Monday, July 15, 2013

Featured Author: Denise Moncrief

Denise Moncrief's book, Crisis of Identity, is a romantic suspense novel published by 5 Prince Publishing, and she's here today to tell us about it!



About the book:

Tess Copeland is an operator. Her motto? Necessity is the mother of a good con. When Hurricane Irving slams into the Texas Gulf coast, Tess seizes the opportunity to escape her past by hijacking a dead woman’s life, but Shelby Coleman’s was the wrong identity to steal. And the cop that trails her? He’s a U.S. Marshall with the Fugitive Task Force for the northern district of Illinois. Tess left Chicago because the criminal justice system gave her no choice. Now she’s on the run from ghosts of misdeeds past—both hers and Shelby’s.

Enter Trevor Smith, a pseudo-cowboy from Houston, Texas, with good looks, a quick tongue, and testosterone poisoning. Will Tess succumb to his questionable charms and become his damsel in distress? She doesn’t have to faint at his feet—she’s capable of handling just about anything. But will she choose to let Trevor be the man? When Tess kidnaps her niece, her life changes. She must make some hard decisions. Does she trust the lawman that promises her redemption, or does she trust the cowboy that promises her nothing but himself?

Interview with Denise Moncrief


How long have you been writing, and how did you start?

I wrote my first “novel” when I was seventeen. It was an obvious rip-off of the last romance novel I’d read. That was a long time ago. I’ve been writing seriously for publication since the spring of 2003.

How did you create the plot for this book?

I was watching the coverage for Hurricane Ike that made landfall near Galveston, Texas. The news reporter said that Texas authorities had advised those who intended to ride the storm out to write their social security numbers on their arm just in case they needed to be identified after the storm. The premise jumped out of the news report at me. What if a fugitive used a hurricane as an excuse to highjack someone else’s identity?

That sounds intriguing! Do you outline, write by the seat of your pants, or let your characters tell you what to write?

I know where I want to begin a story and know where I want the story to end. In the middle, I allow my characters and their evolving personalities to dictate where the action goes from there. I ask myself how the character would react in a given situation, how the characters would relate to each other, and what consequences would come out of those choices. The character’s story sort of writes itself.

Did you have any say in your cover art?

The publisher’s cover artist sends me a questionnaire about the book and about my preferences and suggestions for the cover. Then she takes it from there. I think Viola Estrella did an amazing job on the cover for Crisis of Identity. It wasn’t exactly the vision I had in my mind, but she conveyed the essence of the book very well. I was very pleased with the outcome.

Do you have imaginary friends? When do they talk to you? Do they tell you what to write or do you poke them with a Q-tip?

Nooooo… I haven’t had an imaginary friend since I was in grade school. I did have an imaginary boyfriend once… I probably shouldn’t talk about that.

LOL. How do you get to know your characters?

While I am writing, I get into their head. I try to think like them and react like they would react. I try to pull something from inside myself that would connect with how the character would feel about what was going on in their life at that moment. What they would see, hear, taste, smell, feel, and think. I don’t become my characters, but I get to know them very well. It’s almost like I’ve lost my best friends when I write the last sentence. Sometimes my husband and I speak about them as if they are real characters. (My wonderful husband reads all of my work before I submit to a publisher.)

When you start a new book, do you know what the entire cast will be?

No. If the situation begs for a new character, I write her or him into the plot. This gives me a bit of creative flexibility. But…this has gotten me into trouble on occasion, as I have written too many characters for a book and bogged the story down. I love an ensemble of memorable characters, but I also believe the story should include only the number of characters necessary to adequately tell the story. Too many characters can be distracting to the reader.

Which character did you most enjoy writing?

In this book, by far my favorite character is Tess. This woman doesn’t take crap off anyone. She is tough when she needs to be and soft when it is necessary. Tess is no damsel in distress. She doesn’t have to faint at her hero’s feet. She can take care of herself.

Wow--your Tess sounds a lot like my Tess! I like writing characters who do and say things I never would, as well as characters who do and say things I wish I could. Do you have characters who fit into one of those categories? Who, and in what category do they fall?

I love to write my characters saying and doing things I’ve only thought about. You know, when you’ve finished with a confrontation and you think about that one thing you wished you’d said? That’s what I love to make my characters say. A writer can get brave hiding behind a character!

Tess in Crisis of Identity is probably the most extreme character I’ve written as far as saying and doing exactly what she feels she needs to do at the moment. She sees an opportunity and uses it. Nothing shy about Tess!

What three books have you read recently and would recommend?

I love reading romantic suspense, but lately I’ve read quite a few romantic suspense with a paranormal element. I’m hooked! I just read Heather Graham’s The Unseen and plan to read more in The Krewe of Hunters series. I’d also recommend Gwenan Haine’s Vertigo, a very good book with a hero and heroine I enjoyed reading about. And there was a lighthouse and a ghost. My third choice doesn’t have a paranormal element, but I thoroughly enjoyed Chantel Rhondeau’s Crime & Passion, a story about a woman who falls in love with a police officer suspected of murder. I love cops and murders! But mostly I love a romantic tale filled with suspense.

What do you like to do when you’re not writing?

Reading, scrapbooking, traveling

If you could live anywhere in the world, where would it be?

Colorado. My absolute favorite place on earth is the Rocky Mountains. I set a series of books in Southwestern Colorado. Two of those books are being released by The Wild Rose Press.

What are you working on now?

A paranormal romantic suspense set in an old plantation house in South Louisiana with the working title The Unmistakable Scent of Gardenias. Yes, there will be a ghost.

Fantastic. Come back and tell us about it when it's released!


Excerpt from Crisis of Identity:

I dropped onto the cot at the far end of the locker room, struggling to remove the stained smock the state so generously provided. Forget about sleep; it wouldn’t come. I had too many memories that begged to become nightmares. I closed my eyes anyway.

The springs in the cot next to mine creaked. “I’m Jake.” Why had it taken him so long to introduce himself?

I released an internal sigh. “Tess.” I told the truth, because I had to say something and I was out of lies.

“Tough job.”

“Yeah.” I wanted him to shut up and leave me alone.

“Why would someone like you volunteer for this?”

I opened one eye and glared at him. “I didn’t volunteer. I was strongly encouraged to help. Why are you here?”

He hesitated. “I’m a U.S. Marshal. It’s my job. Part of the oath and all that.”

I opened the other eye and assessed him. “Why would you move here—” He smiled, cutting off my question. “I can tell from your accent you’re not from Texas.”

“I followed a fugitive here from Illinois.” He leaned forward, his knees not quite brushing mine. “She’s accused of murder.”

“Murder?”

“Stabbed her boyfriend…in the back…in cold blood.”

My reaction gushed from my mouth. “How can you be sure it was cold blood?” I sucked back a gasp at my gaffe. My question probably seemed strangely timed and oddly constructed. “I mean…it could have been self defense.”

He offered me a cold, hard stare with unblinking eyes. “I just know.”

“That’s…awful."

“I guess I followed my lead at the wrong time. I got trapped riding out the storm…just like you.”

“What makes you think I got trapped?”

“If you’d had any choice, you would have left.”

My brother Tony forced me to stay, but he left me. A storm surge so strong it pulled the house out from under us knocked him into the sea. The Gulf of Mexico spit me back onto the beach as if the ocean didn’t like the way I tasted.

I survived, but I had no time to grieve. The realization impaled my heart.

Jake stretched out on his cot. “There’s a boat out of here tomorrow. It’s taking volunteers back to the mainland.” Galveston was in ruins. The thin strips of concrete that once connected the island to civilization lay scattered on the beach looking somewhat like a child's building blocks.

“There is?” I tried not to appear too interested.

“You didn’t know?” A different question danced in his eyes—a challenge of sorts. “So how long have you lived in Galveston?”

“Not long. My brother found a job. So I moved here a few months ago to be with him.”
“Where’s your brother now?”

I blinked at him. “He’s gone.”

His stern countenance wavered, but before I could embrace his presumed compassion, his expression settled into severity once again. “Now you’ll have to start your life over…again.” His eyes captured mine. A shiver of dread slithered down my spine. It was as if he knew me, even though he didn’t seem to know me. “Are you going to sleep?” He nodded toward my pillow as if he didn’t think my conscience would allow rest.

“I never sleep.”

Within minutes, he emitted soft puffs of breath, in and out, obviously lacking any guilt to keep him awake.

The shadows lengthened and receded over the locker room, drifting in and out of the grimy, shattered windows as if the world was still revolving around its axis on schedule. But I was sure it had stopped turning. I was the fugitive he sought.

***

The unrepentant sunshine streamed through the cracks, jubilant in its victory over the storm. Only five days since the devastation of Hurricane Irving and the sun acted as if nothing had ever happened. I turned away from the brightness with an ill-tempered snort.
Jake caught up with me on the gym floor. “Did you get any sleep?” His question hit me as a trifle vindictive.

“No. But you did.”

“I snore.” He grinned. Then his smile faded. “I thought you’d be gone this morning.”

“Why? I have to finish the job.”

“That’s…admirable.”

The thought that pestered me all night erupted from my mouth. “What happens to that woman when you catch her?”

“She’ll go back to jail.” He stopped by the double doors and folded his arms over his chest, blocking my path. “Then she’ll go to trial.”

“What if she did what she had to do?”

“There was no evidence it was self defense.”

I stared hard at his implacable façade. How could the man be alternately warm and cold, compassionate and hard, flexible and unyielding? I stepped around him and entered the gym. There were already bodies lined up waiting for our initial inspection, so I began the task of collecting information from my column of the dead. The hours passed as I searched pockets and noted identifying characteristics on those with no papers or markings. I glanced toward the open door as two men begin loading the last group onto a waiting truck.
One more victim to notate. I squatted next to her. Even in partial decay, her features were enough like mine it pushed me back on my heels. I lifted her arm. My breath hitched. Her Social Security number was so nearly like mine. I scanned the gym. Jake, the one man who might care if she became me or I became her, was absent. With a few strokes of the pen, I could die and live again.

My heart pounded with the possibility I might get a chance to start over without the baggage of my past dragging me down. I changed her identity with a few swipes of a permanent marker. The number went onto my log with an unshaken hand, and I was free to escape the woman I used to be…the woman I didn’t want to be any longer.


About the author:

Denise wrote her first story when she was in high school—seventeen hand-written pages on school-ruled paper and an obvious rip-off of the last romance novel she read. She earned a degree in accounting, giving her some nice skills to earn a little money, but her passion has always been writing. She has written numerous short stories and more than a few full-length novels. Her favorite pastimes when she’s not writing are spending time with her family, traveling, reading, and scrapbooking. She lives in Louisiana with her husband, two children, and one very chubby dog.

Connect with Denise:
Website | Blog | Facebook | Twitter | Goodreads |

Buy the book:
Amazon

Saturday, July 13, 2013

Featured Author: Diana Nixon

Diana Nixon was here in February with her Love Lines series, and I'm happy to have her back today to talk about her newest novel in the series, Diamond Sky, a fantasy/paranormal romance.



About the book:

A new page of the Love Lines story that will reveal new secrets and mysteries buried in the walls of Dever. Eileen, Christian and Evan need to find an old spell to protect themselves and those they love from being killed. There is only one problem – no one knows where the spell is hidden…. 


A mysterious student comes to Dever. A boy whose eyes are always watching. Who is he? What secrets are hidden behind his smiles? Is he a friend or an enemy?...


When they thought they knew everything about the super powers they possessed, they could have never imagined that in reality they didn’t know a thing. The wind can turn into the worst hurricane they have ever seen. The water can destroy everything. The earth can swallow them alive. And the fire can burn them to ashes…. 


The illusions - the only thing they tried to run away from, will come back to ruin the world they live in, taking away everything they ever cherished and loved. 
When you think you are so close to getting what you want, think twice about your every step. Because what you think is the right thing to do may take away your life….



Interview with Diana Nixon:

Diana, how would you describe your book in six words?

Intriguing, catching, full of adventures, mysteries, and love.

How did you create the plot for this book?

Diamond Sky is the next part of the Love Lines series. It tells the story of Eileen Clark, whose life changes completely the day she finds out about her extraordinary talents and goes to Dever, a closed university for the people like her. There has already been said a lot about Eileen’s life, her relationship with Christian, so this time the plot of the novel is focused on Eileen’s powers, her ability to rule over magic and natural elements. Each book of the Love Lines series has something special in it, and Diamond Sky is not an exception. It’s full of interesting twists, secrets and love of course. It opens a new page of the Love Lines story that will take you into the magical world of Dever.

What’s your favorite line from a book?

“I want to see you and Christian together. You deserve to suffer for the rest of your life from each other’s craziness. And I want to see you wearing a beautiful wedding dress, with a long bridal veiling and flowers in your hair. And I want to see Christian signing his death sentence, swearing to spend the rest of his life with you. And I want to be there when all the above happens, but if I can’t … promise me to do your best to get everything that I never managed to get. Live, love and enjoy every single moment of your life. And no matter how far away I will be, you will always be a part of me, or, well whatever will be left of my bones.” – Evan Murray, Diamond Sky

How do you get to know your characters?

Each of them is unique. Working on LL has never been just about creating a perfect world of love. It was about showing the different sides of relationships and communication. That’s why my characters are so diverse. One can be extremely reasonable and thoughtful, while the one is reckless and totally uncontrollable:) But still, writing every new episode I try to show different sides of my characters’ personality, so that it was easier for my readers to understand the motives for their actions and words.

What would your main character say about you?

Lol, I’m afraid even to imagine! Eileen would probably say that I’m one hell of an author to be created by, because I always make my characters go through the new obstacles, and never let them relax:)

Tell us about your favorite scene in the book.
My favorite scene in Diamond Sky is the moment of Eileen’s and Evan’s conversation after the fight with the Dragons. It was a very hard moment to work on. You will understand why when you read the book:) All I can say is that this scene is full of emotions, and it’s probably one of the most touching parts of the book. And considering that Evan is everyone’s favorite character, everything he says is always meaningful and deep.

What song would you pick to go with your book?
The one I used for the book trailer: The Cinematic Orchestra Arrival of the Birds & Transformation

How long is your to-be-read pile?

Longer than I will ever be able to read:) I don’t have much time for reading, but if I start reading a book that I like a lot, no one and nothing is be able to drag me away from it.

What book are you currently reading and in what format (e-book/paperback/hardcover)?

Now I’m reading Apollyon by Jennifer L. Armentrout. I like her Covenant series a lot. It’s an e-book.

Where’s home for you?

I live in Minsk, Belarus. But I agree with those people who say that home is where your heart and your soul feel good. And there are many other places in the world where I always feel good. So as long as I’m happy with the things and people surrounding me, I don’t care where to live:)

If you could only keep one book, what would it be?

Can I keep my laptop instead? Lol. Well, it’s a very hard question, because I can’t choose only one book. There are so many book I like, that I would gladly upload all of them on some device and took them everywhere I would go:)

Neil Gaiman said, “Picking five favorite books is like picking five body parts you'd most like not to lose.” So…what are your five favorite books and your five body parts you’d most like not to lose?

Well, choosing five books is definitely easier than choosing one:) So they are: P.S. I love you by Cecelia Ahern, Beautiful Disaster by Jamie McGuire, Hush Hush by Becca Fitzpatrick, Sweet Evil by Wendi Higgins and Pure by Jennifer L. Armentrout.

Now to the body parts. I can’t imagine my life without my heart of course. I want to see every smile on daughter’s face, so I can’t lose my eyes. I can’t stop writing, so I need my hands. I can’t stop thinking, so I need my brain. And though a soul is not exactly a part of a body, but still I think that soulless creatures can’t enjoy their lives, so yes, I don’t want to lose my soul.

Would you rather work in a library or a bookstore?

At home:) I prefer working in the silence.

What’s one of your favorite quotes?

“The best and most beautiful things in the world cannot be seen or even touched. They must be felt with the heart.”  - Helen Keller

What are you working on now?

There are several books I’m working on at the moment. One is a contemporary romance, named Hate at First Sight. Another one is a book of poems that I write together with Abhishek Leela Pandey, the author of The Man with the Five Heads. And there’s also a trilogy about guardian angels, named The Heavens. It’s another series of paranormal romances, that I can’t wait to finish and release:)

Thanks, Diana! See you soon for your next release!


About the author:

Diana Nixon was born in Minsk, Belarus, where she still lives and works on her series. Before becoming a writer she received a Master of Law degree from Belorussian state University. She has always liked reading fantasy novels, so when she came up with the idea of writing a book, she already knew what genre to choose. At the moment Diana is working on her Love lines series, a book of poetry, named The Blurred Vortex, and a contemporary romance, named Hate at First Sight.

Other books by Diana Nixon:
Love Lines (Love Lines, # 1)
Songs of the Wind
(Love Lines # 2) 
                               From Scratch (Love Lines, # 2.5)





Connect with Diana:
Website | Facebook | Goodreads | Twitter |

Buy the book:
Amazon | Barnes & Noble 


Book trailer



Friday, July 12, 2013

Featured Author: Andy Gavin

Today I'm excited to bring you Andy Gavin and his novel, Untimed, a YA time travel book, published by Mascherato Publishing. In addition to answering my inane questions, Andy treats us to a guest post and an excerpt from Untimed.


About the book:

Charlie’s the kind of boy that no one notices. Hell, his own mother can’t remember his name. So when a mysterious clockwork man tries to kill him in modern day Philadelphia, and they tumble through a hole into 1725 London, Charlie realizes even the laws of time don’t take him seriously. Still, this isn’t all bad. Who needs school when you can learn about history first hand, like from Ben Franklin himself. And there’s this girl… Yvaine… another time traveler. All good. Except for the rules: boys only travel into the past and girls only into the future. And the baggage: Yvaine’s got a baby boy and more than her share of ex-boyfriends. Still, even if they screw up history — like accidentally let the founding father be killed — they can just time travel and fix it, right? But the future they return to is nothing like Charlie remembers. To set things right, he and his scrappy new girlfriend will have to race across the centuries, battling murderous machines from the future, jealous lovers, reluctant parents, and time itself.


Interview with Andy Gavin:

Andy, Untimed is your second book. How long have you been writing, and how did you start?

I’m a lifelong creator and explorer of worlds. As far back as first grade, I remember spending most of the school day in one day dream or another. I had a huge notebook stuffed with drawings, story bits, and concepts for an elaborate Sci-Fi/Fantasy world I cobbled together from bits of Star Wars, Narnia, and Battlestar Galactica. By fourth or fifth grade not only was I loosing myself in every fantasy or Sci-Fi novel I could, but I was building Dungeons & Dragons castles and caverns on paper. Then from 1980 on the computer.

Over the following decades I wrote dozens of stories and created and published over a dozen video games all set in alternative universes. And as an avid reader (over 10,000 novels and who knows how many non-fiction volumes) it was no surprise that I eventually decided to write some books of my own.

Wow. That's quite a background. How did you come up with the title Untimed?

I wanted a single-word title, and I wanted it to imply time travel, so I bounced words and phrases around in my head until I came up with Untimed. It seemed pretty good immediately.

How did you create the plot for this book?

Typically, Untimed began from a fusion of ideas. Lingering in my mind for over twenty years was a time travel story about people from the future who fell “downtime” to relive exciting moments in history (until things go wrong). I worked out a time travel system but had no plot or characters. Separately, in 2010, as a break from editing The Darkening Dream, I experimented with new voice techniques, especially first person present. I also read various “competition.” One of these was The Lightning Thief (the first Percy Jackson novel), which has an amazing series concept (if a slightly limp execution). I love mythology and history, and liked the notion of something with a rich body of material to mine. I wanted an open ended high concept that drew on my strengths, which brought me back to time travel.

Some of the mechanics from my earlier concept merged well with a younger protagonist, voiced in a visceral first person present style. I started thinking about it, and his voice popped into my head. I pounded out a chapter not too dissimilar from the first chapter of the final novel. Then the most awesome villain teleported into the situation. I can’t remember how or why, but it happened quickly and spontaneously. Tick-Tocks were born (or forged).

Do you outline, write by the seat of your pants, or let your characters tell you what to write?

Personally I find the two different modes: plotting vs. just writing, to use different sides of the brain, and therefore useful to stagger. I can only handle a few days of plotting before I need the release of getting it out there. There really isn’t any rush in writing as good as just pounding out a great scene that’s already gelled in your head, and it’s even better when the scene and characters take on a life of their own and bring something novel to the process. Looking back on it, I realize that as a computer programmer I took this same exact alternating approach (between designing the algorithm and just coding) and that the rush and rhythm were nearly identical.

Did you have any say in your cover art?

The cover photo-illustration is by award-winning fantasy artist Cliff Nielsen. I found him originally for my first novel, The Darkening Dream. Back then, I combed through the more recent books in my 10,000 novel collection and put aside ones with covers I liked. Going through those I found like eight (including the new edition of Narnia!) with covers by Cliff. But it was really the Map of Time cover that totally sold me. I had to have him do mine. So I called. With Untimed it was natural to go back to him, as the first cover rocked. I had the Tick-Tock image in mind all along, still he read the book and then we talked. It was instant agreement, had to be Rapier.

Untimed also has interior illustrations by Dave Phillips. I could tell looking at his portfolio that he was an amazing artist. I have a lot of experience judging art, my mother is an oil painter, I half grew up in museums, and video games are all about art. Dave’s figures had an emotive quality, a correctness of proportion, and a sense of motion that only good artists can evoke. I picked twenty-one scenes from the book that seemed to cover the most characters and iconic moments while being fairly well spaced out and then wrote up detailed descriptions. I had really specific images in my head, so I included reference images, particularly costumes and props. Dave did rough drafts of each and pretty much nailed them all. We made a few tweaks and he popped out awesome finished versions. It sounds simple, but it took a few months as he has a day job and twenty-one detailed illustrations takes a while.

Are any of your characters inspired by real people?

Perhaps, but I’m not telling. Really, like most authors, I just borrow bits and pieces of traits from people I know and even from characters in other books and movies. Literary tradition (I include TV and film here) supplies a lot of rough templates.

What song would you pick to go with Untimed?

I’m not sure, but while writing it I listened a hell of a lot to the Daft Punk Tron Legacy album. It seems to fit.

Who are your favorite authors?

I have so many, but to start: George R. R. Martin, Dan Simons, Tim Powers, Orson Scott Card, Guy Gavriel Kay, Sherri S. Tepper, Octavia Butler, Ian M. Banks, Jack L. Chalker, Robin Hobb, Stephen King, Gene Wolfe, Katherine Kurtz, and Vernor Vinge.


Do you have a routine for writing? Do you work better at night, in the afternoon, or in the morning?

My work space is extremely messy but with a great view of Santa Monica and the Pacific Ocean. I write on a 12 core Mac Pro with two Apple 30” monitors. Yeah, I’m a computer geek, and an Apple weenie to boot. I write in Scrivener which is a totally awesome writer’s word processor. Any writer still using Word is crazy.

I just have to interrupt to say I agree on both counts: Apple and Scrivener are awesome! Also, I'm extremely jealous of your view of the Pacific Ocean. Okay, please continue.

Unless something distracting is going on I try to have my butt in the chair by around 10am (after working out) and more or less keep it there until around 6pm. If drafting new prose I try to do about 2000 words a day. I write, then I do a polish pass. If I had to rewrite significantly during that pass I’ll do a third sweep to cleanup.

Then I print and run to my wife for instant feedback. Next, I email it to my mom and my “story consultant” (one of my friends who reads it right away). Feedback is good. I find that I’ll often redraft a chunk on the basis of these early comments.

You read a lot. What three books have you read and would recommend?

Anubis Gates by Tim Powers. Powers has ability to bring to life the fey in a grounded yet truly otherworldly way, and Gates is the best of his many books. It’s totally zany with time travel, werewolves, ancient sorcerers, Romantic poets, and more, yet it totally works.

Hyperion by Dan Simmons. A space opera roughly based on the Canterbury Tales? It’s got not only a massive scope and impressive world building, but repeated and genuine pathos.

A Game of Thrones by George R. R. Martin. Martin has this uncanny ability of making his gigantic cast of characters feel developed and above all, human. He plots like a demon too as the number of twists and reversals is out of control. But fundamentally he really makes you care about the people.

What’s one of your favorite quotes?

“Think of it as evolution in action” is pretty good, but in light of this being about Untimed, we could use a favorite Ben Franklin saying, “Three men can keep a secret, if two of them are dead!”

Gotta love Ben Franklin. What are you working on now?

Yep. Right now, I’m writing two more novels and adapting Untimed into a screenplay. The new books are the Untimed sequel and a totally separate short novel that involves old school fairies and iambic pentameter.

Sounds intriguing. Come back and tell us about them when they're published!

Guest Post by Andy Gavin:

Games, Novels, and Story


Storytelling, the old fashioned way

Modern man has a wide variety of "pure" storytelling mediums, like film, long form television, and novels. While these have some very significant differences they all share the same basic focus on plot and character. Typically at least, good stories introduce a character with problems, get you to like them, then chronicle the struggle as they are compelled to change and adapt to overcome these problems. In the end, they either do so, or are defeated to teach us a lesson (a variant we call tragedy).

These elements: character, plot, and transformational arc, are completely central to the normal story (I deliberately ignore weird experimental storytelling). Really, they are the core of what makes a good film or novel.


                                     
Roman mosaic showing comedy (right) and tragedy (left)

But with a game, this whole business is secondary. The primary focus of a game is fun. And fun through gameplay. Does Tetris have any character or plot? Did even Doom? No. But they were fun games. Really fun.

Games such as Naughty Dog's Jak & Daxter or Uncharted strive to bridge these gaps by offering both. This is very difficult because they don't really serve each other.

The gameplay in Uncharted 2, for example, has three primary modes: survival gunplay, platforming, and puzzle solving. The player must assess the layout of the level, learn it, and navigate it without getting killed. This involves anticipating the enemies and taking them out first. You use the weapons at your disposal, the mechanics, and the terrain provided to do so. With platforming you need to come to understand what the character can do physical, find your way, and successfully traverse the route.



Some games do focus on story

When these are done well, when the design is varied, the levels pretty, the enemies cool, and the challenges measured, challenging and above all, doable - it's fun. Uncharted 2 is such a game.

It also has a pretty darn good story which is woven in with the design of the levels and the challenges. This adds to the whole thing. Watching the next segment of story becomes part of your reward for finishing a segment. There is a tremendous level of art that goes into getting both of these to work at the same time, but certainly each is constrained at times by the needs of the other.

Content in games is expensive and difficult to make. Therefore it needs to repeat. You really do need to shoot the same enemy hundreds of times. Otherwise the enemy isn't providing enough mileage to justify the labor involved to create him. The player is also in control and therefore the consequences of his play affect success or failure.




My first novel

But in storytelling, success and failure are the carefully monitored heartbeat of any good story. You bring the protagonist up, dash him down, grind him into the ground, lift him up, slam him sideways. I knew this intuitively when writing my first novel, The Darkening Dream. I've read so many books and watched so many films and shows that it seemed "obvious." But at the same time, it turned out to be far from easy. Writing a good story has less constraints than making a good game, but it's still extremely difficult. You need to be constantly balancing the issues of character, motivation, the logic of the plot, and the need to seesaw the dramatic tension. In the end, stylistic concerns sometimes overwhelm dramatic ones (to the reader's detriment).

In a game, it's even more complicated, and there is barely a chance of hitting all the right dramatic notes. The player has a lot to say about this natural up and down pacing, so the story-based game tries to separate how well you are really doing from the actual plot. Usually death or failure in the game causes the player to merely repeat some segment of the game (and hence the story), when they finish the level and get the next segment of storytelling, they'll get it regardless of whether they died once or 100 times. The better player merely proceeds faster.

This is different, but even more problematic in a less linear game such as World of Warcraft. There, the mechanics of the game heavily distort the conceits of storytelling. The story is even broadly linked to the chronological evolution of the game in real time. For example, in December of 2009 Blizzard released the Icecrown Citadel patch of Wrath of the Lich King, making it possible for players to finally reach and confront the ultimate boss of the expansion (the titular Lich King). But the fact is, in order to properly maintain the reward mechanics of endgame raiding, each character was and often did, progress through this segment of the story once, or even twice a week.



The Lich King

Now, two years later, the Lich King has been defeated, the world of Azeroth has been broken, yet it's still possible to go back to Icecrown and take on Arthas again. And again. Ditto for any of the several hundred even older bosses. Players accept that they have random access to a long and convoluted story. In fact, the need to generate so much gameplay in WOW has created a body of lore that gives the Silmarillion a run for its money. But the way in which it's experienced mutes the emotional intensity.

What really provides the excitement in WOW (and many other games), isn't the question of whether the dragon queen Onyxia lives or dies, but the - shall we dare say - drama of whether she does tonight, for us, the group fighting her. And more importantly, will she drop the Nemesis skullcap (arbitrary cool piece of loot) one has been trying to get for six months.

Excerpt from Untimed

“You think me daft, do you?” the girl in the refuse pile says. “You’re from the future.”

Living the last hour in a high-budget documentary has made me a time travel believer, so I’ll take her word for it.

“How do you know?”

“Boys always be from the future. What’s me name?”

“Yvaine?” I say.

Her smile is so genuine it startles me.

“There you go. I haven’t never heared that since I was a wee bit.”

I know how she feels even if I only mostly understand what she says.

“Help a lady up, Charlie.”

I take the hand she extends, pull her upright, then kick my feet into the dirty pair of shoes I took off when I ran after her. Her scruffy outline stands out with unnatural clarity.

This cinches it. I know how to spot the historically homeless!

Dad’s history books, all his lessons, swirl in my head. He totally knew! If us extra-in-focus-no-names are time travelers, and he and Sophie have been off visiting the Crusades or whenever, why’d they wait till right before the clockwork cop showed up before trying to tell me?

“Are you from the future too?” I ask.

“You know nothin’, dinna you?” Yvaine cuffs me on the arm. “Boys are from the future, girls are from the past.”

“Where? I mean when? And when is now?”

“Let’s cosy someplace warm.” She tugs me toward the alley entrance. “We’ll be lucky not t’catch cold.”

“That’s what my mother would say.”

“I’m not your mother.”


Check out the book trailer for Untimed:



About the author:

I’m an unstoppable storyteller who studied for his Ph.D. at M.I.T. and founded video game developer Naughty Dog, Inc. at the age of fifteen, serving as co-president for two decades. There I created, produced, and directed over a dozen video games, including the award winning and best selling Crash Bandicoot and Jak & Daxter franchises, selling over 40 million units worldwide. I sleep little, read novels and histories, watch media obsessively, travel, blog (a million hits last year!), and of course, write.

Connect with Andy:
Website | Blog | Facebook | Goodreads | Twitter | Amazon | sample chapters 

Thursday, July 11, 2013

Featured Author: Dan O'Brien

Welcome to the third day of the Bitten blog tour. It will run until July 16th and will feature excerpts, new author interviews each day, character interviews, and a casting call by the author.


About the book:

A predator stalks a cold northern Minnesotan town. There is talk of wolves walking on two legs and attacking people in the deep woods. Lauren Westlake, resourceful and determined F.B.I Agent, has found a connection between the strange murders in the north and a case file almost a hundred years old. Traveling to the cold north, she begins an investigation that spirals deep into the darkness of mythology and nightmares. Filled with creatures of the night and an ancient romance, the revelation of who hunts beneath the moon is more grisly than anyone could have imagined.



A few questions for the author:

Do you ever write naked? 

I have never sat down and thought, “Man, it would be great to work on this novel naked.” That being said: yes. 

Who would play you in a film of your life? 

I would love to say John Cusack, but he is older than me and it would be weird. Jack Black would make for a funny version, though he would suddenly have to decide he wanted to do triathlons. 

What are the most important attributes to remaining sane as a writer? 

Knowing why you got into writing in the first place. Sometimes expectations are what drag you down. If you are writing because you want people to read your books and you love to write, then you will never be disappointed. If you expect to make a living wage right out of the gate, you might find that the fruit has soured. I have been at this for a little over a decade now and it finally feels like I am hitting some kind of stride.

Have you ever read or seen yourself as a character in a book or a movie? 

There is always a character in a movie who resonates with me, though it is often the cunning villains and the loner-type characters. Perhaps getting into writing was the right profession? Californication on Showtime might be the closest thing to really connecting with a character, minus all of the character defects….


Here be an excerpt for your enjoyment:


Chapter III


Sheriff Montgomery looked at the frozen, mangled body of Madeline Leftwich and could not seem to conjure up remorse. Two grisly murders in the span of two days were enough to plunge the emotions of a small town into a nexus, a black hole of sorts. The woods seemed harmless during the day, better resembling a Robert Frost poem than a horrific murder scene. 

Tufts of thick brown hair escaped from the wool cap he wore. A heavy face that was accented with a thick beard made him appear a lumberjack or dock worker as opposed to a civil servant. Pale brown eyes surveyed the scene with a kind of absent criticism. He knelt down, the heavy material of his pants cracking as if they were frozen solid, which was not far from the truth. 

Reaching out with a gloved hand, he touched the ghastly face. Locke experienced a murder once a decade and often it was someone not from Minnesota, but some vacationer. Maybe they were from California or some damned warm place that didn’t have the decency to just appreciate the tall green trees that clouded the distance and the gripping cold that took the breath from you even in July. Shaking his head, he stood again. His heavy frame had begun to thicken in the middle with age. 

“Sheriff, we got some tracks over here,” called out the young deputy, a thin reed of a boy. Everyone was a boy to Montgomery since the big five-zero had rolled around last spring. The young deputy’s hazel eyes were the kind about which women dreamed. Though what was behind them was little more than a vapid afterthought.

Montgomery walked over the frozen earth, making sure to walk around the partially covered remains of Ms. Leftwich, or rather what remained. The tall pines watched the sheriff pass, branches swaying slightly in the morning breeze. 

The deputy was standing over heavy indentions in the earth. Matthews was the consummate northerner. Heavy Nordic brow and cheekbones made him look like a Viking warrior displaced. The sloppy grin across his face belied the gruesome scene he and the sheriff overlooked. “Looks like they might be from an animal, hey,” he mumbled, pointing down at the ground. 

Squatting down, Montgomery touched the firm earth with his gloved hands. Already the soil was cold again despite the horror that had no doubt transpired hours before. “Looks like it could be bear tracks, but the narrow arch could be human. No claws, just heavy prints. Not definitive.”

“Could it be a monster, hey?”

Montgomery looked at him with a grim look. 

“You making a joke, deputy?”

“Sorry, sir.”

Looking past the marks, there was damage to the brush as well. Pushing past hard spiny branches, the sheriff saw where Madeline Leftwich had hid before her assailant got the better of her. Part of her coat rested on the crawling, thorny brush that was located only a few feet from the murder scene. 

“Looks like this is where the victim was hiding.”

“Hiding, Sherriff?”

Montgomery stood, surveying the scene with a critical eye. Pointing down at the brush, he began. “I believe Ms. Leftwich was out in the woods here for some reason. Walking home from the train station, I suppose.”

“She was a bit batty, hey.” 

Montgomery did not bother to chastise his deputy with words. Instead, he directed a dark glare his way. It was sufficient. Walking forward, pointing farther down the trail, the sheriff continued. “For whatever reason, she felt compelled to enter these woods at night. Wild animals aside, this trail has proven dangerous in the past. Something or someone was waiting for her. Maybe she saw it coming, maybe it chased her.”

The deputy watched quietly. 

“Either way she hid in this bush until whatever got her, dragged her free.”

Ms. Collins, local medical examiner, in all her burlesque glory on the cold bitter morning, walked over to the sheriff and deputy. Her hands were covered in black gloves. Bright orange lipstick accented her face; the bee hive she wore so proudly was streaked with black and white. 

“I think your assumption might be correct, sheriff.”

Montgomery looked at her with a stone face. “Is that so? What makes you so agreeable this morning?”

Collins stiffened her back and walked toward the body. They followed, the three of them soon overlooking Madeline’s frozen corpse. “There are bruises along her upper arms, and if I am not mistaken, there is tendon and muscle damage consistent with a dragging scenario. We won’t know more until I get her on the table, but I think it is a reasonable assumption.”

The sheriff knelt again, this time inspecting the wound carefully. Tracing a finger over the gashes, he grimaced. “Strange wounds,” he began and then making hooks with his fingers. “Looks like a claw or some kind of garden tool.”

“So we’re looking for a gardener?”

Montgomery shook his head. “Perhaps his tools, deputy,” answered the sheriff sarcastically. Looking into the distance, he continued. “You think this is related?”

Collins raised a painted eyebrow. 

“To the woman at the lake?”

The sheriff nodded. 

Watching the still forest around them, he listened for an abnormality like a druid of the old world. “Two murders in the span of two days, similar conditions. Women alone attacked and left in the cold. Certainly something to think about.”

The deputy scratched his head in confusion. 

“But the two crime scenes are miles apart.”

“Mile, maybe mile and a half.”

“Seems bit far for collusion between the two acts,” offered the deputy, looking away as the sheriff took note of his word choice. Even Collins in all her macabre glory looked at him with a skeptical eye. “What? I can evolve.”

Montgomery did not even bother commenting. “There are marks along her chest very similar to those of our Jane Doe in the morgue. What’s this?” Collins leaned in, the powerful grip of her perfume rankled the sheriff. “You mind taking a step back, Ms. Collins. For posterity, of course.”

She looked at him over dark-rimmed glasses and smirked. “Some men find me intoxicating, sheriff.”

“Not one of ‘em,” he replied. Pulling back the tarp, he continued. “She is missing a patch of skin.”

“What?” 

The deputy leaned in, his eyes wide. 

The remains of Madeline Leftwich were indeed missing a large piece of skin, the size of two hands just above her hips. Collins, despite the weight of her massive hair arrangement, ducked into see what the sheriff was referring to. The cold air embraced their collective breath, a strange orgy of evacuated clouds. 

“Looks like it was ripped clean,” spoke the deputy in revulsion. 

Collins reached down with a gloved hand, pushing in the skin and inspecting the wound with a critical eye. “Looks post-mortem. Could be unrelated, scavengers or another assailant perhaps?”

Montgomery shook his head. 

“Unlikely.”

The deputy stood up. 

He looked pale. 

This was the first time in his limited service to the city of Locke when he had witnessed such heinous acts. The urge to vomit rose to the surface, stifled with tight lips and wide eyes. “There wasn’t anything like this on the Jane Doe,” he managed through clenched teeth. 

Montgomery nodded absently. “We didn’t see anything, that’s true. Doesn’t mean there wasn’t anything there though.” He turned to Collins. “You notice anything like this on the other victim?”

“I wasn’t really looking for that. We still have her on ice. Toxicology is still out and swabs from the wounds were sent down south for processing. Gonna still be a little while yet, hey.”

The sheriff nodded, his mouth twisting. 

“What do you think happened?” asked the deputy, taking a few steps back as the bag was re-zipped once more. The crime scene crew, which is to say Collins and an awkward intern, carried away Leftwich. 

Montgomery stared at the wilderness again: stillness. 

The bitter lethargy of winter was in full bloom: gray skies, salt and pepper earth. “I think whoever or whatever did this isn’t done.”

“Yeah.”

“And I think maybe things are going to get worse before they get better.”

*

Lauren opened her eyes slowly. 

The night before had been a blur, drinks led to more drinks. She remembered Dominic, but not the events that led to her lying on her back as she was. White walls were marred slightly with yellowish stains from smokers past. 

What did I do? 

Her thoughts drifted as she rose, pushing back the stiff, yet warm covers that enveloped her torso. Looking to the other side of the bed, it was undisturbed. He had not come home with her. 

*

It walked through the shambles of the shed that served as its home. Rusted implements of maim and death hung about it like ghoulish trophies of a world forgotten. The gray day lent little luminance in its shack. 

The smell should have been acerbic, overpowering. Were it summer, the stench of the flesh would have overpowered the air for miles. Yet in winter there were no smells, locked up in a prison of the mind. Boards erected overtop one another in meaningless patterns; scattered holes that revealed the cold and gray outside. 

It no longer felt the cold. 

Its mind, as its body, was numb. 

A table was at the center of the room, of its home. It reached out, grasping the two hands of flesh torn from Madeline Leftwich. 

Not always had it been like this: the curse, the bite. 

It was an animal. 

Now it was forced to hunt, driven by the moon to kill. 

A dead wolf hung in the cabin; the head was still intact. The body had been torn to pieces, fur and foot missing from the torso. 

It walked past a gap in the walls, its arms revealed. 

Wolf fur sewn into flesh. A piece of human flesh pulled and stretched like it wished to make leather, teasing the elasticity of it, testing it. Needles scattered about, bound already in flesh and blood. 

Its face was shadowed, hidden from the world. 

It had begun to fear men, fear their scent and judgment. Werewolf: the word floated through its mind like downed branches in a raging stream. Though there was little life left in its mind: madness, hatred, the hunt. That is what remained. 

Wild hair pulled back from its scalp, long fingers; nails dirty and broken. It stretched the skin down on the table, pressing its dirty hand along the flesh; blood on the hand of the seamster and on the fabric. Its hand reached out and grasped the needle. 

There was no noise in the morning air. 

The trees remained silent in fear of what haunted the shack. It placed the skin on top of its arm. The first time through the blood oozed as the needle attached its trophy to its skin. It used wolf fur, drawn thin like fishing line to seal the wound, to make a quilt of its body: to become a monster. Each time through the flesh drew taut, becoming a part of the map of its descent into madness. 

Soon, it had patched together what had once been Madeline Leftwich’s flesh into its own flesh, a coverlet work of insanity. It sat down on the floor. It looked up at the ceiling and into the gray sky above, waiting for the embrace of night when it would hunt again.

*

Lauren Westlake looked out at Locke, Minnesota and grimaced. She felt the slight grip of a hangover: heavy eyes, throbbing mind. The landscape was bleak. The gray skies looked as if they were ready to bury the locals in a distant, forever sleep. 

Pulling her coat around her neck tightly and gripping the edges of her wool cap, she lowered her head into the wind. She recalled the map of the small town. The inn was very close to the cross street where the police station was located. 

She hoped that she was not too late. 

Before, the attacks escalated in quick succession. Where there was one, suddenly there were many until it culminated in a mass murder and then nothing; the balance restored, suburbia recalled. 

The streets were clean, maintained in a way she was not used to. The storefronts were as bleak as the air around her. Stone-faced people, neither smiling nor courteous, watched her with suspicion as she passed. There were few cars; most were parked, only a rundown Chevy passed by. Its sputter could be heard far off in the distance. Lauren passed a coffee shop on her right with For Lease written crudely on a piece of white-backed cardboard. 

The remnants of an auto mechanic shop; an old-time bed and breakfast boarded and rundown: Locke was not a booming place. It suffered as all small towns suffered. Tourism was fickle, even more so when the majority of people were broke and holed up in their shrewd lives. 

The next corner retained the only stop light in all of Locke and it merely blinked red, cautioning the limited traffic to be wary of other drivers. A wind picked up, blowing against her slender frame. She cursed her persistence, her need to understand. Once again, it had driven her to the edge.

The police station came into view, or rather a stone building devoid of marking except a grouping of black letters that spelled out Locke Police Station. A lone patrol car was parked out front, a frost-covered monstrosity that looked as if it would need to be pushed to start. 

The door was tinted, a strange thing to do in a place with no sunshine. Lauren pulled on the handle hard, grumbling as it was slow to open. The cold was bitter on her face, clawing at her lips and nostrils as she entered the building. The station was a long room cut in half by a plain counter. There was a distant desk and a glass door covered in blinds. 

“Hello,” she spoke with slight irritation in her voice. 

There was some shuffling. For a moment, she had the strange sensation to reach for her gun. 

A woman appeared. 

Huge hair, clear frames, and bright red lipstick announced her. She wore a pantsuit the likes of which would have been appropriate on a femme fatale half her age and size in a soap opera much dated. “How can I help you, hey?” she spoke with what could have been considered a completely different dialect. 

Lauren took a cautious step forward, following the woman as she made her way to a part of the counter equipped with a blank clipboard and a rusted iron handbell. 

She removed her identification while maintaining eye contact with the visual train wreck that was the receptionist. “Agent Lauren Westlake, I am here about the murder.”

“The murders?” repeated the woman, the parroting slightly odd.

Lauren replaced her identification and looked deeper into the station. “Where is the sheriff, Ms…?” Her voice lingered, searching for the woman’s name. They had spoken on the phone the day before, albeit briefly. 

“Mrs. Meadows, if you please. And Sheriff Montgomery is at the crime scene. He will be back after a while. Can I offer you some coffee, hey?”

Lauren placed her hands on the counter. “Crime scene? I thought the Jane Doe had been removed already and was in the morgue. That is why I am here, to inspect the remains.”

There seemed to be sudden recognition in the receptionist’s eyes. “Right. You are that nice city gal who called yesterday inquiring about the murder. The murder on the lake.”

Lauren nodded. “Precisely.”

The receptionist’s heavily painted lips pursed. She leaned forward as if she were telling a secret. “We did bring her in, but there was another murder. A local. Sad story really. Sheriff Montgomery and the deputy are out there right now.”

Lauren leaned back. 

Pulling off her wool cap, she allowed her hair to fall free, unrestrained. Despite sleeping off a rather interesting bender, she still looked more the part of prepared city girl than overworked country gal.

And the receptionist was quick to notice. “Damn girl. You look too good for it to be this cold, hey.”

Agent Westlake looked at her with an arch of her sculpted eyebrows. Naturally sculpted of course, she was lucky that way. “You said the Sheriff is out at the crime scene?” she asked, her attention only slightly affected by the strange comment. 

The receptionist had already disappeared to the back of the station, where she busied herself making coffee. Lauren followed her along the counter. Mrs. Meadows returned, a coffee mug in each hand. Placing one down in front of Lauren, she cupped hers, snuggling with it really. “Sheriff is out there alright, must have been right after dawn. Poor thing got the call at home.”

Lauren moved forward as if to speak. Mrs. Meadows looked to the coffee mug and Lauren picked it up with a sigh. “Where did this happen?”

Mrs. Meadows sat into a comfortable chair, the heavy material of her pant suit making a mockery of her femininity. “Not that far from here, in the woods just the other side of the train station.”

“I know the area.”

“Really, I though you just got here.”

Lauren took a sip of the coffee and grimaced. “Do you have any sugar?” she replied. “I got in early this morning on the train.”

Mrs. Meadows nodded and made a funny little sound. Pointing to where she had retrieved the coffee, she motioned. “Help yourself, hey. Don’t get many female law types here in Locke. Not much girl talk in the station.”

Lauren smiled weakly and moved behind the counter. 

“I guess if you consider all the shenanigans of the young boys around here, then there is some discussion about women. But certainly not in the capacity I like to have.”

Lauren tore open a packet of white sugar and poured it into the mug. Sticking in a long, slender finger, she stirred the hot coffee. 

“So this crime scene, the one near the train station…”

Mrs. Meadows closed her eyes. Doing so made her appear both fearsome and festive. “Another woman, like I said. This one a local, a bit of a town personality.”

“A local?”

“Crazy woman, pardon me saying so. She didn’t have all her marbles, ya know.”

Lauren searched her mind and recalled distantly the run-in she had with the woman at the train station. Could that be the same woman? Her mind swam slowly as the hangover was proving to be a greater barrier than she had anticipated. “The other woman wasn’t a local? The one from the lake?”

“No, sugar. That one was a transient, a traveler through our wonderful green, cold country.” She leaned forward. “Maybe even one of our friends to the north, hey.”

Lauren pondered that. 

The chime at the station rung; every sound crawled in the north. Montgomery entered, the deputy a step behind. They both looked the part of cold, grumpy men who had just come from a gruesome crime scene. “Darlene, any calls? We get anything back on…” He stopped in his tracks as Agent Westlake walked out from behind the counter. 

“Sheriff Montgomery, I presume?” she spoke. 

Montgomery looked at her, his uncertainty worn on his sleeve. “Yes?”

Lauren removed her identification. 

It was an act to which she had not only grown accustomed, but she had as well begun to enjoy the confused response on men’s faces when they met a female agent. It was empowering and embarrassing in one smooth motion. “I’m Agent Westlake. I called about your Jane Doe yesterday.”

Montgomery looked at her. He was not used to assertive women in positions of authority. Not confidence in general, as he had seen many women who had found their aggressive nature amidst a bender. 

Lauren waited a moment, watching the sheriff carefully. “I told your receptionist, Mrs. Meadows, that the preliminary report sounded very similar to a case I have been working. I was hoping I would be able to take a look at the body and maybe shadow you and your deputy for a few days, see what I can glean.”

“Glean?” echoed the deputy, his voice cracking. 

Lauren’s gaze shifted to the tall, young deputy. “To learn by casual observation. I assume you are the good sheriff’s deputy?”

He nodded, his Adam’s apple bouncing comically. 

Montgomery shook his head. Clicking his tongue, he wiped at his boot absentmindedly. “Shadow? You mean interfere with my investigation. There is no federal jurisdiction on this. I have received…”

Lauren stepped forward, placing down her mug of lukewarm coffee. “Nothing like that, sheriff. I am here in a personal capacity. There is no formal federal inquiry at this time. I was given a short leash to do some of my own investigation and that is what I intend to do. I am looking simply for some professional courtesy.”

Montgomery moved back toward his desk. 

The deputy mirrored the movement, an exact carbon copy of the sheriff. Leaning back into his squeaky chair, Montgomery placed his dark boots on the table and thumbed his wedding ring. “I am willing to extend courtesy your way, if you are willing to send some mine.”

Already there was bartering; already the presence of her badge and authority alone was not sufficient to warrant his respect. She would remedy that before all was said and done. 

“Anything I can do, sheriff. I would like to help with the investigation any way I can.”

Matthews looked at the large eyes of Agent Westlake and could not help but let the bright, boyish smile creep through like so much oil through cracks. Montgomery watched his deputy and shook his head. “You can begin by telling us why you thought our Jane Doe was a part of a larger investigation.”



About the author
:
A psychologist, author, editor, philosopher, martial artist, and skeptic, he has published several novels and currently has many in print, including: The End of the World Playlist, Bitten, The Journey, The Ocean and the Hourglass, The Path of the Fallen, The Portent, and Cerulean Dreams. He recently started a consultation business. You can find more information about it here http://www.amalgamconsulting.com/.

Check out Dan's books:
The Path of the Fallen (UK) 

Connect with Dan:



Would you like to win a copy of Bitten?

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Visit http://thedanobrienproject.blogspot.com/ and follow the blog for a chance to win a Kindle Fire!