Showing posts with label crime fiction. Show all posts
Showing posts with label crime fiction. Show all posts

Friday, September 30, 2022

FEATURED AUTHOR: CARLA DAMRON

 

 

ABOUT THE BOOK 


Social worker Georgia Thayer can balance her own mental illness with the demands of an impossible job. Mostly. But when her sister vanishes in the dead of night, her desperate quest to find Peyton takes her into the tentacles of a human trafficking network—where she encounters a young victim called “Kitten.”
 
Kitten is determined to escape. She won’t be trapped like the others. She won’t sell her soul like Lillian, victim-turned-madam, feeding the dark appetites of international business moguls and government leaders. But the Estate won’t let her out of its lethal grip, and her attempts at freedom threaten her very life.
 
Aided by Kitten and, at times, by the voices in her head, Georgia maneuvers to bring down the kingpin of Estate and expose its dark secrets, but her efforts place her—and the few people she allows to get close—in grave danger.
 

Book Details 

Title: The Orchid Tattoo       

Author: Carla Damron        

Genre: crime fiction 

Publisher: Koehler Books (September 30, 2022)

Print length: 326 pages



 

LOVE IT OR LEAVE IT WITH CARLA DAMRON


A few of your favorite things: CHOCOLATE, autumn, when my husband says “let’s eat out.”
Things you need to throw out: clothes from 1995, that broken pottery plate that I loved but can’t be repaired, the light-up velvet painting of a riverboat from my in-laws’ house, even though it’s pretty cool.

Things you need in order to write: coffee in my favorite mug. The annoying cat contained in another room so he can’t “help” me. 

Things that hamper your writing: negative self-talk, social media (especially those cute panda bear videos people post).

Things you love about writing: I love words. Their shape and texture. The magic of it: scribbles on a page turn into fleshed-out scenes that take place in the reader’s mind.

Things you hate about writing: sometimes I dread the blank page. The drudgery of middles. The business end of the writing life—querying and getting rejected and querying more and wondering if I should take up knitting.

Easiest thing about being a writer: seriously, it couldn’t be easier. All you need is a pen and paper.
Hardest thing about being a writer: once you have that pen and paper, you need to open your soul and let it bleed.

Things you love about where you live: three wonderful seasons! 

Things that make you want to move: in summer, we live in lava.

Things you never want to run out of: coffee, Fresca, and patience.
Things you wish you’d never bought: those stupid grown-up shoes that, when I wear them, prove I’ll never actually be a grown-up.

Words that describe you: empathic, passionate, witty, fun.

Words that describe you but you wish they didn’t: stubborn, self-righteous at times, disorganized.

Favorite foods: hot latte, fried shrimp, rice (the Southerner in me ADORES rice).

Things that make you want to throw up: Feta cheese, mustard, Peeps. I REALLY hate Peeps. 

Favorite music: all things Bonnie Raitt. Also love Ellis Paul, James Taylor, Elton John (yeah, I’m old). 

Music that make your ears bleed: sorry Greek friends, but I’m pretty sure that the music they play at Greek festivals can summon demons.

Favorite beverage: I’m not addicted to Fresca. I can quit anytime. 

Something that gives you a pickle face: Moxie (a carbonated beverage from Maine, where my hub’s family lives).

Favorite smell: fireplace in autumn. Steaks on the grill.
Something that makes you hold your nose: over-applied aftershave.

Something you’re really good at: I’m very conceited about my typing speed. 

Something you’re really bad at: keeping my opinions to myself. Surely everyone wants to hear them, right?

Something you wish you could do: crochet
.
Something you wish you’d never learned to do: pull weeds.

Something you like to do: go kayaking.

Something you wish you’d never done: agreed to take minutes. WHAT WAS I THINKING?

Last best thing you ate: dark chocolate caramel with sea salt. Yum. 

Last thing you regret eating: a soggyish flatbread disaster.

Things you’d walk a mile for: to talk sense into a legislator.

Things that make you want to run screaming from the room: legislators who won’t listen.

Things you always put in your books: social justice issues.

Things you never put in your books: one-dimensional characters.

Things to say to an author: I bought your book!

Things to say to an author if you want to be fictionally killed off in their next book: “I think you should have changed the ending so that this happens” (then proceeds to tell me what would have been a better ending).

Favorite places you’ve been: Alaska, Switzerland, Maine.

Places you never want to go to again: any crowded airport when lot of flights are cancelled.

Favorite things to do: hug on my animals. 

Things you’d run through a fire wearing gasoline pants to get out of doing: bathe a cat.

Things that make you happy: people who are generous and help others. 
Things that drive you crazy: people who have the resources to help those who need it and don’t.

Proudest moment: winning the WFWA Star Award for Best Novel. 

Most embarrassing moment: there are so many. Recently, I tripped over a bag when I was about to testify at the Statehouse.

Most daring thing you’ve ever done: went rappelling.

Something you chickened out from doing: taking a hike through a park in Alaska (we saw a sign that said a grizzly bear had been spotted!)



ABOUT THE AUTHOR

Carla Damron, a native of South Carolina, is the author of The Orchid Tattoo, crime fiction about human trafficking. She is also a social worker and advocate whose last novel, The Stone Necklace (about grief and addiction) won the 2017 Women’s Fiction Writers Association Star Award for Best Novel. This novel was also selected to be the One Community Read for Columbia SC.  Damron authored the Caleb Knowles mystery novels (Keeping Silent, Spider Blue, and Death in Zooville) and has published numerous short stories, essays, and op-eds. She holds an MSW and an MFA and finds her careers of social worker and writer to be intricately intertwined; all of her novels explore social issues like addiction, homelessness, mental illness, and human trafficking. In her spare time, Damron volunteers with the League of Women Voters, Sisters in Crime, Palmetto Chapter (President), her church, and Mutual Aid Midlands.


Connect with Carla:
WebsiteNewsletter Facebook  |  Twitter   |  Goodreads


Buy the book:

Amazon   |  Barnes & Noble  
 
 
 

Thursday, November 4, 2021

FEATURED AUTHOR: CARMEN AMATO



ABOUT THE BOOK


Acapulco’s first female police detective dives into an ocean of secrets, lies, and murder when she investigates her own lieutenant’s death.

In this explosive start to the award-winning Detective Emilia Cruz mystery series set in Acapulco, Emilia beat the odds to become the resort city's first female police detective. But she lives in a pressure cooker where trust is in short supply.

Her fellow detectives are scheming to push her out. Her lieutenant is a shady character playing both sides of the law. The police department is riddled with corruption and drug cartel influence.

When her lieutenant is murdered, Emilia is assigned to lead the investigation. Soon the man’s sordid sex life, money laundering, and involvement in a kidnapping double-cross combine to create an ugly mess no one wants exposed. The high profile murder case could wreck Emilia’s career.

When Emilia's worst enemy in the squadroom emerges as the prime suspect, keeping her job might be the least of her worries.

"A thrilling series" -- National Public Radio

“Consistently exciting” -- Kirkus Reviews

"A wonderful crime mystery" -- MysterySequels.com

2020 Poison Cup award, Outstanding Series -- CrimeMasters of America

Author Carmen Amato uses her own counterdrug and espionage experiences from a 30-year career in national intelligence to craft intrigue-filled crime fiction. She keeps you guessing until the very end!

Amato is a recipient of both the National Intelligence Award and the Career Intelligence Medal.

Readers who love international mystery series crime fighters including Armand Gamache, Harry Hole, Guido Brunetti, and the Department Q series will also love Detective Emilia Cruz’s complex plots, pulse-pounding suspense, and exotic location.

Perfect for lovers of detective fiction by Ian Rankin, Jo Nesbo, and Peter May, as well as Don Winslow’s Mexican cartel and border thrillers.

Book Details:

Title: Cliff Diver

Author: Carmen Amato

Genre: mystery, police procedural

Series: Detective Emilia Cruz
, book 1
Publisher: Laurel & Croton (January 27, 2013)

Print length: 302 pages





LOVE IT OR LEAVE IT WITH CARMEN AMATO



A few of your favorite things: German Shepherd dogs, my Andoid phone, Furla handbags from Italy.
Things you need to throw out: a closet full of clothing that’s out of style or doesn’t fit. But I’m keeping the Furlas.

Things you need in order to write: sticky notes, hardback notebooks, Pilot Precise pens, peace and quiet. Also coffee.
Things that hamper your writing: dogs arguing over toys under my desk.

Things you never want to run out of: toilet paper, printer ink, dog food, the joy of creating complicated plots.
Things you wish you’d never bought: a giant teal velvet sofa that looked great two houses ago, but which now looks like a faded whale.

Things you always put in your books: unexpected complications. I love complexity.

Things you never put in your books: people being mean to dogs.

Things to say to an author: I loved all 10 of your books and read your Mystery Ahead newsletter the minute it hits my inbox every other Sunday.

Things to say to an author if you want to be fictionally killed off in their next book: I haven’t read your book but I’m going to give it a 1-star review.

Favorite places you’ve been: Acapulco, London, Rome, Venice, Athens, Oslo, Mexico City, Key West, Fiji.

Places you never want to go to again: any highway during a blizzard. I’m from Upstate New York. Enough said.

People you’d like to invite to dinner (living): Cesar Millan, the Dog Whisperer. Seriously, our three dogs could use some of his magic.

People you’d cancel dinner on: anyone who wants me to contribute to their election campaign.

Most daring thing you’ve ever done: during my thirty years as an intelligence officer with the CIA I did a few things that qualify as daring, but I can’t talk about it :(

Something you chickened out from doing: as a newly minted scuba diver, I was stuck for a week in the Solomon Islands in the middle of the Pacific—right on Guadalcanal. I had all my scuba gear, but the dive shop there felt sketchy. I could have seen the wrecks of WWII planes and ships on the bottom of the Pacific.



EXCERPT FROM CLIFF DIVER

The two newcomers surveyed the squadroom. One of them looked vaguely familiar, as if he’d been in the newspaper lately. He was in his late thirties, with longish dark hair slicked back from a high forehead and the sort of angular cheekbones that spoke of a strong indio heritage. He wore a black leather blazer over a black tee shirt and cuffed pants. There was a slight bulge under the left arm.

Emilia stopped typing. The man exuded power.

The other man was bigger and blockier, with a square chin and a nose that had been broken too many times. He was also well dressed in expensive casual clothing.

“I’m looking for a Detective Cruz,” the black-clad man announced.

Emilia felt all eyes shift to her. But before she could say anything Silvio crossed the room. “Detective Franco Silvio,” he said to the man in black.

“I know who you are,” the man replied. “I’m here to talk to Cruz.”

Emilia slowly stood up.

“In the office.” The man jerked his chin at Emilia and then he and his cohort pushed past Silvio and headed into el teniente’s office.

Silvio swung over to Emilia. “What the fuck’s this?” he hissed.

“I don’t know,” she flashed back. Rico came to stand next to her and Silvio gave him a what-the-fuck-do-you-think-you’re-doing look but Rico stood his ground.

The three of them went into the office. The man in black sat in el teniente’s chair and jiggled the locked desk drawers. “Shut the door,” he said without looking up.

Silvio complied and the man came out from behind the desk.

“Do you know who I am?” he asked Emilia.

Emilia gave her head a tight shake. With five people in the room it felt crowded and Emilia felt that cold spurt of wariness she always did when she was the only woman in a crowd of unfriendly men. “I’m sorry, señor.”

“I’m Victor Obregon Sosa, the head of the police union for the state of Guerrero,” he announced. “This is my deputy, Miguel Villahermosa.” The other man didn’t acknowledge the introduction but it was clear Obregon had not expected him to do so. “We’re here to make sure that the investigation into Fausto Inocente’s death is handled properly.”

Rico bristled, as if he was offended that the union would butt in. Emilia waited for him to say something stupid but Silvio shot him a murderous glare and Rico kept his mouth shut.

“We’re barely two hours into the investigation,” Silvio said, obviously making an effort to keep his temper. It had been less than 40 minutes since the call to the chief of police. “It came in as a routine dispatch call. Cruz and Portillo were given the assignment, made the discovery, locked down the scene, and notified the next of kin.”

“So let’s hear it,” Obregon said and flapped a hand.

Silvio nodded at Rico.

“We got a report of a drifting boat,” Rico began. “It was off the beach at the Palacio Réal hotel--.”

“No,” Obregon interrupted. He folded his arms. “Cruz.”

Emilia stole a look at Rico. His face was like thunder. She swallowed hard. “As my partner said, the call was to investigate a drifting boat off the beach at the Palacio Réal. The hotel chef and manager saw it from the beach early this morning, thought there were bloodstains on the side. We met Water Patrol at the hotel and they towed in the boat.” She took another breath and tried to sound as professional as possible. “Lt. Inocente was in the bottom of the boat, with his head encased in a plastic bag. It was pulled tight and knotted around his neck. When the crime scene technician opened the bag it appeared that the back of his head was caved in. We’ll know more when the coroner examines the body.”

Obregon nodded. “Any other injuries?” he asked her.

She shook her head. “No bullet holes in the hull of the boat, no evidence of a struggle. Blood on the deck under the body, likely from the head wound. Blood had also soaked through his shirt and there was some on the upper edge of the boat hull. Technicians took samples but they’ll probably all come back as his.”

“Anything else?”

“The boat is his. His wife gave us the registration papers.” Emilia paused, discomfited by Obregon’s stare. The tension in the room was palpable. She glanced at Rico and plowed on. “They live in the same area as the hotel. The wife wasn’t much help regarding his whereabouts last night. The last person who could pinpoint his whereabouts last night was their maid. Said he got a phone call late in the evening and went out. Took the boat keys but nothing else.”

“Wife didn’t see him?”

“She had gone out to a charity event,” Emilia said. “Of course, we’ll be checking to verify her story.”

Obregon tipped the chair back. A thin silver chain showed inside the loose neck of the tee. His skin was smooth and his jaw was tightly defined. He looked like someone who worked out a lot. And liked showing off the results.

“So, Cruz, tell me how you’re going to proceed,” he said, as if Rico and Silvio weren’t even in the crowded office.

“We’ll set up a hotline and get detectives out talking to everyone at his apartment building and the hotel to see if we can piece together his last hour. He was apparently close to his brother. We’ll talk to him as well. Look at his phone records to see if we can find out who the late night caller was. Coroner’s report. Forensics on his laptop. See if we get any prints off the boat.”

Obregon nodded and straightened the chair. Even that simple movement belied grace and power and focused intent. “This is how the investigation is going to go.” He pointed at Emilia. “You’re appointed acting lieutenant. Do whatever you want with these clowns”--he snapped his fingers at Silvio and Rico--“and the other cases you’ve got but I want you to personally head the Inocente investigation.”

Both Silvio and Rico froze as if they couldn’t believe what they’d just heard.

“Chief Salazar has already been notified. You’ll report directly to my office every few days until this thing is over.” Obregon indicated Villahermosa who’d remained by the door during the entire conversation, like a large, menacing statue. Obregon’s deputy was even bigger than Silvio, with legs the size of tree trunks. Another former boxer, no doubt. “Villahermosa will be on call to assist as well.”

The tension in the room was now tinged with menace. Emilia struggled to keep breathing normally.

“Cruz is a junior detective.” Silvio’s voice was tight. “She doesn’t have the experience or the seniority to be acting lieutenant.”

“Cruz has my full support,” Obregon said.

“With respect,” Silvio said. “We understand that. But she’s not the senior detective here.”

“Nobody’s asking for your fucking opinion,” Obregon blazed. His eyes drilled into Silvio. “Cruz is in charge as of now. Thanks for coming.”

Villahermosa pulled open the door and jerked his chin at Silvio and Rico. They both walked out.

Emilia stood rooted to the spot as her mind jumped around. Why had he chosen her? Did the union have the authority to put her in this position?

Obregon motioned to Villahermosa and the man left the office, too. And then it was just Obregon and Emilia. He walked round the desk again and rifled through a few of the papers on the desktop.

“The mayor has a press conference tomorrow and she’ll want to say something about the Inocente investigation,” Obregon said as he looked through the papers. “Be nice if you could have this all wrapped up by then.”

Emilia felt as if she’d been gutted. She forced a single word out around the tightness in her throat and the dryness in her mouth. “Sure.”

She must have sounded sassier than she felt because he looked up and laughed. “At any rate, we’ll meet beforehand to review what you’re going to tell her. Let’s say tomorrow 4:00 pm.”

He glanced at his watch, an expensive-looking silver job with three knobs on the side. “That gives you more than 24 hours to come up with something significant.”

Emilia licked her lips. “I won’t even have the phone records by then.”

“You’ll have something for the press conference,” Obregon said nastily. “Some nice sound bite about the diligence of the Acapulco police and how they’re sad but determined.”

“You want me to say this to the mayor?”

“Inocente was as dirty as they come.” Obregon turned his attention back to the overflowing inbox. “You’re going to turn up a lot of bad things. When you do, you tell me or Villahermosa. Not the other detectives and not the chief of police. You don’t arrest anybody, you don’t get yourself shot, you don’t do anything. I’ll take care of that part.”

Emilia’s heart hammered like a warning bell in her chest. “I think Silvio should be in charge of this investigation. He’s the senior detective.”

“If you find that the wife popped him,” Obregon went on. “And you know it beyond a shadow of a doubt, go ahead and arrest her. Otherwise come to me first. Nobody else.”

“Did you hear what I said?” Emilia said.

“I’m trying to clean up the police in this state,” Obregon said as he plucked a folder out of the box. As he flipped it open his hands knotted with veins, as if he had a lot of practice clenching and unclenching his fists. “I’m sick of the corruption and men like Inocente making deals with the cartels. People like him protect their empires, feed it with drugs and private armies. When you find out who killed Inocente we can probably roll up whatever cartel he was in bed with.”

“Why me?” Emilia asked. She was talking to his bent head as if he couldn’t be bothered to look her in the eye. The warning bell was deafening and Emilia knew she had to get herself out of this situation. Silvio should have this job. Or Loyola. They’d know how to deal with Obregon as well as how to conduct a major murder investigation. “You heard what Silvio said. Almost all the detectives out there are senior to me. There will be a lot of resistance. From all the other detectives. Enough to keep the investigation from going forward.”

“You’ll handle it.” Obregon read something else out of the inbox.

“You don’t understand.” Emilia slammed her hand down on the desktop to get his attention.

“Good,” he said, finally looking up from whatever he’d been reading. “You’ve got a fire in the belly. You get those detectives talking to everybody in that fucking hotel. Everybody who lived near him. Whoever even heard of Fausto Inocente. And if the boys don’t do what you say, shoot one of them. The rest will fall in line.”

He was serious.

“I don’t know who you think I am, señor,” Emilia gulped. “But I’ve only been a detective for two years. Mostly I’ve handled the crap cases. You need a seasoned investigator on this one. Get one of the other detectives to be acting lieutenant.”

“You’ve made quite a mark in two years, whether you know it or not,” Obregon said. “Recovering the Morelos de Gama child was a big deal.”

“The media made it out to be more than it was,” Emilia parried. “The case was handled in Ixtapa, not here.”

“We’ve been watching you.” He tossed the file onto the desk and regarded her. “Our girl detective. You’re a hungry one. You want to get someplace.”

“I’m sorry,” Emilia said. “Not this.”

“You’re the only woman here.” Obregon’s glance was searing.

“This is because I’m a woman?”

“Yes. Everybody knows women are less corrupt.” Obregon came around the side of the desk and Emilia resisted the urge to shrink away from him. “You do this or you won’t even be able to be hired on as the lowliest transito cop in any police force in this state.”

He leaned down and put his face close to hers. “You know he was corrupt. Up to his neck in shit. Well, I’m the person putting an end to it in the state of Guerrero, and you don’t get to choose sides.”

Emilia didn’t move. It was hard to breathe. He smelled like leather and cigarettes and an unexpected whiff of spicy cologne.

“I’ll be calling you on this office phone so you’d better move in today.” Obregon stepped back and ran an appraising eye down Emilia’s body. “And look good tomorrow. You want the mayor to take you seriously.”

“I’m junior around here,” Emilia said stubbornly. “You want a fast result, you get Silvio.”

“Maybe I wasn’t clear enough for you, Cruz.” Obregon’s voice was flat. “If the union puts you and your mother out on the street you won’t work as a whore in this town much less as a transito. So you show up and be nice to the mayor and tell her something clever for her little television press conference. How you’re working night and day to solve this terrible crime and keep Acapulco safe for the tourists.”

They stared at each other for a long moment.

You and your mother struck home for Emilia, as no doubt it was intended to.

“I want doors on the stalls in the detectives’ bathroom,” Emilia heard herself say. “And a copier that works. And paper for it. And ink.”

The corner of Obregon’s mouth twitched. “Anything else?”

“I’ll let you know,” she said tightly.

Obregon handed Emilia a card. There were two cell phone numbers printed on it. “You only use these numbers to get in touch with me,” he said.

Before she could respond he pulled open the door and shouted “Attention.”

Emilia followed Obregon as far as the doorway. The detectives were all there, as was Villahermosa. Obregon strode to the center of the squadroom, commanding everyone’s attention.

“Most of you know me. I am Victor Obregon Sosa, the head of the police union for the state of Guerrero.” He revolved slowly and most of the detectives stood a little straighter as his eye rested on them for a moment, creating the same malice-tinged tension he’d first brought into the squadroom. “As you know, Lt. Inocente was found dead this morning. His death will be investigated as a homicide by this unit until his murderer is found and dealt with.”

There was a low sound of shuffling feet. Somebody coughed.

Obregon jerked his chin in the direction of Lt. Inocente’s office where Emilia leaned awkwardly against the doorjamb. “Detective Emilia Cruz will be acting lieutenant for the duration and in charge of the investigation into Lt. Inocente’s death.”

Eyes swiveled to Emilia. Rico was openly shocked as he sat on the end of his desk. Silvio’s face was like granite. He was the only one who kept his gaze on Obregon.

Emilia didn’t acknowledge the stares. She kept her eyes on the ancient copier.

Several of the detectives shifted uncomfortably in the silence. “One of our own has died,” Obregon said. “And we will conduct a thorough investigation, find whoever did this, and punish them according to the full measure of Mexican law.”

He nodded at Emilia. “See you tomorrow, Cruz. Four o’clock.” His eyes revealed nothing. “Good luck.”

Obregon and Villahermosa walked out. As soon as the door shut behind them the squadroom erupted into a bedlam of shouting.

***

Excerpt from Cliff Diver by Carmen Amato. Copyright 2021 by Carmen Amato. Reproduced with permission from Carmen Amato. All rights reserved.

 



OTHER BOOKS BY CARMEN AMATO


The Detective Emilia Cruz series:
Cliff Diver
Hat Dance
Diablo Nights
King Peso
Pacific Reaper

43 Missing
Russian Mojito
Narco Noir





ABOUT THE AUTHOR 

Following a thirty-year career with the Central Intelligence Agency, Carmen Amato writes mystery and suspense, including the Detective Emilia Cruz police series set in Acapulco. Emilia is the first female police detective in Acapulco, confronting Mexico’s cartels, corruption and social inequalities. The series recently won the Poison Cup award for Outstanding Series from Crime Masters of America in 2019 and 2020, the Silver Falchion Award for Best Short Story/Collection of 2019, and was optioned for television.

Originally from upstate New York, Carmen’s experiences in Mexico and Central America launched her fiction career. Carmen is a recipient of both the National Intelligence Award and the Career Intelligence Medal.



Connect with Carmen:
Website  |  Blog  |  Facebook 


Buy the book:
Amazon

Tuesday, June 8, 2021

FEATURED AUTHOR: MARK LEICHLITER


 

ABOUT THE BOOK



How do you start an investigation when you have no evidence that a crime has been committed?

When a seventeen-year-old girl abruptly disappears, the ensuing investigation probes dead-ends seemingly as deep as Montana’s Flathead Lake—the geographic and investigative center of The Other Side. The search to find her unearths crimes but none that can explain her disappearance, and when Detectives Steven Wendell and Stacey Knudson grow suspicious that Britany Rodgers has been murdered, they have scant evidence and no body. Their investigation takes readers into starkly contrasting environments—inside spectacular lakefront mansions and within gritty trailer parks—and into the lives of those who exhibit motivations as murky as the fog-choked Montana woods and mist-shrouded Flathead Lake bays.



Book Details

Title: The Other Side

Author: Mark Leichliter

Genre: crime fiction/police procedural

Publisher: Level Best Books (June 8, 2021)

Print length: 292 pages





LOVE IT OR LEAVE IT INTERVIEW WITH MARK LEICHLITER


A few of your favorite things: books (of course, too many, not enough time; the stack on the nightstand is getting tall); dark chocolate (bribes always accepted); kind, genuine people who want to hold conversations about any manner of topics.
Things you need to throw out: an alarming number of well-used running shoes; fear that can get in the way of difficult writing; probably 90% of what I might find under the kitchen sink. (I mean that literally, but it’s probably a good metaphor for equivalent mental storage clutter as well!)

Things you love about writing: ultimately as a writer you have no one to answer to but yourself. I care greatly about readers. I need to satisfy editors. But each day when I sit down at my writing desk, I really can write anything I desire.
Things you hate about writing: ultimately as a writer you have no one to answer to but yourself. Sound familiar? If you want to write, you had better learn to live with your decisions.

Things you love about where you live: I live with the expansive quiet and heavenly scents of forests that I can literally step into within a few minutes’ walk from my front door and where I can venture to the coffeehouse or the grocery store by bike. It is a place where animals visit as frequently as people. I can look in any direction and see mountains, and the view from my writing desk is of a lake so vast that it looks nearly like an ocean.
Things that make you want to move: homogeneity breeds closed minds. I live among overwhelmingly good, kind people, but it is a place that, because of a lack of diverse experience for some, can refuse to consider that the world seldom provides singular answers.

Words that describe you: resilient: you can’t survive as a writer if you can’t respond to nearly constant rejection by rolling up your sleeves and getting back to work; optimistic: this might seem an unexpected word for a crime writer, where you spend a lot of time considering the worst parts of human nature, yet my core self is optimistic, not only about a future better than the present but a belief that there is more likely good in people than there is bad.
Words that describe you but you wish they didn’t: naïve, a really bad trait in a crime writer, but in real life I tend to accept what people tell me and am terrible about spotting those with hidden agenda; it’s simply foreign to my way of thinking. Proud, too often I let pride get in the way of vulnerability; as a result, sometimes I fail to open doors to opportunities.

Favorite smell: sagebrush after rain.

Something that makes you hold your nose: okay, so it’s either kind of a cop-out or punch line for a crime fiction writer, but here it is: the smell of death. Let me contextualize that. I live in a place where things like the decaying carcasses of deer and other animals are common, so it’s actually a smell, particularly because I am a trail runner, that I encounter often. But also this: a searing memory from adolescence for me is being in the Big Thompson Canyon in Colorado days after a tragic, devastating flood that killed 143 people. The smell of death is something that never leaves you.

Something you wish you could do: sing or play a musical instrument; I piddle on guitar but you wouldn’t want to be in hearing distance.
Something you wish you’d never learned to do: procrastinate.

Things you’d walk a mile for: apropos to several answers in this interview, I’d gladly walk a mile for the perfect chocolate croissant.  
Things that make you want to run screaming from the room: mean people. I mean, really, there’s just no place. Oh, and those Lincoln commercials with Matthew McConaughey. I like several of his film roles and loved him in the first season of True Detective, but really, that glib look in those commercials. Come on, Matt, like you need the money!

Things to say to an author: (or at least the thing I hope to hear) “You know, something similar happened to me once and the way you described it is exactly right;” or “I am/used to be a ________ (cop, nurse, carpenter, etc.), and I appreciate that you got _______ right.”

Things to say to an author if you want to be fictionally killed off in their next book: “You know, if I was writing this, I would have . . .”

Favorite places you’ve been: we have a daughter who lives in Germany where she is a researcher, and the Rhine River Valley is a truly spectacular place we are anxious to get back to. There’s a particular little Bed and Breakfast I visited when I was nineteen or twenty in Salzburg, Austria that was truly magical. Practically any Paris café sidewalk table; give me that blanket, a warm drink, a croissant, some sunshine, and I’ll happily stay there forever. And I’d return to the night market in Chang Mai, Thailand in a heartbeat.

Places you never want to go to again: I’m from Wyoming originally and spent lots of years there. I have a fondness for many parts of the state. But as someone who has slept in a car alongside the pavement when Interstate 80 is closed during a blizzard and has survived lots of white-knuckled trips in white-out conditions on that corridor and elsewhere in the state, there are a number of places and experiences I’d rather not revisit.

Proudest moment: I’m the father of three amazing, accomplished young women. Pick the moment of birth for any of the three, but don’t ask me to pick between them.
Most embarrassing moment: okay, well, I have too many to choose from, some from adolescent years that are SO embarrassing I still can’t face them publicly. But since I need to choose one moment, I’ll leap forward to adulthood. My middle daughter was a DI basketball prospect making one of her official recruiting visits and it was our first time to meet the coaching staff. We were leaving the Student Center to meet them, and as we were exiting the building below us beyond a long, wide flight of stairs, the whole coaching staff was approaching on the sidewalk. My daughter and I both waved in recognition and descended the stairs. Somehow, I managed to miss a step, tripped, and essentially sprinted the whole length of the stairs in an arm-whirling fast jig. I managed to keep my feet and jumped to the sidewalk, breathless, hand extended to the head coach. I felt stupid enough, but was more embarrassed for my daughter, in a moment when essentially the only logical thought was: “Please don’t judge a daughter’s athleticism from the absence of her father’s.” 


Most daring thing you’ve ever done: more accurately described as “stupid” rather than daring . . . in our college dorm, we used to open the outside elevator doors, wait until the elevator arrived at the floor below us, then climb out on top of the elevator car. There were three elevators in the building, all in parallel shafts, so we’d ride atop the elevators and cross from one to the next when they stopped at the same floor or get off and balance on the ironwork between them. Like I said, not so bright in retrospect, but we sure thought it was fun at the time.

Something you chickened out from doing: (and a strong regret) my wife gave me the chance to take flying lessons and I couldn’t make myself do it.


OTHER BOOKS BY MARK LEICHLITER

The Other Side

Lost & Found: Stories

In the Chameleon’s Shadow




ABOUT THE AUTHOR 


The Other Side is the crime fiction debut from Mark Leichliter. Writing as Mark Hummel, he is the author of the contemporary literary novel In the Chameleon’s Shadow and the short story collection Lost & Found. His fiction, poetry, and essays have regularly appeared in a variety of literary journals including such publications as The Bloomsbury Review, Dogwood, Fugue, Talking River Review, Weber: The Contemporary West, and Zone 3.

A former college professor and writing program director, he has also taught in an independent high school, directed a writers’ conference, and worked as a librarian. He is the managing editor of the nonfiction magazine bioStories, is on the resident faculty of the Jackson Hole Writers Conference, teaches workshops and courses in fiction and memoir, and helps other writers as a writing coach and editor. He writes from his home in Montana’s Flathead Valley.



Connect with Mark:
Website  |  Twitter Goodreads

Buy the book:
Amazon Barnes & Noble

Thursday, February 4, 2021

FEATURED AUTHOR: GABRIEL VALJAN




ABOUT THE BOOK




Trouble comes in threes for Shane Cleary, a former police officer and now, a PI.



Arson. A Missing Person. A cold case.



Two of his clients whom he shouldn’t trust, he does, and the third, whom he should, he can’t.



Shane is up against crooked cops, a notorious slumlord and a mafia boss who want what they want, and then there’s the good guys who may or may not be what they seem.




Praise for Symphony Road:


"The second installment in this noir series takes us on a gritty journey through mid-seventies Boston, warts and all, and presents Shane Cleary with a complex arson case that proves to be much more than our PI expected. Peppered with the right mix of period detail and sharp, spare prose, Valjan proves he's the real deal." - Edwin Hill, Edgar finalist and author of Watch Her



"Ostracized former cop turned PI Shane Cleary navigates the mean streets of Boston’s seedy underbelly in Symphony Road. A brilliant follow up to Dirty Old Town, Valjan’s literary flair and dark humor are on full display." - Bruce Robert Coffin, award-winning author of the Detective Byron Mysteries



"A private eye mystery steeped in atmosphere and attitude." - Richie Narvaez, author of Noiryorican


 

Book Details:
Title: Symphony Road
Author: Gabriel Valjan
Genre:
crime fiction, procedural, noir, historical fiction
Series:
Shane Cleary Mystery, book 2
Published by:
Level Best Books (January 15, 2021)
Print length: 232 pages
 




TWENTY QUESTIONS/ONE ANSWER INTERVIEW WITH GABRIEL VALJAN


1.     Where is your cell phone? Charging.

2.     Your hair? Covid-19.

3.     Your workplace? Home.

4.     Your other half? Sleeping.

5.     What makes you happy? Munchkin.

6.     What makes you crazy? Excuses.

7.     Your favorite food? Tenderloin.

8.     Your favorite beverage? Cawfee.

9.     Fear? Blindness.

10.  Favorite shoes? Slippers.

11.  Favorite way to relax? Comedies.

12.  Your mood? Placid.

13.  Your home away from home? Library.

14.  Where were you last night? Home.

15.  Something that you aren’t? Pretentious.

16.  Something from your bucket list? Serenity.

17.  Wish list item? Loft.

18.  Where did you grow up? New Jersey.

19.  Last thing you did? Typed.

20.  What are wearing now? PJs.
 



EXCERPT FROM SYMPHONY ROAD

I went to cross the street when the wheels of a black Cadillac sped up and bristled over tempered glass from a recent smash-and-grab. The brake lights pulsed red, and a thick door opened. A big hulk stepped out, and the car wobbled. The man reached into his pocket. I thought this was it. My obituary was in tomorrow’s paper, written in past tense and in the smallest and dullest typeface, Helvetica, because nothing else said boring better.

Click. Click. “I can never get this fucking thing to light.”

It was Tony Two-Times, Mr. B’s no-neck side man. His nickname came from his habit of clicking his lighter twice. “Mr. B wants a word.”

“Allow me.” I grabbed the Bic. The orange flame jumped on my first try and roasted the end of his Marlboro Red. “You really oughta quit.”

“Thanks for the health advice. Get in.”

Tony nudged me into the backseat. I became the meat in the sandwich between him and Mr. B. There was no need for introductions. The chauffeur was nothing more than a back of a head and a pair of hands on the wheel. The car moved and Mr. B contemplated the night life outside the window.

“I heard you’re on your way to the police station to help your friend.”

“News travels fast on Thursday night. Did Bill tell you before or after he called me?”

“I’m here on another matter.”

The cloud of smoke made me cough. Tony Two-Times was halfway to the filter. The chauffeur cracked the window a smidge for ventilation. As I expected, the radio played Sinatra and there were plans for a detour. A string of red and green lights stared back at us through a clean windshield.

“A kid I know is missing,” Mr. B said.

“Kids go missing all the time.”

“This kid is special.”

“Has a Missing Persons Report been filed?”

The look from Mr. B prompted regret. “We do things my way. Understood?”

We stopped at a light. A long-legged working girl with a chinchilla wrap crossed the street. She approached the car to recite the menu and her prices, but one look at us and she kept walking.

“Is this kid one of your own?”

The old man’s hand strummed leather. The missing pinky unnerved me. I’ve seen my share of trauma in Vietnam: shattered bones, intestines hanging out of a man, but missing parts made me queasy. The car moved and Mr. B continued the narrative.

“Kid’s a real pain in my ass, which is what you’d expect from a teenager, but he’s not in the rackets, if that’s what you’re wondering. This should be easy money for you.”

Money never came easy. As soon as it was in my hand, it went to the landlady, or the vet, or the utilities, or inside the refrigerator. I’d allow Mr. B his slow revelation of facts. Mr. B mentioned the kid’s gender when he said “he’s not in the rackets.” This detail had already made the case easier for me. A boy was stupider, easier to find and catch. Finding a teenage girl, that took something special, like pulling the wings off of an angel.

“He’s a good kid. No troubles with the law, good in school, excellent grades and all, but his mother seems to think he needed to work off some of that rebellious energy kids get. You know how it is.”

I didn’t. The last of my teen years were spent in rice paddies, in a hundred-seventeen-degree weather—and that was before summer—trying to distinguish friendlies from enemies in a jungle on the other side of the planet. And then there were the firefights, screams, and all the dead bodies.

“Does this kid have a girlfriend?” I asked.

Mr. B said nothing.

“A boyfriend then?” That question made Mr. B twist his head and Tony Two-Times elbowed me hard. “I’ve got to ask. Kids these days. You know, drugs, sex, and rock’ n roll.”

“The kid isn’t like your friend Bill, Mr. Cleary.”

The mister before Cleary was a first. The ribs ached. I caught a flash of the driver’s eyes in the rearview mirror. Mr. B conveyed specifics such as height and weight, build, the last known place the kid was seen, the usual hangouts and habits. This kid was All-American, too vanilla, and Mr. B had to know it. Still, this kid was vestal purity compared to Mr. B, who had run gin during Prohibition, killed his first man during the Depression, and became a made-man before Leave It to Beaver aired its first episode on television.

The car came to a stop. The driver put an emphasis on the brakes. We sat in silence. The locks shot up. Not quite the sound of a bolt-action rifle, but close. Mr. B extended his hand for a handshake. I took it. No choice there. This was B’s way of saying his word was his bond and whatever I discovered during the course of my investigation stayed between us, the Father, the Son and the Holy Ghost.

“I’ve got to ask,” I said.

“I’ll pay you whatever you want.”

“It’s not that,” I said, feeling Tony Two-Times’ breath on the back of my neck. “Did you hire Jimmy C to do a job lately?”

“I did not.”

“And Bill called me, just like that?” I knew better than to snap my fingers. Tony would grab my hand and crush my knuckles like a bag of peanuts. A massive paw on the shoulder told me it was time to vacate the premises, but then Mr. B did the tailor’s touch, a light hand to my elbow. “Jimmy is queer like your friend, right?”

“What has that got to do with anything?”

“When it comes to friends, you forgive certain habits, like I allow this idiot over here to smoke those stupid cigarettes. Capisci?”

“Yeah, I understand.”

“Good. Now, screw off.”

I climbed over Tony Two-Times to leave the car. Door handle in my grip, I leaned forward to ask one last thing, “You know about Jimmy’s predicament?”

“Ironic, isn’t it?” Mr. B said.

“What is?”

“I know everything in this town, except where my grandnephew is. Now, shut the door.”

The door clapped shut. I heard bolts hammer down and lock. There was a brief sight of silhouettes behind glass before the car left the curb. I had two cases before breakfast, one in front of me, and the other one, behind me in the precinct house. There was no need for me to turn around. No need either, to read the sign overhead.

The limestone building loomed large in my memory. Two lanterns glowed and the entrance, double doors of polished brass, were as tall and heavy as I remembered them. It was late March and I wasn’t Caesar but it sure as hell felt like the Ides of March as I walked up those marble steps.

***

Excerpt from Symphony Road by Gabriel Valjan.  Copyright 2021 by Gabriel Valjan. Reproduced with permission from Gabriel Valjan. All rights reserved.

 

ABOUT THE AUTHOR


Gabriel Valjan lives in Boston’s South End. He is the author of the Roma Series and Company Files (Winter Goose Publishing) and the Shane Cleary Series (Level Best Books). His second Company Files novel, The Naming Game, was a finalist for the Agatha Award for Best Historical Mystery and the Anthony Award for Best Paperback Original in 2020. Gabriel is a member of the Historical Novel Society, International Thriller Writer (ITW), and Sisters in Crime.




Connect with Gabriel:

Website  |  Blog  |  Facebook  |  Twitter  |  Goodreads 

Buy the book:
Amazon  |  Barnes & Noble
 
 

Thursday, September 3, 2020

FEATURED AUTHOR: RONNIE ASHMORE


 

ABOUT THE BOOK 



A quiet night in the city of Colby is shattered by a crime that leaves a young man dead and a cop looking for answers. Hitting a stone wall at every turn, Officer Mike Collins and the Colby Police Department follow the trail of one young man's criminal act to discover a crime that leaves a family in shambles. Police officers know evil exists, they face it every day, but the evil that looms in the city of Colby may be more than they can handle. 

Book Details:   

Title: Family Secrets: A Colby PD Novel

Author: Ronnie Ashmore

Genre: crime fiction, crime thriller, mystery, suspense

Publish date: June 2020

Print length: 166 pages





LOVE IT OR LEAVE IT WITH RONNIE ASHMORE


A few of your favorite things: spending time with my family, golf, and reading.
Things you need to throw out: anything that doesn’t contribute to overall happiness.


Things you need in order to write:
a quiet place and a busy mind.
Things that hamper your writing: the internet and research can kill my writing time. 


Things you love about writing:
telling a story that hopefully makes much more sense in written form than thought form.
Things you hate about writing: finding a way to not have cliches fill my writing.

Easiest thing about being a writer: having that first spark of an idea. 

Hardest thing about being a writer: turning that initial spark into a full story.


Things you love about where you live: it’s Texas. That is all that needs to be said.
Things that make you want to move: nothing, except maybe the Texas summers.


Things you never want to run out of:
love from my family.
Things you wish you’d never bought: I don’t really think of things in that fashion. Everything is a learning experience.


Words that describe you: honest.
Words that describe you but you wish they didn’t: short.

Favorite foods: most anything my wife makes. She is a great cook.
Things that make you want to throw up: certain smells that you experience in my line of work that as I get older seem to bother me more.

Favorite music: love all kinds of real music. Sinatra, country music, southern rock, jazz.
Music that make your ears bleed: most of the new stuff that is being mass produced these past few years. Although there are some great singers among the mess.

Favorite beverage: water.

Something that gives you a pickle face: sour things.

Favorite smell: leather.

Something that makes you hold your nose: some of the same things that make me want to throw up.

Something you’re really good at: poker and most trivia games.

Something you’re really bad at: running marathons. Never done it, never will because . . .  well, why?

Something you like to do: I like to play golf. I am not very good at it, but I enjoy it. 

Something you wish you’d never done: quit college.

Things you always put in your books: I try, though not always possible, to include something that connects to what inspired the story whether a person or a saying or whatever.

Things you never put in your books: anything that seems fake.

Things to say to an author: loved the book.

Things to say to an author if you want to be fictionally killed off in their next book: Wow. That story sucked.

Favorite things to do: travel, golf, and spend time with the kids and wife. 

Things you’d run through a fire wearing gasoline pants to get out of doing: spending time with fake people.

Things that make you happy: my kids laughter, my wife’s smile. A good cigar and a nice drink. 

Things that drive you crazy: being put on a schedule.

Proudest moment: being a father. Not to sound sappy, but a lot of my pride and joy is wrapped up in my wife and kids. 

Most embarrassing moment: this involves a story from my younger days in patrol and is too lengthy to get into, but it involves a snake and an elderly woman. 




ABOUT THE AUTHOR 



Ronnie Ashmore is a two-time chief of police who started his law enforcement career as a jailer working his way up through the ranks. He has written short stories, poems, and books.

When he is not working or writing and has some spare time, he enjoys playing golf, fishing, and traveling with his wife and kids.  You can contact him at ronnieashmore@mail.com


Connect with Ronnie:
Facebook  |   Twitter  |   Goodreads 

Buy the book:
Amazon


Saturday, March 7, 2020

FEATURED AUTHOR: GABRIEL VALJAN




ABOUT THE BOOK


Shane Cleary, a PI in a city where the cops want him dead, is tough, honest and broke. When he’s asked to look into a case of blackmail, the money is too good for him to refuse, even though the client is a snake and his wife is the woman who stomped on Shane's heart years before. When a fellow vet and Boston cop with a secret asks Shane to find a missing person, the paying gig and the favor for a friend lead Shane to an arsonist, mobsters, a shady sports agent, and Boston's deadliest hitman, the Barbarian. With both criminals and cops out to get him, the pressure is on for Shane to put all the pieces together before time runs out.



Book Details: 


Title: Dirty Old Town


Author: Gabriel Valjan


Genre: crime fiction


Series: Shane Cleary, book 1


Publisher: Level Best Books (January 14, 2020)


Print length: 172 pages








LOVE IT OR LEAVE IT WITH GABRIEL VALJAN


Things you need in order to write: a cat.; a desk; coffee, at least when I start writing in the morning.
Things that hamper your writing: a hungry cat. A cat who insists on attention, which is almost always but definitely after several hours. A cat who thinks I have treats (usually do). Munchkin will not be denied.


Things you love about writing: I savor moments when I’m in the zone, and the scene writes itself, the dialogue flows between characters, and I feel as if ‘I’ve got this,’ which to be honest is harder to achieve. Writing is like groping in the dark for the light switch. You know where it is, but your hand doesn’t land on the exact spot on the wall. Trial and error.
I enjoy those moments when the story turns the corner, and something unexpected happens with a character or with the plot. You didn’t plan it, but it happens, and it all makes for a stronger story. When this happens, you know you are trusting yourself.
Unlike most writers, I like criticism if it is constructive because I can fix the problem with an editor. With criticism, you have to count to ten and not react. Hear what the person says isn’t working for them, because at the end of the day, what is on the page is all there is, and it has to work because you’re not looking over the shoulders of your readers to say, “Well, I meant to say this, etc.”
Things you hate about writing: all the above, and the next day you think it sucks. In reality, it often doesn’t, but that is what revision is for. There comes a point, however, when you have to let it all go, and accept that it’ll never be perfect. It can come close, and it can be work that you’re proud of, but it is never perfect.

Easiest thing about being a writer: I can’t think of anything more democratic. I can write. You can write. All you need is some limited space and tools such as pen and paper or a laptop.
Hardest thing about being a writer: self-doubt and being hard on myself. You always know the work can be better, but sometimes you don’t know how to improve it. I do think anybody can write, but not everyone has the talent or the discipline, and there are days I doubt my own talent.

Words that describe you: driven; hard-working; persistent.
Words that describe you but you wish they didn’t: perfectionist; impatient. Perfectionism is a real enemy for a writer, like picking at a scab. I’m impatient with myself, and I do think I need to learn to relax more.

Things you’d walk a mile for: a great dessert. I like ice cream and a decadent pot de crème.
Things that make you want to run screaming from the room: I try my best to avoid negative people, and people who think they are better than others or try to remind people how smart, brilliant they are. Yes, they do exist and I’ve met some. Oh, I loathe people who are cruel to animals. Nothing makes me more upset or want to leave a room faster.

Things you always put in your books: food. I’ve noticed over the years that food tends to sneak into my books. It’s inevitable that I will describe a meal.

Things you never put in your books: graphic violence. I prefer to imply sex and violence. First, it is more imaginative. I do think that we’ve become desensitized to violence. I don’t want to bludgeon my reader (pun intended) with a blow-by-blow report of the trauma. As for sex, I like how the older movies handled it: you see a door close, for example. Sexual tension, like foreboding, is more difficult to write, whereas sex is comical, in my opinion.

Proudest moment: I was nominated for an Agatha Award for Best Historical Mystery for 2019 for my The Naming Game. I’m honored and very grateful.

Most embarrassing moment: this is kind of funny. I was in a loud bar with friends. I had been limping around with a sore calf from overtraining. At the time, my cat had to have surgery and the vet shaved his stomach. You have to know that I am hard of hearing, learned to read lips as a kid, and the commotion in the bar that night didn’t help. I thought a friend had asked me, “How is your cat?” and I answered, “Fine, but he didn’t like being shaved.” The expression told me instantly I had misheard the question. “How is your calf?” Hey, cat and calf sound alike. Kind of. Sort of.




EXCERPT 


The phone rang. Not that I heard it at first, but Delilah, who was lying next to me, kicked me in the ribs. Good thing she did because a call, no matter what the hour, meant business, and my cat had a better sense of finances than I did. Rent was overdue on the apartment, and we were living out of my office in downtown Boston to avoid my landlord in the South End. The phone trilled.
Again, and again, it rang.
I staggered through the darkness to the desk and picked up the receiver. Out of spite I didn’t say a word. I’d let the caller who’d ruined my sleep start the conversation.
“Mr. Shane Cleary?” a gruff voice asked.
“Maybe.”
The obnoxious noise in my ear indicated the phone had been handed to someone else. The crusty voice was playing operator for the real boss.
“Shane, old pal. It’s BB.”
Dread as ancient as the schoolyard blues spread through me. Those familiar initials also made me think of monogrammed towels and cufflinks. I checked the clock.
“Brayton Braddock. Remember me?”
“It’s two in the morning, Bray. What do you want?”
Calling him Bray was intended as a jab, to remind him his name was one syllable away from the sound of a jackass. BB was what he’d called himself when we were kids, because he thought it was cool. It wasn’t. He thought it made him one of the guys. It didn’t, but that didn’t stop him. Money creates delusions. Old money guarantees them.
“I need your help.”
“At this hour?”
“Don’t be like that.”
“What’s this about, Bray?”
Delilah meowed at my feet and did figure eights around my legs. My gal was telling me I was dealing with a snake, and she preferred I didn’t take the assignment, no matter how much it paid us. But how could I not listen to Brayton Braddock III? I needed the money. Delilah and I were both on a first-name basis with Charlie the Tuna, given the number of cans of Starkist around the office. Anyone who told you poverty was noble is a damn fool.
“I’d rather talk about this in person, Shane.”
I fumbled for pen and paper.
“When and where?”
“Beacon Hill. My driver is on his way.”
“But—”
I heard the click. I could’ve walked from my office to the Hill. I turned on the desk light and answered the worried eyes and mew. “Looks like we both might have some high-end kibble in our future, Dee.”
She understood what I’d said. Her body bumped the side of my leg. She issued plaintive yelps of disapproval. The one opinion I wanted, from the female I trusted most, and she couldn’t speak human.
I scraped my face smooth with a tired razor and threw on a clean dress shirt, blue, and slacks, dark and pressed. I might be poor, but my mother and then the military had taught me dignity and decency at all times. I dressed conservatively, never hip or loud. Another thing the Army taught me was not to stand out. Be the gray man in any group. It wasn’t like Braddock and his milieu understood contemporary fashion, widespread collars, leisure suits, or platform shoes.
I choose not to wear a tie, just to offend his Brahmin sensibilities. Beacon Hill was where the Elites, the Movers and Shakers in Boston lived, as far back to the days of John Winthrop. At this hour, I expected Braddock in nothing less than bespoke Parisian couture. I gave thought as to whether I should carry or not. I had enemies, and a .38 snub-nose under my left armpit was both insurance and deodorant.
Not knowing how long I’d be gone, I fortified Delilah with the canned stuff. She kept time better than any of the Bruins referees and there was always a present outside the penalty box when I ran overtime with her meals. I meted out extra portions of tuna and the last of the dry food for her.
I checked the window. A sleek Continental slid into place across the street. I admired the chauffeur’s skill at mooring the leviathan. He flashed the headlights to announce his arrival. Impressed that he knew that I knew he was there, I said goodbye, locked and deadbolted the door for the walk down to Washington Street and the car.
Outside the air, severe and cold as the city’s forefathers, slapped my cheeks numb. Stupid me had forgotten gloves. My fingers were almost blue. Good thing the car was yards away, idling, the exhaust rising behind it. I cupped my hands and blew hot air into them and crossed the street. I wouldn’t dignify poor planning on my part with a sprint.
Minimal traffic. Not a word from him or me during the ride. Boston goes to sleep at 12:30 a.m. Public transit does its last call at that hour. Checkered hacks scavenge the streets for fares in the small hours before sunrise. The other side of the city comes alive then, before the rest of the town awakes, before whatever time Mr. Coffee hits the filter and grounds. While men and women who slept until an alarm clock sprung them forward into another day, another repeat of their daily routine, the sitcom of their lives, all for the hallelujah of a paycheck, another set of people moved, with their ties yanked down, shirts and skirts unbuttoned, and tails pulled up and out. The night life, the good life was on. The distinguished set in search of young flesh migrated to the Chess Room on the corner of Tremont and Boylston Streets, and a certain crowd shifted down to the Playland on Essex, where drag queens, truck drivers, and curious college boys mixed more than drinks.
The car was warmer than my office and the radio dialed to stultifying mood music. Light from one of the streetlamps revealed a business card on the seat next to me. I reviewed it: Braddock’s card, the usual details on the front, a phone number in ink. A man’s handwriting on the back when I turned it over. I pocketed it.
All I saw in front of me from my angle in the backseat was a five-cornered hat, not unlike a policeman’s cover, and a pair of black gloves on the wheel. On the occasion of a turn, I was given a profile. No matinee idol there and yet his face looked as familiar as the character actor whose name escapes you. I’d say he was mid-thirties, about my height, which is a liar’s hair under six-foot, and the spread of his shoulders hinted at a hundred-eighty pounds, which made me feel self-conscious and underfed because I’m a hundred-sixty in shoes.
He eased the car to a halt, pushed a button, and the bolt on my door shot upright. Job or no job, I never believed any man was another man’s servant. I thanked him and I watched the head nod.
Outside on the pavement, the cold air knifed my lungs. A light turned on. The glow invited me to consider the flight of stairs with no railing. Even in their architecture, Boston’s aristocracy reminded everyone that any form of ascent needed assistance.
A woman took my winter coat, and a butler said hello. I recognized his voice from the phone. He led and I followed. Wide shoulders and height were apparently in vogue because Braddock had chosen the best from the catalog for driver and butler. I knew the etiquette that came with class distinction. I would not be announced, but merely allowed to slip in.
Logs in the fireplace crackled. Orange and red hues flickered against all the walls. Cozy and intimate for him, a room in hell for me. Braddock waited there, in his armchair, Hefner smoking jacket on. I hadn’t seen the man in almost ten years, but I’ll give credit where it’s due. His parents had done their bit after my mother’s death before foster care swallowed me up. Not so much as a birthday or Christmas card from them or their son since then, and now their prince was calling on me.
Not yet thirty, Braddock manifested a decadence that came with wealth. A pronounced belly, round as a teapot, and when he stood up, I confronted an anemic face, thin lips, and a receding hairline. Middle-age, around the corner for him, suggested a bad toupee and a nubile mistress, if he didn’t have one already. He approached me and did a boxer’s bob and weave. I sparred when I was younger. The things people remembered about you always surprised me. Stuck in the past, and yet Braddock had enough presence of mind to know my occupation and drop the proverbial dime to call me.
“Still got that devastating left hook?” he asked.
“I might.”
“I appreciate your coming on short notice.” He indicated a chair, but I declined. “I have a situation,” he said. He pointed to a decanter of brandy. “Like some…Henri IV Heritage, aged in oak for a century.”
He headed for the small bar to pour me some of his precious Heritage. His drink sat on a small table next to his chair. The decanter waited for him on a liquor caddy with a glass counter and a rotary phone. I reacquainted myself with the room and décor.
I had forgotten how high the ceilings were in these brownstones. The only warm thing in the room was the fire. The heating bill here alone would’ve surpassed the mortgage payment my parents used to pay on our place. The marble, white as it was, was sepulchral. Two nude caryatids for the columns in the fireplace had their eyes closed. The Axminster carpet underfoot, likely an heirloom from one of Cromwell’s cohorts in the family tree, displayed a graphic hunting scene.
I took one look at the decanter, saw all the studded diamonds, and knew Elizabeth Taylor and Richard Burton would have done the set number of paces with a pair of hand-wrought dueling pistols to own it. Bray handed me a snifter of brandy and resumed his place in his chair. I placed my drink on the mantel. “Tell me more about this situation you have.”
“Quite simple, really. Someone in my company is blackmailing me.”
“And which company is that?”
“Immaterial at the moment. Please do take a seat.”
I declined his attempt at schmooze. This wasn’t social. This was business.
“If you know who it is,” I said, “and you want something done about it, I’d recommend the chauffeur without reservation, or is it that you’re not a hundred percent sure?”
I approached Bray and leaned down to talk right into his face. I did it out of spite. One of the lessons I’d learned is that the wealthy are an eccentric and paranoid crowd. Intimacy and germs rank high on their list of phobias.
“I’m confident I’ve got the right man.” Brayton swallowed some of his expensive liquor.
“Then go to the police and set up a sting.”
“I’d like to have you handle the matter for me.”
“I’m not muscle, Brayton. Let’s be clear about that. You mean to say a man of your position doesn’t have any friends on the force to do your dirty work?”
“Like you have any friends there?”
I threw a hand onto each of the armrests and stared into his eyes. Any talk about the case that bounced me off the police force and into the poorhouse soured my disposition. I wanted the worm to squirm.
“Watch it, Bray. Old bones ought to stay buried. I can walk right out that door.”
“That was uncalled for, and I’m sorry,” he said. “This is a clean job.”
Unexpected. The man apologized for the foul. I had thought the word “apology” had been crossed out in his family dictionary. I backed off and let him breathe and savor his brandy.
I needed the job. The money. I didn’t trust Bray as a kid, nor the man the society pages said saved New England with his business deals and largesse.
“Let’s talk about this blackmail then,” I said. “Think one of your employees isn’t happy with their Christmas bonus?”
He bolted upright from his armchair. “I treat my people well.”
Sensitive, I thought and went to say something else, when I heard a sound behind me, and then I smelled her perfume. Jasmine, chased with the sweet burn of bourbon. I closed my eyes, and when I opened them I saw his smug face.
“You remember Cat, don’t you?”
“How could I not?” I said and kissed the back of the hand offered to me. Cat always took matters one step forward. She kissed me on the cheek, close enough that I could feel her against me. She withdrew and her scent stuck to me. Cat was the kind of woman who did all the teaching and you were grateful for the lessons. Here we were, all these years later, the three of us in one room, in the middle of the night.
“Still enjoy those film noir movies?” she asked.
“Every chance I get.”
“I’m glad you came at my husband’s request.”
The word husband hurt. I had read about their marriage in the paper.
“I think you should leave, dear, and let the men talk,” her beloved said.
His choice of words amused me as much as it did her, from the look she gave me. I never would have called her “dear” in public or close quarters. You don’t dismiss her, either.
“Oh please,” she told her husband. “My sensibility isn’t that delicate and it’s not like I haven’t heard business discussed. Shane understands confidentiality and discretion. You also forget a wife can’t be forced to testify against her husband. Is this yours, Shane?” she asked about the snifter on the brandy on the mantel. I nodded. “I’ll keep it warm for you.”
She leaned against the mantel for warmth. She nosed the brandy and closed her eyes. When they opened, her lips parted in a sly smile, knowing her power. Firelight illuminated the length of her legs and my eyes traveled. Braddock noticed and he screwed himself into his chair and gave her a venomous look.
“Why the look, darling?” she said. “You know Shane and I have history.”
Understatement. She raised the glass. Her lips touched the rim and she took the slightest sip. Our eyes met again and I wanted a cigarette, but I’d quit the habit. I relished the sight until Braddock broke the spell. He said, “I’m being blackmailed over a pending business deal.”
“Blackmail implies dirty laundry you don’t want aired,” I said. “What kind of deal?”
“Nothing I thought was that important,” he said.
“Somebody thinks otherwise.”
“This acquisition does have certain aspects that, if exposed, would shift public opinion, even though it’s completely aboveboard.” Braddock sipped and stared at me while that expensive juice went down his throat.
“All legit, huh,” I said. “Again, what kind of acquisition?”
“Real estate.”
“The kind of deal where folks in this town receive an eviction notice?”
He didn’t answer that. As a kid, I’d heard how folks in the West End were tossed out and the Bullfinch Triangle was razed to create Government Center, a modern and brutal Stonehenge, complete with tiered slabs of concrete and glass. Scollay Square disappeared overnight. Gone were the restaurants and the watering holes, the theaters where the Booth brothers performed, and burlesque and vaudeville coexisted. Given short notice, a nominal sum that was more symbolic than anything else, thousands of working-class families had to move or face the police who were as pleasant and diplomatic as the cops at the Chicago Democratic National Convention.
I didn’t say I’d accept the job. I wanted Braddock to simmer and knew how to spike his temperature. I reclaimed my glass from Cat. She enjoyed that. “Pardon me,” I said to her. “Not shy about sharing a glass, I hope.”
“Not at all.”
I let Bray Braddock cook. If he could afford to drink centennial grape juice then he could sustain my contempt. I gulped his cognac to show what a plebe I was, and handed the glass back to Cat with a wink. She walked to the bar and poured herself another splash, while I questioned my future employer. “Has this blackmailer made any demands? Asked for a sum?”
“None,” Braddock answered.
“But he knows details about your acquisition?” I asked.
“He relayed a communication.”
Braddock yelled out to his butler, who appeared faster than recruits I’d known in Basic Training. The man streamed into the room, gave Braddock two envelopes, and exited with an impressive gait. Braddock handed me one of the envelopes.
I opened it. I fished out a thick wad of paperwork. Photostats. Looking them over, I saw names and figures and dates. Accounting.
“Xeroxes,” Braddock said. “They arrived in the mail.”
“Copies? What, carbon copies aren’t good enough for you?”
“We’re beyond the days of the hand-cranked mimeograph machine, Shane. My partners and I have spared no expense to implement the latest technology in our offices.”
I examined pages. “Explain to me in layman’s terms what I’m looking at, the abridged version, or I’ll be drinking more of your brandy.”
The magisterial hand pointed to the decanter. “Help yourself.”
“No thanks.”
“Those copies are from a ledger for the proposed deal. Keep them. Knowledgeable eyes can connect names there to certain companies, to certain men, which in turn lead to friends in high places, and I think you can infer the rest. Nothing illegal, mind you, but you know how things get, if they find their way into the papers. Yellow journalism has never died out.”
I pocketed the copies. “It didn’t die out, on account of your people using it to underwrite the Spanish-American War. If what you have here is fair-and-square business, then your problem is public relations—a black eye the barbershops on Madison Ave can pretty up in the morning. I don’t do PR, Mr. Braddock. What is it you think I can do for you?”
“Ascertain the identity of the blackmailer.”
“Then you aren’t certain of…never mind. And what do I do when I ascertain that identity?”
“Nothing. I’ll do the rest.”
“Coming from you, that worries me, seeing how your people have treated the peasants, historically speaking.”
Brayton didn’t say a word to that.
“And that other envelope in your lap?” I asked.
The balding halo on the top of his head revealed itself when he looked down at the envelope. Those sickly lips parted when he faced me. I knew I would hate the answer. Cat stood behind him. She glanced at me then at the figure of a dog chasing a rabbit on the carpet.
“Envelope contains the name of a lead, an address, and a generous advance. Cash.”
Brayton tossed it my way. The envelope, fat as a fish, hit me. I caught it.
***
Excerpt from Dirty Old Town by Gabriel Valjan.  Copyright 2020 by Gabriel Valjan. Reproduced with permission from Gabriel Valjan. All rights reserved.






ABOUT THE AUTHOR  



Gabriel Valjan lives in Boston’s South End where he enjoys the local restaurants. When he isn’t appeasing Munchkin, his cat, with tuna, he documents the #dogsofsouthendboston on Instagram. His short stories have appeared online, in journals, and in several anthologies. Gabriel is the author of two series, Roma and Company Files, with Winter Goose Publishing. He was nominated for the Agatha Award for Best Historical Mystery for Company Files: 2. The Naming Game. Gabriel has been a finalist for the Fish Prize, shortlisted for the Bridport Prize, and received an Honorable Mention for the Nero Wolfe Black Orchid Novella Contest in 2018. Dirty Old Town, the first in the Shane Cleary series, was published in 2020 by Level Best Books. Gabriel attends crime fiction conferences, such as Bouchercon, Malice Domestic, and New England Crime Bake. He is a lifetime member of Sisters in Crime.



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