURED AUTHOR: GABRIEL VALJAN




ABOUT THE BOOK




Trouble comes in threes for Shane Cleary, a former police officer and now, a PI.



Arson. A Missing Person. A cold case.



Two of his clients whom he shouldn’t trust, he does, and the third, whom he should, he can’t.



Shane is up against crooked cops, a notorious slumlord and a mafia boss who want what they want, and then there’s the good guys who may or may not be what they seem.




Praise for Symphony Road:


"The second installment in this noir series takes us on a gritty journey through mid-seventies Boston, warts and all, and presents Shane Cleary with a complex arson case that proves to be much more than our PI expected. Peppered with the right mix of period detail and sharp, spare prose, Valjan proves he's the real deal." - Edwin Hill, Edgar finalist and author of Watch Her



"Ostracized former cop turned PI Shane Cleary navigates the mean streets of Boston’s seedy underbelly in Symphony Road. A brilliant follow up to Dirty Old Town, Valjan’s literary flair and dark humor are on full display." - Bruce Robert Coffin, award-winning author of the Detective Byron Mysteries



"A private eye mystery steeped in atmosphere and attitude." - Richie Narvaez, author of Noiryorican


 

Book Details:
Title: Symphony Road
Author: Gabriel Valjan
Genre:
crime fiction, procedural, noir, historical fiction
Series:
Shane Cleary Mystery, book 2
Published by:
Level Best Books (January 15, 2021)
Print length: 232 pages
 




TWENTY QUESTIONS/ONE ANSWER INTERVIEW WITH GABRIEL VALJAN


1.     Where is your cell phone? Charging.

2.     Your hair? Covid-19.

3.     Your workplace? Home.

4.     Your other half? Sleeping.

5.     What makes you happy? Munchkin.

6.     What makes you crazy? Excuses.

7.     Your favorite food? Tenderloin.

8.     Your favorite beverage? Cawfee.

9.     Fear? Blindness.

10.  Favorite shoes? Slippers.

11.  Favorite way to relax? Comedies.

12.  Your mood? Placid.

13.  Your home away from home? Library.

14.  Where were you last night? Home.

15.  Something that you aren’t? Pretentious.

16.  Something from your bucket list? Serenity.

17.  Wish list item? Loft.

18.  Where did you grow up? New Jersey.

19.  Last thing you did? Typed.

20.  What are wearing now? PJs.
 



EXCERPT FROM SYMPHONY ROAD

I went to cross the street when the wheels of a black Cadillac sped up and bristled over tempered glass from a recent smash-and-grab. The brake lights pulsed red, and a thick door opened. A big hulk stepped out, and the car wobbled. The man reached into his pocket. I thought this was it. My obituary was in tomorrow’s paper, written in past tense and in the smallest and dullest typeface, Helvetica, because nothing else said boring better.

Click. Click. “I can never get this fucking thing to light.”

It was Tony Two-Times, Mr. B’s no-neck side man. His nickname came from his habit of clicking his lighter twice. “Mr. B wants a word.”

“Allow me.” I grabbed the Bic. The orange flame jumped on my first try and roasted the end of his Marlboro Red. “You really oughta quit.”

“Thanks for the health advice. Get in.”

Tony nudged me into the backseat. I became the meat in the sandwich between him and Mr. B. There was no need for introductions. The chauffeur was nothing more than a back of a head and a pair of hands on the wheel. The car moved and Mr. B contemplated the night life outside the window.

“I heard you’re on your way to the police station to help your friend.”

“News travels fast on Thursday night. Did Bill tell you before or after he called me?”

“I’m here on another matter.”

The cloud of smoke made me cough. Tony Two-Times was halfway to the filter. The chauffeur cracked the window a smidge for ventilation. As I expected, the radio played Sinatra and there were plans for a detour. A string of red and green lights stared back at us through a clean windshield.

“A kid I know is missing,” Mr. B said.

“Kids go missing all the time.”

“This kid is special.”

“Has a Missing Persons Report been filed?”

The look from Mr. B prompted regret. “We do things my way. Understood?”

We stopped at a light. A long-legged working girl with a chinchilla wrap crossed the street. She approached the car to recite the menu and her prices, but one look at us and she kept walking.

“Is this kid one of your own?”

The old man’s hand strummed leather. The missing pinky unnerved me. I’ve seen my share of trauma in Vietnam: shattered bones, intestines hanging out of a man, but missing parts made me queasy. The car moved and Mr. B continued the narrative.

“Kid’s a real pain in my ass, which is what you’d expect from a teenager, but he’s not in the rackets, if that’s what you’re wondering. This should be easy money for you.”

Money never came easy. As soon as it was in my hand, it went to the landlady, or the vet, or the utilities, or inside the refrigerator. I’d allow Mr. B his slow revelation of facts. Mr. B mentioned the kid’s gender when he said “he’s not in the rackets.” This detail had already made the case easier for me. A boy was stupider, easier to find and catch. Finding a teenage girl, that took something special, like pulling the wings off of an angel.

“He’s a good kid. No troubles with the law, good in school, excellent grades and all, but his mother seems to think he needed to work off some of that rebellious energy kids get. You know how it is.”

I didn’t. The last of my teen years were spent in rice paddies, in a hundred-seventeen-degree weather—and that was before summer—trying to distinguish friendlies from enemies in a jungle on the other side of the planet. And then there were the firefights, screams, and all the dead bodies.

“Does this kid have a girlfriend?” I asked.

Mr. B said nothing.

“A boyfriend then?” That question made Mr. B twist his head and Tony Two-Times elbowed me hard. “I’ve got to ask. Kids these days. You know, drugs, sex, and rock’ n roll.”

“The kid isn’t like your friend Bill, Mr. Cleary.”

The mister before Cleary was a first. The ribs ached. I caught a flash of the driver’s eyes in the rearview mirror. Mr. B conveyed specifics such as height and weight, build, the last known place the kid was seen, the usual hangouts and habits. This kid was All-American, too vanilla, and Mr. B had to know it. Still, this kid was vestal purity compared to Mr. B, who had run gin during Prohibition, killed his first man during the Depression, and became a made-man before Leave It to Beaver aired its first episode on television.

The car came to a stop. The driver put an emphasis on the brakes. We sat in silence. The locks shot up. Not quite the sound of a bolt-action rifle, but close. Mr. B extended his hand for a handshake. I took it. No choice there. This was B’s way of saying his word was his bond and whatever I discovered during the course of my investigation stayed between us, the Father, the Son and the Holy Ghost.

“I’ve got to ask,” I said.

“I’ll pay you whatever you want.”

“It’s not that,” I said, feeling Tony Two-Times’ breath on the back of my neck. “Did you hire Jimmy C to do a job lately?”

“I did not.”

“And Bill called me, just like that?” I knew better than to snap my fingers. Tony would grab my hand and crush my knuckles like a bag of peanuts. A massive paw on the shoulder told me it was time to vacate the premises, but then Mr. B did the tailor’s touch, a light hand to my elbow. “Jimmy is queer like your friend, right?”

“What has that got to do with anything?”

“When it comes to friends, you forgive certain habits, like I allow this idiot over here to smoke those stupid cigarettes. Capisci?”

“Yeah, I understand.”

“Good. Now, screw off.”

I climbed over Tony Two-Times to leave the car. Door handle in my grip, I leaned forward to ask one last thing, “You know about Jimmy’s predicament?”

“Ironic, isn’t it?” Mr. B said.

“What is?”

“I know everything in this town, except where my grandnephew is. Now, shut the door.”

The door clapped shut. I heard bolts hammer down and lock. There was a brief sight of silhouettes behind glass before the car left the curb. I had two cases before breakfast, one in front of me, and the other one, behind me in the precinct house. There was no need for me to turn around. No need either, to read the sign overhead.

The limestone building loomed large in my memory. Two lanterns glowed and the entrance, double doors of polished brass, were as tall and heavy as I remembered them. It was late March and I wasn’t Caesar but it sure as hell felt like the Ides of March as I walked up those marble steps.

***

Excerpt from Symphony Road by Gabriel Valjan.  Copyright 2021 by Gabriel Valjan. Reproduced with permission from Gabriel Valjan. All rights reserved.

 

ABOUT THE AUTHOR


Gabriel Valjan lives in Boston’s South End. He is the author of the Roma Series and Company Files (Winter Goose Publishing) and the Shane Cleary Series (Level Best Books). His second Company Files novel, The Naming Game, was a finalist for the Agatha Award for Best Historical Mystery and the Anthony Award for Best Paperback Original in 2020. Gabriel is a member of the Historical Novel Society, International Thriller Writer (ITW), and Sisters in Crime.




Connect with Gabriel:

Website  |  Blog  |  Facebook  |  Twitter  |  Goodreads 

Buy the book:
Amazon  |  Barnes & Noble
 
 

Tuesday, January 28, 2020

FEATURED AUTHOR: TOM LUTZ



ABOUT THE BOOK


A provocative, globe-trotting, time-shifting novel about the seductions of—and resistance to—toxic masculinity.



"Frank knew as well as anyone how stories start and how they end. This fiery mess, or something like it, was bound to happen. He had been expecting it for years."



Frank Baltimore is a bit of a loser, struggling by as a carpenter and handyman in rural New England when he gets his big break, building a mansion in the executive suburbs of Hartford. One of his workers is a charismatic eighteen-year-old kid from Liverpool, Dmitry, in the US in the summer before university. Dmitry is a charming sociopath, who develops a fascination with his autodidactic philosopher boss, perhaps thinking that, if he could figure out what made Frank tick, he could be less of a pig. Dmitry heads to Asia and makes a neo-imperialist fortune, with a trail of corpses in his wake. When Dmitry's office building in Taipei explodes in an enormous fireball, Frank heads to Asia, falls in love with Dmitry's wife, and things go from bad to worse.



Combining the best elements of literary thriller, noir and political satire, Born Slippy is a darkly comic and honest meditation on modern life under global capitalism.



Book Details:


Title: Born Slippy: A Novel


Author: Tom Lutz


Genre: noir, thriller


Publisher: Repeater/Penguin Random House (January 14, 2020)


Print length: 296 pages







LOVE IT OR LEAVE IT WITH TOM LUTZ


A few of your favorite things: my thousands of books.
Things you need to throw out: hundreds of books.


Things you need in order to write: my laptop.
Things that hamper your writing: my job (teaching at the University of California, Riverside), my avocation (running Los Angeles Review of Books, and my bad habits (binge-watching global TV on Netflix).


Things you love about writing: doing it, being in the flow.
Things you hate about writing: not much, really.

Easiest thing about being a writer: doing it.

Hardest thing about being a writer: doing it.


Things you love about where you live: my neighborhood in Los Angeles has the upside of urban life combined with the best of suburban life.
Things that make you want to move: I don’t want to move, I just want to travel.

Things you never want to run out of: time, money, and love.
Things you wish you’d never bought: a video camera.


Favorite foods: paella, duck, porcetta, handmade pasta.
Things that make you want to throw up:  ketchup on eggs; chicken feet; Southern Comfort (had a run-in with it as a teen . . . )

Favorite music or song: funk.
Music that make your ears bleed: noise metal.

Something you’re really good at: diving in.

Something you’re really bad at: patience.


Something you wish you could do: play the saxophone.
Something you wish you’d never learned to do: feel resentment.


People you consider as heroes: empaths.

People with a big L on their foreheads: narcissists.

Things you’d walk a mile for: my children.
Things that make you want to run screaming from the room: people talking about their children.


Things to say to an author: “I love your books!”
Things to say to an author if you want to be fictionally killed off in their next book: “I didn’t care for this new one . . .”

Favorite places you’ve been: all but a handful of the 140 countries I’ve visited.

Places you never want to go to again: Djibouti, Dubai, Abu Dhabi, Moldova.

People you’d like to invite to dinner: the Obamas.

People you’d cancel dinner on: the Trumps (just kidding, I couldn’t pass up that opportunity).

Favorite things to do: travel, work, love.

Things you’d run through a fire wearing gasoline pants to get out of doing: clothes shopping.

Things that make you happy: intimacy, gastronomy, art.

Things that drive you crazy: self-promotion.

Most embarrassing moment: there are way too many to choose from.

Proudest moment: seeing my children happily in love.

Best thing you’ve ever done: getting married.

Biggest mistake: getting married (the other time).

The last thing you did for the first time: skydiving.

Something you’ll never do again: skydiving.



ABOUT THE AUTHOR 


Tom Lutz is an award-winning author of books, articles, reviews, screenplays, and radio programs. After a decade as a musician, cook, and carpenter, he started going to school and never left. After a PhD at Stanford University, he taught at University of Iowa, University of Copenhagen, and CalArts before joining the faculty at UC Riverside in 2006, where he is Distinguished Professor of Creative Writing.

Lutz is the author of Doing Nothing: A History of Loafers, Loungers, Slackers and Bums (Farrar Strauss Giroux; American Book Award, NY Times and LA Times Bestseller), Cosmopolitan Vistas (Cornell University Press; Choice Outstanding Academic Book), Crying: The Natural and Cultural History of Tears  (Norton; NY Times Bestseller and NY Times Notable Book), American Nervousness, 1903: An Anecdotal History (Cornell University Press; NY Times Notable Book), two books of travel narrative:  And the Monkey Learned Nothing: Dispatches from a Life in Transit (Iowa University Press) and Drinking Mare’s Milk on the Roof of the World: Wandering the Globe from Azerbaijan to Zanzibar (OR Books), and a novel, Born Slippy (Repeater/Penguin Random House). These books have been translated into 12 languages and published in dozens of countries. He has published in scores newspapers, magazines, literary and academic journals, and in many edited collections.

He also works as a screenwriter for film and television, and is the founding Editor in Chief and Publisher of The Los Angeles Review of Books (including The LARB Radio Hour, the LARB Quarterly Journal, LARB Books, and the LARB Publishing Workshop). He lives in Los Angeles.

Connect with Tom:
Website  |  Facebook  |  Twitter  |  Goodreads

Buy the book:

Amazon  |  Barnes & Noble

Monday, May 20, 2019

FEATURED AUTHOR: CHARLES SALZBERG




ABOUT THE BOOK


When Henry Swann is asked by his quirky partner, Goldblatt, to find a missing psychic who's swindled his ex-wife out of a small fortune, he just can't say no. Although he doesn't actually expect to get paid, he figures it might give him a chance to finally learn more about his partner's mysterious past. His search takes him into the controversial, arcane world of psychics, fortunetellers, and charlatans, while raising questions in his own mind about whether or not there is an after-life.



While working his partner's case, he's approached by a former employer, attorney Paul Rudder, to track down a missing witness who might be able to provide an alibi for his client, Nicky Diamond, a notorious mob hitman who's scheduled to go on trial in a week for murder he claims he didn't commit. Swann's search for the missing witness, who happens to be the defendant's girlfriend, takes him from Brooklyn to a small beach town across the bay from Mobile, Alabama. But what does she really know and will she even come back with him to testify for her boyfriend?


Book Details:


Title: Swann’s Down,

Author: Charles Salzberg

Genre: Detective/Crime
Series: Henry Swann Mystery, book 5

Publisher: Down & Out Books (May 20, 2019)

Print length: 300 pages

On tour with: Partners in Crime Virtual Book Tours








LOVE IT OR LEAVE IT WITH CHARLES SALZBERG



Things you need in order to write: all I need is my computer and the will to actually sit down at it and write.
Things that hamper your writing: just about everything. What I mean is that I am always distracted by “shiny” objects. In other words, I’ll use every possible excuse not to write.


Things you love about writing: what I like best is having written. But in terms of what I love about writing is seeing these letters magically appear on the page when I press down on a key. And then seeing them form words, then sentences, then paragraphs, then pages. And there’s nothing better than the feeling of thinking you’ve written a perfect sentence. Of course, as soon as I think that I begin to think it’s probably the worst sentence I’ve ever written.
Things you hate about writing: seeing that blank page.

Easiest thing about being a writer: writing.

Hardest thing about being a writer: writing.

Things you love about where you live: I live in New York City, and I’d never live anywhere else. I love the energy the city gives off. I love knowing that at any time of day or night there’s someone out on the street and there’s some restaurant and drug store that’s open.
Things that make you want to move: absolutely nothing. I don’t care how noisy or dirty or loud or crowded it gets, I’m here for the long haul.


Things you never want to run out of: ketchup.
Things you wish you’d never bought: all those clothes in the back of my closets and drawers that I never wear but am too lazy to throw out or give away.


Favorite foods: pasta; anything Mexican; hamburgers; lamb chops; fries.
Things that make you want to throw up: tongue, beets (although the latter I just retch a little).

Favorite music or song: very eclectic. Blues, classic rock, country, classical, or any combination of the aforesaid. Anything by the Beetles or the Stones or The Band.
Music that make your ears bleed: that kind of disco that mimics your heart beat.

Something you’re really good at: I’d like to say everything but then everyone who knows me would know I’m a liar. I’ve always been good at sports, remembering people’s names, and typing—I can type around 90 words a minute. And I have an excellent memory for the spoken word. If you say something, I will remember it forever, almost word for word. It’s a talent that came in very handy when I was a journalist for reasons I won’t go into here. I warn my friends, “Don’t say anything to me that you hope I’ll forget.”

Something you’re really bad at: most things requiring good balance: bicycle riding, roller skating, ice skating, and driving a car. For the latter, I learned but never got a license, and I think I’ve probably saved hundreds of lives because it.

Something you wish you could do: ride a bike.
Something you wish you’d never learned to do: I love learning new things, so I can’t imagine something I’ve learned to do that I wish I didn’t—except maybe washing dishes.

People you consider as heroes: anyone with a disability, no matter how large or small; anyone who lives life in a way that doesn’t harm anyone or themselves.
People with a big L on their foreheads: people who hate or belittle other people; people who are intolerant; bullies; people who think they know who you are but really haven’t the slightest idea.

Things you’d walk a mile for: I’d walk a mile for just about anything because I love walking, especially here in New York. But please don’t call it hiking! I associate that with climbing up, and that’s far too much work. I’d also walk a mile, more than a mile, actually, to help out a friend.
Things that make you want to run screaming from the room: boring people and people who are boors.

Things you always put in your books: information about something I didn’t know before I started writing the book, and that includes anything about myself. I always try to make my books about something and have them take place in worlds I’m not all that familiar with.

Things you never put in your books: if hardly ever counts, then it would be love scenes.

Things to say to an author: “I’ve read your books and I love every single word you’ve ever written.” And “When can I expect your next one?”

Things to say to an author if you want to be fictionally killed off in their next book: “Have I ever heard of you?”

“Have I ever read anything you’ve written?”

“I read your book and loaned it to three other people.” 

“I took your book out of the library (don’t get me wrong, I love libraries, but we actually want you to buy our books so we can write another one, not so we can get rich, which for a writer is pretty much impossible.) 

“On page 142 there’s a mistake . . .”

Favorite books: Lolita, by Vladimir Nabokov, Seize the Day, by Saul Bellow, Portnoy’s Complaint, by Philip Roth, The Continental Op by Dashiell Hammett, Naked and the Dead and The Executioner’s Song, by Norman Mailer, In Cold Blood, by Truman Capote, anything by Margaret Drabble and Jean Rhys, Desperadoes by Ron Hansen.

Books you would ban: not a single one. Ever. No matter what was in it.

Most embarrassing moment: every single moment of the day . . . and that can even include sleeping hours.

Proudest moment: when I first saw my name in print . . . it was a magazine article in the Daily News Sunday magazine.

Best thing you’ve ever done: learned to say yes to everything. It’s the underlying reason behind every single thing I’ve accomplished, from being published to teaching to taking jobs I had no business taking.

Biggest mistake: saying no when I should have said yes. And giving in to my shyness and not asking for something I wanted.

Most daring thing you’ve ever done: quit my job in the mailroom at New York Magazine, while having very little in the bank, not having another job lined up, and not having published a single thing.

Something you chickened out from doing: the page isn’t long enough to list the things I’ve chickened out of doing but what comes immediately to mind is being too shy to ask out a woman I found interesting and attractive, and not standing up for myself when I should have.




EXCERPT FROM SWANN'S DOWN

1
The Age of Aquarius


"We're partners, right?"
Nothing good can come from that question when it comes from the mouth of Goldblatt.
"I mean, all for one and one for all, am I right?" he quickly added in an attempt, I was sure, to seal the deal.
"I think you're confusing us with the three musketeers. May I point out there are only two of us, and I'm afraid that's not the only fallacy in your declaration. But you might as well finish what you've started."
We were having our weekly Friday lunchtime sit-down to discuss what Goldblatt likes to refer to as "business." I have another name for it: waste of time.
Our venue changes from week to week but the concept is always pretty much the same: a cheap diner-slash-coffee shop somewhere on the island of Manhattan. Today's eatery of choice (Goldblatt's choice, my destiny) is the Utopia Diner, on Amsterdam, near 72nd Street. And as for the business we'd just finished discussing, well, to be honest, there never is very much actual business to discuss and today was no exception.
At this particular moment in time, we were going through a bit of a dry spell, which always makes me a little nervous because no matter how much I banish it from my mind, the rent is due the first of every month and at least three times a day I seem to develop a hunger that must be quenched. Still, a good fifteen, twenty years away from Social Security, and with precious little dough in the bank--okay, let's be honest, no dough in the bank--and no 401-K to fall back on, I need to keep working. And, as much as I don't like to admit it, lately it's been my "partner," as he likes to refer to himself, as opposed to my preferred albatross, who's brought in the bulk of our clients.
We'd already finished eating--though technically, Goldblatt never actually finishes eating which means a meal can easily turn into an all-day affair, if I don't apply the brakes--and we were just waiting for the check to arrive. This is a crucial point of any meal with Goldblatt because it is the opening gambit in what has become our weekly routine of watching the check sit there in no-man's land somewhere between us until I inevitably give in, pick it up, and pay. Otherwise, I risk one of two things: either we'd be there all afternoon or, worst case scenario, Goldblatt will decide he's still hungry and threaten to order something else. Neither one of these options is the least bit appealing.
"I'll get right to the point," he said.
Just then, out of the corner of my eye I spotted the waiter, like a white knight, approaching with our check in hand. If I acted quick enough I might be able to get out of there before I can be sucked into something I don't want to have anything to do with.
"That would be nice," I said, reaching for my wallet. "What is your point?"
"I need to hire you."
I was stopped in my tracks before I got my wallet halfway out of my back pocket.
"Really? To do what?"
"I want you to find someone for me. Well, to be more precise it's not really for me. It's for my ex-wife."
Wait a minute! Goldblatt married? Goldblatt with a wife? Goldblatt a husband? This was a new one on me, something I'd never even considered.
"You…you've been married?" I stammered.
Truth is, I never pictured Goldblatt being in any relationship other than with, yes, as irritating as it might be, me. I mean the guy isn't exactly anyone's idea of Don Juan, although I suppose in theory there are women who might find him if not attractive in the conventional way at least interesting in a specimen-under-glass way. Or maybe as a project. Women love a project. They love a challenge. They love the idea that they have the opportunity to remake a man in their image. Maybe that was it. But whatever it was, my world was shaken to the core. And what would shake it even more would be to find that he was actually a father, too. But one shock per meal is more than enough, so there was no chance I was going to pursue that line of questioning.
"Unfortunately, the answer is yes. More than once, in fact."
"Holy Cow," I blurted out, channeling the Scooter. "You're kidding me?"
At this point the same bald, squat waiter who seems to serve us in every diner we patronize, reached our table and dropped the check right in front of me.
"This is not something a man usually kids about."
"How many times?"
He held up three fingers.
"Three times! You've been married three times?"
"Yeah."
I gulped.
"Are you married now?"
He shook his head. "Nah. I'm kinda between wives. Giving it a rest, if you know what I mean.
But chances are I'll be back in the saddle again soon enough."
"Okay, so let me get this straight. You've been married three times and now you're single but you would consider getting married again?"
"Man is not meant to be alone, Swannie. You might consider the possibility that your life would be enriched if you found your soulmate."
You're fortunate if you find one soul mate in life and I'd already had mine. She was yanked from my life as a result of a freak accident, a matter of being in the wrong place at the wrong time. I didn't know if Goldblatt knew the circumstances of her bizarre accidental death, but I wouldn't have been surprised because he seems to know a lot of things he has no business knowing.
"Some men are meant to be alone, Goldblatt. I'm one of them and after three failed marriages maybe you should consider the possibility you are, too."
He smiled and puffed out his chest. "What can I say, Swann? I'm a friggin' babe magnet."
I would have laughed, should have laughed, but I was still processing the scary fact that he'd been married three times. That meant there were three women in the world who not only were willing to marry him but did marry him. I wanted to know more. Much more. Everything, in fact. But this was not the time and certainly not the place to delve into Goldblatt's mysterious, sordid past. Nevertheless, I promised myself I would revisit this topic in the not too distant future.
Still in shock, I avoided our weekly "who's paying for this meal" tango, grabbed the check and reached for my wallet...again.
"So, wanna know the story?" he asked.
"Which story would that be?"
"The story of why I want to hire you?"
"Desperately."
***
Excerpt from Swann's Down by Charles Salzberg.  Copyright 2019 by Charles Salzberg. Reproduced with permission from Charles Salzberg. All rights reserved.




OTHER BOOKS BY CHARLES SALZBERG







ABOUT THE AUTHOR 


Charles Salzberg is the author of the Shamus Award-nominated Henry Swann Detective series, Swann’s Last Song, Swann Dives In, Swann’s Lake of Despair, Swann’s Way Out, and Swann’s Down. He is also author of Devil in the Hole, which was named one of the best crime novels of 2013, and Second Story Man, which won the Beverly Hills Book Award for Crime Fiction in 2018. His novellas, Twist of Fate and The Maybrick Affair, were included in the collections Triple Shot and Three Strikes.

He is a former magazine journalist, whose work has appeared in New York Magazine, Esquire, Redbook, The New York Times Book Review, GQ and other periodicals; and he has written over two dozen nonfiction books including Soupy Sez: My Zany Life and Times, with Soupy Sales, and From Set Shot to Slam Dunk, an oral history of the NBA.

Charles was a Visiting Professor of Magazine at the S.I. Newhouse School of Public Communications at Syracuse University, and he teaches writing at the New York Writers Workshop, where he is a Founding Member. He is also on the MWA-NY Board.


Connect with Charles:
Website  |  Facebook  |  Twitter  |  Goodreads

Buy the book:
Amazon  |  Barnes & Noble





Thursday, September 3, 2015

FEATURED AUTHOR: MAXINE NUNES


ABOUT THE BOOK

During a brutal L.A. heatwave, four people are murdered in the Hollywood Hills, and Nikki Easton's best friend Darla Ward has disappeared. The police think she might be one of the victims.
 
In her relentless search for the truth, Nikki discovers the hidden side of her friend's life, laying bare secrets buried before Darla was born, and uncovering widening layers of corruption that reach far beyond Hollywood to the highest levels of government.

"Maxine Nunes crafts an outstanding tale of friendship, murder, love, and betrayal in her impressive debut, Dazzled... Nunes' writing is top-notch from start to finish, and the increasingly suspenseful plot comes together with meticulous precision." --ForeWord Reviews




INTERVIEW WITH MAXINE NUNES


Maxine, how long have you been a writer?

I’ve written or edited for a living my entire life, starting with my first job out of college at Random House. It was an amazing place to be. I read manuscripts and wrote jacket copy and rubbed shoulders with the authors I’d always idolized. But after that — like Nikki Easton, the heroine of Dazzled — I traveled around a lot and was very, very lucky because I kept stumbling into writing jobs. But the most fun I ever had — and the best training ground for fiction — was writing quickie potboiler romances. I was in my twenties, and I wrote ten of them — one a month to pay the rent.

What's your favorite thing about the writing process?

Rewriting, once I have the first draft. I put a lot of work into plotting — it’s the armature everything else is built on — but that’s the tough part for me. Then, once I have the structure — and I know that the work I put in on a chapter is crucial to the whole — I can start to do what I love. Making scenes come alive, creating resonant settings, honing the language. I’ve had so many people praise the plot surprises in Dazzled, but for me the biggest surprises often come from the unexpected interplay of words and images.

How long is your to-be-read list?
Hah! Endless. When it comes to reading purely for pleasure, I’m totally impulsive. Mood of the moment. I’ve been on a Scandinavian mystery jag recently and just finished all the Martin Beck novels, which still seem very modern even though they were written back in the sixties. I’ve also been rereading a bunch of books by Tom Wolfe, because when it comes to both style and nailing the single detail that says everything, he’s pretty phenomenal. So that’s all for fun.

But I also belong to a reading group that likes to take on the tough books, the ones you might not get through on your own. We were not afraid of Virginia Woolf, we read are all seven volumes of Proust’s In Search of Lost Time, wrestled with Gravity’s Rainbow (which, on my own, I would have put down after the first chapter], and a lot more. The people in this group are pit bulls when it comes to tackling the hard stuff.

If you could only watch one television station for a year, what would it be?
A couple of years ago it would have been HBO. Now I’d have to say Showtime, because they’ve got Ray Donovan and Homeland. But I’d probably cheat and sneak over to Lifetime when I get a jones for Project Runway.

How do you feel about Facebook?
At the moment, I’m monumentally bored with it.

For what would you like to be remembered?
The epic novel I haven’t written yet about New York in 1968.

If you had a swear jar, would it be full?
OMG, I’d be a billionaire!

What's the biggest lie you ever told?

“I don’t care.” It’s almost never true.

What is the most daring thing you've done?

Fighting to free my ex-husband from prison in a foreign dictatorship. That was quite an experience. And I plan to use it for a Nikki Easton mystery!

You absolutely should! 
Where is your favorite library, and what do you love about it?
The main branch of the New York Public Library. New York is my hometown, it’s the antithesis of Los Angeles, and the library somehow embodies that. You can feel all the gorgeous complexity of the city and its history when you sit in the reading room — those amazing windows, the intricately carved wood that frames the ceiling murals. And the most amazing thing: hundreds of New Yorkers, and they’re all quiet! 


You can be any fictional character for one day. Who would you be?
Don Draper on a good day.

Excellent choice. 
What's your relationship with your cell phone?

As close as you can get short of an implant.


Do you have a favorite book?

Almost every book by Philip Roth. I’m heartbroken that he’s stopped writing. The Alexandria Quartet by Lawrence Durrell. I was obsessed with those books when I was in my late teens and recently reread Justine, which I found just as amazing as I did then — the lushness, the sensuality, the complexity, the language. And I love mysteries — there are so many by really great writers — it’s my favorite form of escape.

Mine too! 
How about a favorite book that was turned into a movie? Did the movie stink?
Most movie adaptations do reek, but one that really worked was The Big Sleep. Chandler’s books hit all the reading pleasure centers. And the movie is also a classic. William Faulkner wrote the screenplay (which famously has a giant plot hole in it, but the film is so good no one seems to mind), Howard Hawks directed, and Bogart and Bacall are electric.

What are you working on now?
Two books. One is a Nikki Easton mystery that takes place in Lisbon — and I hope to travel there this fall. I’m also working on that New York novel I mentioned earlier. It does have a murder, but the story is told from multiple points of view, and right now it’s a monster I’m trying to tame.

Lightning round:
Cake or frosting? Frosting! I can totally do without the cake.
Laptop or desktop? Laptop.
Chevy Chase or Bill Murray? The young Chevy Chase, the old Bill Murray.
Emailing or texting? Burned out on both, so face-to-face over a glass of wine.
Indoors or outdoors? Outdoors.
Tea: sweet or unsweet? Sweet if it’s chai, unsweet for anything else.
Plane, train, or automobile? Trains still feel like an adventure, but I live in LA, which means I live in my car.

EXCERPT FROM DAZZLED, A NIKKI EASTON MYSTERY


CHAPTER 1


What’s real? Darla used to ask me. How do you know what’s real? I never understood the question. But then I didn’t have platinum hair and cheekbones that could cut glass, and no one ever offered to buy me a Rolls if I spent one night naked in his bed. Darla was a brilliant neon sign flashing pure escape. You almost didn’t notice that those lovely green eyes didn’t blaze like the rest of her. She was both main attraction and sad observer at the carnival. Something had damaged her at a very young age. We never talked much about it, but we recognized this in each other from the start. Isn’t that what friendship is?

The week she disappeared was as extreme as she was. Triple-digit heat in late August and wavy layers of smog suffocating the city. By ten in the morning, it was brutal everywhere, and on the sidewalks in front of the homeless shelter, with the sun bouncing off the film crew trailers and the odor of unwashed bodies and general decay, it was a very special episode of hell. Beneath an archway, a tall man with a filthy blanket draped over his head rolled his eyes heavenward like a biblical prophet. Or a Star Trek castaway waiting to be beamed up.

In one of those trailers, where air conditioning brought the temperature down to the high nineties, I was being stuffed into a fitted leather jacket two sizes too small. Perspiration had already ruined my makeup and the dark circles under my eyes were starting to show through.

Heat keeping you up, hon? the makeup girl had asked. I’d nodded. Half the truth.


ABOUT THE AUTHOR

Maxine Nunes is a New Yorker who's spent most of her life in Los Angeles. She has written and produced for television, and currently writes for several publications including the Los Angeles Times. Her satiric parody of a White House scandal won the Pen USA West International Imitation Hemingway Competition.

Connect with Maxine:

Website  | 
Facebook  | 
Goodreads 


Special paperback release price: $6.37 (will be $12.99)