Showing posts with label R.G. Belsky. Show all posts
Showing posts with label R.G. Belsky. Show all posts

Monday, May 18, 2020

FEATURED AUTHOR: R.G. BELSKY




ABOUT THE BOOK


Martin Barlow was Clare Carlson's first newspaper editor, a beloved mentor who inspired her career as a journalist. But, since retiring from his newspaper job, he had become a kind of pathetic figure—railing on about conspiracies, cover-ups, and other imaginary stories he was still working on. Clare had been too busy with her own career to pay much attention to him.

When Martin Barlow is killed on the street one night during an apparent mugging attempt gone bad, it seems like he was just an old man whose time had come.

But Clare—initially out of a sense of guilt for ignoring her old friend and then because of her own journalistic instincts—begins looking into his last story idea. As she digs deeper and deeper into his secret files, she uncovers shocking evidence of a serial killer worse than Son of Sam, Ted Bundy, or any of the other infamous names in history.

This really is the biggest story of Martin Barlow's career—and Clare's, too—as she uncovers the path leading to the decades-long killer of at least twenty young women. All is not as it seems during Clare's relentless search for this serial killer. Is she setting herself up to be his next victim?


Book Details:


Title: The Last Scoop


Author: R.G. Belsky


Genre: mystery 


Series: Clare Carlson, book 3

Publisher: Oceanview (May 5, 2020)


Print length: 352 pages

On tour with: Partners in Crime Virtual Book Tours








LOVE IT OR LEAVE IT WITH R.G. BELSKY



A few of your favorite things: good books, good food, good TV shows, good movies, good sporting events (basically baseball and football for me), good friends.
Things you need to throw out: a lot of my old notes for books that are so worn and old that I can’t even read them anymore. But I’m always reluctant to do it. I keep thinking there might just be something in there for a future manuscript. If I could only figure out what it was . . .

Things you need in order to write: a pen and a legal pad. That’s how I write fiction. I do it longhand. And then, of course, I use a computer to enter it all in later.
Things that hamper your writing: everyday tasks and chores—I need to step away from that and just concentrate on writing—while I am writing. It’s too easy to get distracted otherwise.

Things you love about writing: the actual writing process. Sitting down to make stuff up about crime fiction and my characters is fun!
Things you hate about writing: all the fact-checking and copy editing and other checks that need to be done before the book can go out. I’ve spent my life as a journalist checking facts and copy. I like the creative process of the writing much better.

Easiest thing about being a writer: writing the book itself. I tell that to everyone - the writing is the easiest part (and the most fun) about being a mystery novelist.
Hardest thing about being a writer: selling my work; promoting it; making sure in all ways that people are getting the chance to read what I’ve written. 


Things you love about where you live: it’s New York City—there’s so much to love! The people, the excitement, the energy. Greatest city in the world.
Things that make you want to move: not moving. I’m not an NYC native (I was born in Ohio), but I’m here for life now. No other place I’d rather live.

Favorite foods: steak, pizza, chocolate.
Things that make you want to throw up: Chinese takeout food. Everyone I know in NYC loves it, but not me. I think that’s because I was around a lot of Asian food being cooked while I was in Vietnam as a soldier back in the ‘60s.

Favorite music: lots of stuff from the ‘60s: Beatles, Byrds, Stones, Dylan, and all the rest. That’s when I was growing up so that’s my music. Plus it was such a creative period for making great music. Hey, we’re still listening to a lot of it today.
Music that make your ears bleed: pretty much all the music being made today. Okay, I know that makes me sound like an old “get off my lawn” guy. But it’s the truth.

Favorite beverage: coffee and soda.

Something that gives you a pickle face: iced tea. Never have been able to drink it, no matter how thirsty I am.

Something you wish you could do: learn how to play Texas Holdem poker better in casinos.
Something you wish you’d never learned to do: play Texas Holdem poker (see above).

Things you always put in your books: jokes, murders, romance; anything that helps me tell an entertaining story.

Things you never put in your books: harm to animals. I can’t handle that, even in fiction.

Things to say to an author: I just bought your book. I loved your book. When is your next book coming out—I can’t wait?

Things to say to an author if you want to be fictionally killed off in their next book: would you send me a free copy of your book, I don’t want to pay for it?

Favorite places you’ve been: Martha’s Vineyard; Nantucket; Nashville; Santa Barbara, and La Jolla, California. I’ve never lived in any of these places, but found them spectacular when I’ve visited. 
Places you never want to go to again: Vietnam. But then I was there during the war in the ‘60s, so it wasn’t exactly the most pleasant visit for me. It is very beautiful. But I would never go back, even today. Too many bad memories.

People you’d like to invite to dinner (living): Oprah, Stephen King, Keith Richards, Bill Clinton.
People you’d cancel dinner on: no one. Even if I hated them, a dinnertime argument could be fun.

Most daring thing you’ve ever done: went to war in Vietnam with the Army. Of course, it wasn’t my choice: I got drafted.
Something you chickened out from doing: skydiving. I had friends who tried jumping out of a plane (and loved it), but I never had the nerve to try.



EXCERPT

CHAPTER 1

I was sitting in my office at Channel 10 News, drinking black coffee and skimming through the morning papers when I saw the article about Marty Barlow.
It was a brief item about the murder of a man on an East Side New York City street. It identified the victim as Martin Barlow. It also said that Barlow was a retired journalist. It did not say Barlow was the first—and probably the best—newspaper editor I ever had.
The police reported that he'd died from a blow to the head. Apparently, from a solid object, although the object itself was never found. Cops first assumed it had been a mugging, but later backed off that a bit because his wallet wasn't taken. Instead, it just seemed—at least on the face of it—to be one of those crazy, senseless crimes that happen too often in New York City.
The article never mentioned Marty’s age—he refused to ever tell it to anyone—but I figured he must be well up in his sixties by now. He was a frail-looking man. He had disheveled white hair, pasty-looking skin and he couldn't have weighed more than 150 pounds. He always wore the same old wrinkled suit that looked like it had last been cleaned during the Reagan administration.
But more than twenty years ago, when I was starting out at a newspaper in New Jersey, Marty Barlow had helped me become the journalist that I am today. He was my editor, my mentor and my friend.
Barlow was a grizzled old veteran even back then, and I soaked up every bit of knowledge and wisdom I could from him. He taught me how to cover police stories, political scandals, and human-interest features. “Never turn down an animal story,” was one of his mantras. “People love animal stories!” But mostly, he taught me what a noble calling it was to be a newspaper reporter—and about all the integrity and responsibility that went with it. His favorite quotation was from an old Humphrey Bogart movie where Bogey played a managing editor talking about the job of being a newspaper reporter: “It may not be the oldest profession, but it's the best."
I moved on eventually to a bigger newspaper job in New York City where I had a career filled with pretty spectacular moments. I won a Pulitzer prize by the time I was thirty, I scored a lot of other big exclusives and front-page stories for the paper, and became a big media star because of all that. Then the newspaper I worked for went out of business, and I moved into TV. After a few false starts there—mostly finding out that I wasn’t very good as an on-air TV reporter—I wound up on the executive side of the business. First as a segment producer, then an assignment editor and now as news director of the whole Channel 10 operation. Along the way, I found the time to get married—and divorced—three different times, too.
Marty had helped me get through the highs and lows in my life—both professional and personal—over the years. He was always there for me. He always supported me and took my side in everything. Well, almost everything. Everything except the marriage stuff. Marty could never understand why I couldn’t make my marriages work. “Why don’t you find one man, the right man, and settle down with him for the rest of your life?” That’s what Marty said he had done with his wife. “It’s not that easy,” I told him. “Sure, it is,” he said. “You make sure your marriage is as important to you as your job in the newsroom. Then the rest will take care of itself.” It was good advice from Marty, even though I didn’t always follow it.
Marty stayed on as editor of the same New Jersey paper where we’d met, doing the job he loved, until he was pushed into retirement a few years ago. At some point after that his wife died, and he came to live with his daughter in Manhattan. Even after he retired though, Marty became very active in local political and community events. He started a website that skewered local politicians and demanded more accountability/public disclosure in New York City government. Then he became a kind of local gadfly—showing up at town hall and council meetings to demand answers from politicians. That was Marty. Still looking for his next big scoop even after he retired.
We'd kept in touch and he was always asking me to meet him for coffee, but I hardly ever got around to it. Or to checking out any of the various news tips and leads he kept sending me. I never could find time for Marty Barlow anymore.
Until that last day when he showed up in my office.
***
“Hello, Marty, how are you doing?” I said. “Sorry I never got back to you on your calls and emails before. I've been busy covering a bunch of stuff."
"Yeah, probably a big, breaking Justin Bieber news story, huh?" Barlow said, without even attempting to hide the contempt in his voice.
I sighed. Marty Barlow was an old-fashioned journalist who believed the news media should cover serious topics like politics, schools, and government waste the way newspapers had traditionally done in the past. But now newspapers were dying off as people turned to the internet to give them instant news. And TV newscasts, including Channel 10 where I worked, focused even more these days on glitzy celebrity news, viral videos, and all the rest of the gimmicks known online as “traffic bait” in order to increase our all-important ratings and sales. Marty hated that. I wasn't wild about it either, but I had no choice in the rapidly-changing journalistic landscape.
“This time the big story was Kim Kardashian,” I said.
“You're kidding, right?"
“I'm kidding."
“Good."
“Actually, it was Khloe.”
“My God, what happened to you, Clarissa? The Clarissa Carlson I remember cared passionately about the stories she covered. She wanted to make a difference in the world with her journalism. I miss that woman."
Fake news is what Marty called it. Yes, I know that term has a whole different meaning in today’s political world. But Marty had been using it long before that. For Marty, fake news encompassed pretty much everything on TV news or in newspapers or on news websites today. He didn’t just mean the celebrity news, either. He was contemptuous of the constant traffic reports, weather updates, lottery news, and all the rest of the things I did for a living. He complained that there was hardly any real journalism now. He was right. But the journalistic world had changed dramatically in recent years, even if Marty refused to change with it.
He sat down in a chair in front of my desk.
“So, Clarissa . . .”
“Clare.”
“What?”
“My name is Clare, not Clarissa.”
This was a ritual we had played out many times over the years. Yes, my full name is Clarissa Carlson, but I always use Clare. Have ever since I was a kid and decided how much I hated being called Clarissa. Everyone knew that. Friends, family, co-workers, even my ex-husbands never called me anything but Clare. Except for Marty. He insisted on calling me Clarissa. I never understood exactly why, but it had gone on for so long between us that it didn’t seem worth bothering to ask anymore.
I figured he wasn’t here for a social visit. That he came because he needed my help. Some big scoop he thought he was going to break, even though his days of breaking big scoops had long past. Marty always got very intense when he was working on a story, and this time he seemed even more intense than usual. I asked him what was going on.
“I’m working on a big story,” he said. “The biggest story of my life. And it’s all because I started taking a good look at one person.”
I nodded and tried to think of an appropriate response.
“Who?” I asked.
It was the best I could come up with.
“Terri Hartwell.”
“Hartwell?”
“Yes, the Manhattan District Attorney.”
I nodded again. Terri Hartwell was the darling of the New York City media and political world at the moment. She’d been a top-rated radio talk show host in New York for a number of years before she ran for the District Attorney’s job—and surprised political experts by unseating the incumbent. Since then, she’d aggressively gone after crime, corruption and all sorts of entrenched special interests in the city. Which made her a lot of enemies, but also made her popular with the voters. She was even being touted now as a potential candidate for Mayor.
“I started out thinking this was a story about building corruption. Illegal payoffs to politicians and authorities by wealthy New York City landlords. But now it’s bigger than that. Much bigger. There’s murder involved too.”
“Murder?”
“More than one murder. Maybe lots of them.”
I nodded again. Pretty soon I was going to have to stop nodding and ask more than one-word questions.
“Who is being murdered? And what does any of this have to do with Terri Hartwell?”
Now I was rolling.
“I can’t tell you any more details. Not yet. I’m still trying to figure it all out myself. But this is a sensational story. More sensational than any story I’ve ever covered. And I have to stop whatever is happening before it’s too late!”
Marty was getting really agitated now, pounding on my desk for emphasis.
A lock of white hair had fallen over his forehead and his eyes were blazing. He frankly looked insane.
“Who’s your source on all this, Marty?” I asked.
“I can’t tell you my source, Clarissa. You know that.”
“Is it a good source?”
“All of my sources are good!” he thundered at me.
He was right about that. All of Marty’s sources were good. Or at least they always had been in the past. But I wasn’t so sure how much I could trust them—or Marty himself—at this point. I didn’t think he was lying. Not intentionally anyway. Marty never lied to anyone, most of all to me. But I did suspect his desperation to get back into journalism in some meaningful way—to prove he wasn’t finished in the news business, no matter how much it had passed him by in recent years—had distorted his judgement and his connections with . . . well, reality.
“Will you help me? Give me a few days to get all the details together, and then I’ll tell you everything. You’re the head of a big news operation now. You have resources I don’t at your disposal. Maybe we could work on this story together. You and me, Clarissa. Just like the old days.”
Mostly because I didn’t know what else to do, I told Marty I’d get back to him about it. I told him we’d get together for coffee—like he’d asked me to do so many times—to go over the details of his story and maybe reminisce a bit about old times too. I told Marty I’d call him the next week and we’d meet up at the Sunrise Coffee Shop on the Upper East Side, which was his favorite place.
Except I never did meet Marty Barlow at the Sunrise Coffee Shop the next week.
Or any time after that.
I never got around to calling him back.
I thought about all that again now as I read the article about Marty Barlow’s death. “Maybe we could work on this story together,” Marty had said. “You and me, Clarissa. Just like the old days.” I didn’t have the heart to tell Marty those days were long over.
***
My boss was Jack Faron, the executive producer for the Channel 10 News. I went to see him now.
“Problem?” he asked when I walked in the door of his office.
“What makes you think I have a problem?”
“Because you never come to see me this early in the morning unless it’s about a problem.”
“My God, whatever happened to the simple courtesy of saying good morning to the people you work with? What is wrong with us as a society, Jack? Have we lost all civility in this day and age? Why can’t you greet me one time with a cheerful: ‘Good morning, Clare. How are you today?’”
“Good morning, Clare,” Faron said. “How are you today?”
“Actually, I have a problem.”
I showed him the short newspaper article about the death of Marty Barlow and told him about my relationship with Barlow.
“What do you think about us doing something on the news tonight about his murder?” I asked. “I feel like I owe him at least that much.”
Faron made a face. “Not our kind of story, Clare. There’s no celebrity or sensational angle, no pizzazz, no ratings of any kind there for us. I’m sorry your friend got killed. I understand he meant a lot to you. But that doesn’t meet the criteria for getting a story about him on our newscast. You already knew that before you even came in here, didn’t you?”
I did. I was feeling guilty because I’d let Marty down at the end. And I didn’t need another thing to feel guilty about right now. Marty was like family to me. And I had no other family. Well, I did, but that was the other thing I was feeling so guilty about. I’ve screwed up a lot of things in my life.
“Kind of ironic, isn’t it?” I said. “A guy like Marty devotes his life to the news business. And now, when he dies, he doesn’t even rate a meaningful goodbye in what the news business has become today. It makes me sad. And yes, guilty, too, that I couldn’t do more for him, after everything he did for me.”
“He was an old man,” Faron said. “He died. There’s no story there.”
***
Excerpt from The Last Scoop by R.G. Belsky.  Copyright 2020 by R.G. Belsky. Reproduced with permission from R.G. Belsky. All rights reserved.


ABOUT THE AUTHOR

R. G. Belsky is an author of crime fiction and a journalist in New York City. His newest mystery, The Last Scoop, is being published in May 2020 by Oceanview. It is the third in a series featuring Clare Carlson, the news director for a New York City TV station. The first Clare Carlson book, Yesterday’s News, came out in 2018. It won the David Award at Deadly Ink for Best Mystery of 2018. Below The Fold, the second Clare Carlson mystery, was published in 2019. Belsky previously wrote the Gil Malloy series—The Kennedy Connection, Shooting for the Stars and Blonde Ice—about a newspaper reporter at the New York Daily News. Belsky himself is a former managing editor at the Daily News and writes about the media from an extensive background in newspapers, magazines and TV/digital news. He has also been a top editor at the New York Post, Star magazine and NBC News. Belsky won the Claymore Award at Killer Nashville in 2016. He has finished several times as a Finalist for both the Silver Falchion and David Awards. Yesterday’s News, was also named Outstanding Crime/News Based Novel by Just Reviews in 2018 and was a Finalist for Best Mystery of 2018 in the Foreword INDIES Awards. His previous suspense/thriller novels include Loverboy and Playing Dead. Belsky lives in New York City.



Connect with the author:
Website  |  Blog  |  Facebook  |  Twitter  |  Goodreads

Buy the book:
Amazon  |  Barnes & Noble 

Saturday, May 4, 2019

FEATURED AUTHOR: R.G. BELSKY




ABOUT THE BOOK


When the murder of a “nobody” triggers an avalanche.

Every human life is supposed to be important. Everyone should matter. But that’s not the case in the cutthroat TV news-rating world where Clare Carlson works. Sex, money, and power sell. Only murder victims of the right social strata are considered worth covering. Not the murder of a “nobody.”

So, when the battered body of a homeless woman named Dora Gayle is found on the streets of New York City, her murder barely gets a mention in the media. But Clare―a TV news director who still has a reporter’s instincts―decides to dig deeper into the seemingly meaningless death. She uncovers mysterious links between Gayle and a number of wealthy and influential figures. There is a prominent female defense attorney; a scandal-ridden ex-congressman; a decorated NYPD detective; and―most shocking of all―a wealthy media mogul who owns the TV station where Clare works. Soon there are more murders, more victims, more questions. As the bodies pile up, Clare realizes that her job, her career, and maybe even her life are at stake as she chases after her biggest story ever.


Book Details:


Title: Below The Fold


Author: R.G. Belsky


Genre: Mystery 


Series: Clare Carlson, book 2


Publisher: Oceanview  (May 7, 2019)


Print length: 354 pages









LOVE IT OR LEAVE IT INTERVIEW WITH R.G. BELSKY


Things you need in order to write:
A yellow legal pad and a pen. Yep, that’s about it. I write my fiction out in longhand like that, then put it in a computer after I have a rough draft down. Not sure why I do it like that, I’m a journalist who has always written news stories directly on a computer. But, when it comes to fiction, I find it more creative to write it out longhand first. I once read that Ernest Hemingway wrote all his descriptive stuff out in longhand, instead of on a typewriter. Not that I’m Hemingway. But he’s not a bad example to try and emulate as a writer!
Things that hamper your writing:
Nothing really. Except maybe for the day to day activities that take away my writing time. I write pretty much every day though wherever I am and whatever I’m doing. I write on planes, trains, subways, in coffee shops, parks, bars – wherever I am. So no, I don’t let very much hamper my writing.

Things you love about writing:
I’m one of those people who actually love the writing process. I’ve never had writer’s block or anything like that. I look forward to sitting down every morning at a blank page (well, not really blank because I’ve thought about what I’m going to be saying), and then just seeing what I can produce for that day.
Things you hate about writing:
The line editing processing. Checking each little fact and all the punctuation and that kind of thing. Too much like work I do as a journalist. As a journalist, I have to deal with facts all day. As a mystery author, I mostly get to make them up. That’s the fun part. The editing and fact checking . . . well, that’s not so much fun.

Easiest thing about being a writer:
Easy answer. The writing itself. Because then it’s just you and whatever you want to say. Simple and fun. It’s after that when the whole thing of being an author gets a bit more complicated.
Hardest thing about being a writer:
All the promotional and marketing work an author needs to do now on his or her own in order to get people to read their books. Don’t get me wrong, I love talking to people about my writing at conferences or bookstore appearances. But there is a day-to-day pressure to maintain a presence on social media and a lot of other places to keep your name in the publishing world’s eye. I’ve been writing novels for a long time, and it wasn’t always like that. But now every author, even some of the big ones, have to spend a great deal of time selling their book. To paraphrase the old saying of “publish or perish,” it’s now “promote or perish.”

Things you love about where you live:
I live in New York City, the greatest city in the world. It has everything: shows, stores, there’s always something exciting going on in New York. I’m not from New York City originally, but I came here to make my mark in journalism (“New York, New York, if you can make it here, you can make it anywhere”) and have lived most of my life in the heart of Manhattan. There’s no other place in the world quite like it.
Things that make you want to move:
Well, New York City is noisy, dirty, chaotic and a lot of other bad things too. You can certainly live a simpler, more peaceful life in other places than New York City. I have moved away because of that in the past, but always moved back again. Like most New Yorkers, I have a love-hate relationship with this damn wonderful city!

Favorite foods:
Steak. Pizza. Hot dogs at the ball park. Popcorn at the movie theater. Yep, I’m a pretty basic foods person.
Things that make you want to throw up:
Any kind of “raw” bar. Uh, not for me.

Things you always put in your books:
Jokes. I like to make my books funny, even if they are about serious topics like murder and betrayal and lots of other bad things. I still want people to have fun when they read my novels. Because that’s the kind of novels I like to read or watch on TV or at the movies. Whether it be Spenser or Raymond Chandler or screen detectives like Jim Rockford and Columbo, I like characters who don’t always take it all too seriously and can laugh at themselves. That’s what my character Clare Carlson does, no matter what the situation.
Things you never put in your books:
I don’t do a lot of specific sex or violence or sensitive subjects like rape or child abuse in my books. But I have touched on those topics as part of the story. So there’s really nothing that I would say I NEVER put in my books. It depends on the story that I’m trying to tell.

Things to say to an author:
“I just bought your book;” “I stayed up all night reading your book, couldn’t put it down;” “I’ve told everyone I know how great your book is!;” “I’m going to go back and read all your other books now;” “Would you sign my book for me?” and, of course, “You’re my favorite author now.” Oh, plus one more: “I’m a big time Hollywood producer, and I’d like to pay you a lot of money to turn your novel into a movie starring Jennifer Lawrence and Bradley Cooper.”
Things to say to an author if you want to be fictionally killed off in their next book:
‘I don’t want to buy your book, but could you send me a copy for free?”

Favorite places you’ve been:
Martha’s Vineyard; Santa Barbara, California; Nashville; Princeton; and, of course, New York City.
Places you never want to go again:
Vietnam. I’m sure its a lovely country now, but I spent a year there as a soldier during the Vietnam war. Too many memories from back then.

Favorite books:
The Long Goodbye by Raymond Chandler (best detective novel ever); On Writing by Stephen King (terrific advice from the master); Not in Your Lifetime: The Defining Guide to the J.F.K Assassination (and no, I don’t believe a word of the Warren Commission Report); The Last Coyote by Michael Connelly (finest mystery author writing today); and The New Bill James Historical Baseball Abstract,
by Bill James (any of them or anything else Bill James writes about baseball).
Books you would ban:
I would never ban any book. No matter how much I disliked or disagreed with it. That’s a slippery slope to start down...

People you’d like to invite to dinner:
LeBron James (the greatest athlete of our time, even though I hate that he abandoned my hometown of Cleveland twice); Stephen King (the greatest writer of our time); Bob Dylan (the greatest songwriter/poet of our time); and - just for fun - Donald Trump and Nancy Pelosi (but only if they promised to go back and forth at each other during the entire meal).
People you’d cancel dinner on:
This is a trick question. Because the real answer is no one. Even a dinner with the most despicable, hateful, evil person in the world might be fascinating on some level because you’d learn something about why they’re so despicable, hateful and evil. So I don’t think I’d cancel a dinner like that with anyone. I might not enjoy it, but I’d be there!

Best thing you’ve ever done:
Became a newspaper journalist. One of my favorite quotes is from Humphrey Bogart in Deadline USA when he says: “Let me tell you something about being a reporter. It may not be the oldest profession, but it’s the best.” Columnist Mary McGrory once wrote: “I should confess, I have always felt a bit sorry for people who didn’t work for newspapers.” That’s how I feel about newspapers too. I had the opportunity to work for both the New York Post and later the New York Daily News during the heydays of the New York City tabloid newspaper wars. It was, as they say, the most fun you can have with your clothes on.
Biggest mistake:
Becoming a newspaper journalist. They’re underpaid, under-appreciated, and now a dying breed with newspapers going out of business in recent years. I sure would have been a lot more successful and made a lot more money if I’d gone to law school or medical school or business school instead of getting a journalism degree and spending my life in a newspaper city room. Having said that, I wouldn’t change a thing!




EXCERPT FROM BELOW THE FOLD

OPENING CREDITS


THE RULES ACCORDING TO CLARE


Every human life is supposed to be important, everyone should matter. That’s what we all tell ourselves, and it’s a helluva noble concept. But it’s not true. Not in the real world. And certainly not in the world of TV news where I work.
Especially when it comes to murder.
Murder is a numbers game for me. It operates on what is sometimes cynically known in the media as the Blonde White Female Syndrome. My goal is to find a murder with a sexy young woman victim to put on the air. Sex sells. Sex, money, and power. That translates into big ratings numbers, which translates into more advertising dollars. These are the only murder stories really worth doing.
The amazing thing to me is not that there is so much news coverage of these types of stories. It’s that there are people who actually question whether they should be big news stories. These critics  dredge up the age-old argument about why some murders get so much more play in the media than all the other murders that happen every day.
I don’t understand these people.
Because the cold, hard truth—and everyone knows this, whether they want to admit it or not—is that not everybody is equal when it comes to murder.
Not in life.
And certainly not in death.
It reminds me of the ongoing debate that happens every time Sirhan Sirhan—the man who killed Robert F. Kennedy—comes up for a parole hearing. There are those who point out that he’s already served fifty years in jail. They argue that many other killers have served far less time before being paroled. Sirhan Sirhan should be treated equally, they say, because the life of Robert F. Kennedy is no more or less important than the life of any other crime victim. Me, I think Sirhan Sirhan should be kept caged up  in a four-foot by six-foot cell as long as he lives—which hopefully will be to a hundred so he can suffer every minute of it. For God’s sakes, people, he killed Robert—freakin’—Kennedy!
And so, to those who think that we in the media make too big a deal out of some of these high-profile murder stories, I say that’s completely and utterly ridiculous. I reject that argument completely. I won’t even discuss it.

* *

Now let me tell you something else.
Everything I just said there is a lie.
The truth is there really is no magic formula for murder in the TV news business. No simple way to know from the beginning if a murder story is worth covering or not. No easy answer to the question of how much a human life is worth—or what the impact will be of that person’s death by a violent murder.
When I started out working at a newspaper years ago, I sat next to a veteran police reporter on the overnight shift. There was an old-fashioned wire machine that would print out police slips of murders that happened during the night. Most of them involved down-market victims in bad neighborhoods whose deaths clearly would never make the paper.
But he would dutifully call the police on each one and ask questions like: “Tell me about the body of that kid you found in the Harlem pool room—was he a MENSA candidate or what?” Or, “The woman you found dead in the alley behind the housing project—any chance she might be Julia Roberts or a member of the British Royal Family?”
I asked him once why he even bothered to make the calls since none of these murders seemed ever worth writing about in the paper.
“Hey, you never know,” he said.
It was good advice back then, and it still is today. I try to teach it to all my reporters in the TV newsroom that I run now. Check every murder out. Never assume anything about a murder story. Follow the facts and the evidence on every murder—on every crime story—because you can never be certain where that trail might take you.
Okay, I don’t always follow my own advice in the fast-paced, ratings-obsessed world of TV news where I make my living.
And usually it does turn out to be just a waste of time.
But every once in a while, well . . .
Hey, you never know.
***
Excerpt from Below The Fold by R.G. Belsky.  Copyright © 2019 by R.G. Belsky. Reproduced with permission from R.G. Belsky. All rights reserved.




ABOUT THE AUTHOR

R. G. Belsky is an author of crime fiction and a journalist in New York City. His newest mystery, Below the Fold, is being published in May 2019 by Oceanview. It is the second in a series featuring Clare Carlson, the news director for a New York City TV station. The first Clare Carlson book, Yesterday’s News, came out in 2018. Belsky previously wrote the Gil Malloy series - The Kennedy Conection, Shooting for the Stars, and Blonde Ice - about a newspaper reporter at the New York Daily News. Belsky himself is a former managing editor at the Daily News and writes about the media from an extensive background in newspapers, magazines and TV/digital news. At the Daily News, he also held the titles of metropolitan editor and deputy national editor. Before that, he was metropolitan editor of the New York Post and news editor at Star magazine. Belsky was most recently the managing editor for news at NBCNews.com. His previous suspense novels include Playing Dead and Loverboy. Belsky has been nominated as a finalist for the David Award at Deadly Ink and for the Silver Falchion at Killer Nashville. He also was a Claymore Award winner at Killer Nashville.


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Thursday, June 14, 2018

FEATURED AUTHOR: R.G. BELSKY




ABOUT THE BOOK

When eleven-year-old Lucy Devlin disappeared on her way to school more than a decade ago, it became one of the most famous missing child cases in history. The story turned reporter Clare Carlson into a media superstar overnight. Clare broke exclusive after exclusive. She had unprecedented access to the Devlin family as she wrote about the heartbreaking search for their young daughter. She later won a Pulitzer Prize for her extraordinary coverage of the case.

Now Clare once again plunges back into this sensational story. With new evidence, new victims, and new suspects―too many suspects. Everyone from members of a motorcycle gang to a prominent politician running for a US Senate seat seem to have secrets they’re hiding about what really might have happened to Lucy Devlin. But Clare has her own secrets. And, in order to untangle the truth about Lucy Devlin, she must finally confront her own torturous past.


Book Details

Title: Yesterday’s News

Author:  R.G. Belsky

Genre: Mystery

Series: Clare Carlson, book 1

Publisher: Oceanview (May 1, 2018)

Page count: 343

On tour with Partners In Crime Virtual Book Tours








INTERVIEW WITH R.G. BELSKY


What’s the story behind the title of your book?

The title of Yesterday’s News is about the crime in the book being a cold case – the unsolved disappearance of an 11-year-old girl many years earlier. But the title also is about how the media (which I worked in for many years) forgets about stories after a few days, even the big ones, and moves on to more current news. The phrase “yesterday’s news” generally means it’s old news that no one cares about anymore. But in this case my protagonist Clare Carlson – a TV journalist – goes digging again into this old story and makes it big, front-page news all over again. 

Tell us about your series. Is this book a standalone, or do readers need to read the series in order?
This is the first book in the Clare Carlson series. So you’ll be starting at the beginning when you read it. The second Clare Carlson book is coming in 2019.

Where’s home for you?
New York City. I’ve lived here most of my adult life. Pretty much the same apartment too in the Gramercy Park section of the city. Came here as a young man, fell in love with the place and never left. I’m not a native New Yorker, but I feel like one at this point.

Where did you grow up?
Cleveland, Ohio. Then went to school in Ohio too at Ohio University in Athens, O. And worked for a short time in Dayton. I was pretty much all about Ohio until I graduated from college at 22, then came to the New York area for my first real job and wound up staying here.

Have you been in any natural disasters?
Fortunately, only hurricanes and massive Northeast storms. The scariest moment came when I was on vacation once on the island of Nantucket, off the Cape Cod coast, and we were directly in the path of a hurricane. I mean the eye of the hurricane passed right over Nantucket! Hurricanes are always risky business, but the idea of being on a tiny island in the middle of one was particularly frightening. As it turned out, the hurricane itself didn’t do a great deal of damage to the island, but I wouldn’t recommend it for a vacation.

Sounds like a great idea for a new book! Do you have another job outside of writing?
I’m a longtime journalist. Spent most of my life working as one in New York City. I was metropolitan editor of the New York Post; managing editor of the New York Daily News; news editor of Star magazine; and a managing editor at NBC News.

I wrote mystery novels set in the media world too most of the time I was doing all that. The novels were a nice change of pace for me from the intensity of chasing day to day news. In my job as a journalist, I had to deal with tracking down facts for every story. As a novelist, I got to make the facts up! So that was fun.

Now, since leaving NBC in 2014, I just write mystery novels.

What’s your favorite line from a book?
Oh, there’s probably about a million of them – mostly from Raymond Chandler’s books. But I guess my all time favorite line from a book was in The Long Goodbye when Philip Marlowe says: “There is no trap so deadly as the trap you set for yourself.” To me, that just perfectly captures the feel of a Chandler book (or any good mystery novel).

How did you create the plot for this book?
I’ve covered a lot of crimes as a journalist, but I’ve always been particularly struck by how tragic the missing person cases were. Edna Buchanan – a crime writer in Miami and a mystery author too these days – had a great quote about it that I use in my book: “One misfortune is worse than murder: it is to lose someone you love, without ever know that person’s fate.” As a young journalist in New York, I covered maybe the most famous missing child case ever, the disappearance of 6-year-old Etan Patz on his way to school. For years afterward, there were false leads and false hopes that he might still be alive. But recently a man was finally convicted for his murder, which at least gave the family some kind of closure. I decided to write a book about a case in which there was no closure – a little girl who disappeared mysteriously and no ever found out what happened to her. The result was Yesterday’s News.

Are any of your characters inspired by real people?
Well, I write about fictional journalists working in a fictional newsroom, and pretty much all of them are inspired by real journalists I knew in real newsrooms. Of course, people ask me: “Is that character based on me?” My answer is always no. The characters I write are a compilation of some of the most colorful and interesting reporters and editors I’ve worked with over the years, not any single person. There is no real Clare Carlson, the main character in Yesterday’s News. But lets just say that I’ve known a LOT of Clare Carlsons in my life.

Who are your favorite authors?
Raymond Chandler, Michael Connelly, Robert B. Parker, Dennis Lehane, Robert Crais, Sue Grafton and Lawrence Block. Chandler was the one that started it all for me. I read The Big Sleep a long time ago and decided I wanted to try to write mystery novels too. I loved all Parker’s Spenser books, especially at the beginning, and I think Connelly is the most consistently excellent mystery author of our time. (He’s a former newspaper man too, which is always a good thing.) The others…well, their great books speak for themselves. 



Do you have a routine for writing?
My routine for writing is a very simple one. I just write. That’s really the trick to being a writer. A lot of people talk about writing and think about doing it, but never actually sit down at the computer or whatever to put the words down.

Me, I write every day. I don’t wait until I’m inspired or in the mood or have a great idea. You’ll never get anything done if you do that. Again, it’s a very simple concept. To be a writer, you have to write. Do it every day. Good or bad (and you’ll be surprised how good a lot of it turns out), just keep at it. That technique has worked well enough for me to publish 11 mystery novels.

Where and when do you prefer to do your writing?
I write in the morning.  Always have. When I worked full time, I got up early to write before going into the office. But I still get up early to write now even though I have all day to do it. Morning is my creative time. The rest of the day I spend thinking a lot about what I’m going to write the following morning.

I never write at home, even though I have an office there. I write in crowded, busy places like coffee shops, on street benches, at the beach or even in a bar. I can’t stand working in a place that’s too quiet. I guess that comes from me spending so much time in hectic newsrooms. But I like to have a lot of people around me while I’m writing.

My writing process is also a bit different than most authors these days. I write all my fiction out in long hand on yellow legal pads, not on a computer. I put it into the computer after I’ve done the creative part of the writing. I’m not sure why I do it this way. I always composed news stories directly on a computer when I was a journalist. But it just seems to work better for me like this when I’m writing fiction. For whatever its worth, I read once how Ernest Hemingway used to write his novels out in long hand too. (Except for the dialogue which he used a typewriter on). Hey, if it worked for Hemingway, it’s good enough for me!

Where is your favorite library, and what do you love about it?
This is an easy one. The New York Public Library at Fifth Avenue and 42nd Street, the big main one with the two lion statues in front. When I first came to New York City after college, I was mesmerized by the place and spent many wonderful hours there. Then, in later years, I nearly forgot about it as I spent most of my time in newsrooms. But, a few years ago, I rediscovered the place all over again and I do much of my writing there now. Impossible to describe it other than to say it’s beautiful and majestic and captures everything great about New York City. Best library for me, hands down. Having said that, being in any library anywhere is always a good thing for me.

You can be any fictional character for one day. Who would you be?


Philip Marlowe. Okay, I’d have to get hit over the head with a sap, beaten up and maybe rousted by the cops. But I’d get all those gorgeous blonde dame clients coming to my office; I could drink gimlets with Terry Lennox (a reference from The Long Goodbye for anyone who hasn’t read it); and I’d get to deliver all those classic Marlowe wisecracks and observations. No question about it, being a PI in 1940s or ‘50s Los Angeles would be a very cool thing.

What are you working on now?
The Cinderella Murders, the second in my series featuring Clare Carlson -an New York city TV journalist. It’s about the seemingly insignificant murder of a homeless woman who calls herself Cinderella – which leads Clare into a tangled web of long-buried secrets and murder involving some of the most powerful and prominent people in New York. The Cinderella Murders will be out in the spring of 2019.




EXCERPT FROM YESTERDAY'S NEWS


PROLOGUE


School was always special to her. Some children hated to go to school. But she always looked for- ward to going back to school each morning. She loved her friends. She loved her teachers. And most of all, she loved to learn.For her, it was a time of excitement, a time of adventure, a time of new beginnings each day she sat in the classroom—like a butterfly emerging from a cocoon in a field of flowers underneath a blue, cloudless sky.And so, on this sunny morning, like so many others, the mother and daughter leave their house and walk together toward the school bus that will pick up the little girl.“What about your lunch?” the mother asks.“I’m buying it at school today, remember?”“Do you have enough money?”“Yes, you gave it to me last night.”“Right,” she says. The mother knows that, but she’s forgotten. “And remember to come home right after school.”“You worry too much, Mom. I’m not a baby anymore.” That’s all too true, of course. She is growing up. Just like they all do.But today she is still her little girl.The mother hugs her and puts her on the school bus, watching her in the window until the bus disappears from sight.A little girl who has everything in the world ahead of her. A lifetime of memories to come. And all the time in the world to enjoy it.

THE RULES ACCORDING TO CLARE


I always tell the same story to the new reporters on their first day.

It goes like this: Two guys are sitting in a bar bragging about their sexual exploits. As they get drunker and drunker, the conversation becomes more outrageous about how far they’d be willing to go. Would you ever have sex with an animal, one of them asks? Of course not, the other guy replies angrily. What if someone paid you $50 to do it with a dog? That’s ridiculous, he says. How about $500? Same answer. Okay, the first guy says to him, would you have sex with a dog for $5,000? The other guy thinks about that for a while, then asks: “What breed?”

The point here is that once you ask the question “what breed?” you’ve already crossed over a very important line and can never go back.

It’s based, I suppose, on the famous old Winston Churchill story. They say Churchill was seated at a dinner party next to a very elegant and beautiful lady. During the meal, he turned to her and asked if she’d be willing to have sex with him if he gave her $1,000,000. The woman laughed and said sure. Then he asked if she’d have sex with him for $25. “Of course not, what do you think I am?” the indignant woman replied. To which Churchill told her, “Madame, we’ve already established what you are. Now we’re just haggling over the price.”

This is a crucial concept in the news business where I work. Because there is no gray area for a journalist when it comes to honesty and integrity and moral standards. You can’t be just a little bit immoral or a little bit dishonest or a little bit corrupt. There is no compromise possible here.

Sometimes I tell a variation of the dog story. I call it the Woodstein Maneuver. The idea is to come up with a new scenario for the Watergate scandal. To speculate on what might have happened if Bob Woodward and Carl Bernstein (“Woodstein!” in the Robert Redford–Dustin Hoffman movie) had not written their stories that led to Richard Nixon’s ouster, but instead gotten hush money to cover up the scandal. What if Nixon had paid them to make it all go away?

I ask a new reporter to put themselves in Woodward and Bernstein’s place and think about what they would do if offered such a bribe.

Most of them immediately say they would never take money under any circumstances to compromise a story. I’m not sure if they say it because they really mean it or simply because they believe it’s the answer I want to hear. A few laughingly say they’d go for the money, but I’m not sure I believe them either. I figure they’re just trying to be outrageous or different. Only a few reporters ask the key question. The “what breed?” question. “How much money?” they want to know. Those are the ones I worry about the most.
 

PART I


LUCY

CHAPTER 1


“It’s the fifteenth anniversary of the Lucy Devlin disappearance next week,” Maggie Lang said. “Little eleven-year-old girl leaves for school and just vanishes into thin air. It’s a legendary missing kid cold case. We should do a story for the anniversary.”

“Lucy Devlin is old news,” I told her. “The girl’s never been found, Clare.” “And after a while people just stopped caring about her.” “Well, you sure did all right with it. You won a damn Pulitzer.” Maggie Lang was my assignment editor at the TV station where I work as a news executive these days. She was a bundle of media energy—young, smart, ambitious, outspoken, and sometimes a bit reckless. I liked Maggie, but she scared me, too. Maybe because she reminded me of someone I used to know. Myself when I was her age.

Back then, I was Clare Carlson, award-winning reporter for a New York City newspaper that doesn’t exist anymore. When the paper went out of business, I moved on to a new career as a TV reporter. I wasn’t so successful at that. They said I came across as too intense on the air, too grating, too unlikeable to the viewers. So, they offered me a job in management. I was never quite sure I followed the logic of that, but I just went with the flow. I started out as an assignment editor, moved up to producer, and then was named news director for Channel 10 News here in New York City. It turned out that I really like telling other people what to do instead of doing it myself. I’ve always been a bitch. I guess now I just get paid for being one.

Maggie looked over at the Pulitzer Prize certificate I keep prominently on my desk at Channel 10. Hey, you win a Pulitzer—you flaunt it.

“You helped make Lucy Devlin one of the most famous missing child stories ever in New York City fifteen years ago, Clare,” she said. “Imagine if we could somehow find her alive after all this time . . .”

“Lucy is dead,” I told her. “How can you be so sure of that?” “C’mon, you know she’s dead as well as I do. Why else would she never have turned up anywhere?”

“Okay, you’re probably right. She is dead. And we’ll never find the body or catch who did it or know anything for sure about what happened to her.”

“So, what’s our story then?” “There’s a new angle.” “Believe me, I covered all the angles on this story a long time ago.”

“Anne Devlin, Lucy’s mother, is telling people she has some new evidence about the case,” Maggie said.

“Anne Devlin always claims she has some evidence. The poor woman has been obsessed with finding answers about her daughter for years. I mean, it’s understandable, I guess, given all the pain and anguish and uncertainty she’s gone through. But none of her so-called evidence ever goes anywhere.”

“Doesn’t matter. We go to the mother and say we want to hear about whatever new evidence she thinks she’s come up with. I tell her we want to interview her about the case for the anniversary. That maybe someone will see it and give cops some new information. It’ll be great TV. And that video—the heartbroken mom still pleading for someone to help her find out what happened to her daughter fifteen years ago—would go viral on social media.”

She was right. It was a good idea. A good TV gimmick. A good social media gimmick.

And that was my job now, whether I liked it or not. I was a long way from winning Pulitzer Prizes or writing thoughtful in-depth journalism. In television, it was all about capturing the moment. And an emotional interview like that with Lucy’s mother on the anniversary of her disappearance would definitely be a big media moment.

I looked out the window next to my desk. It was early April, and spring had finally broken in New York City. I was wearing a pale-pink spring pantsuit to celebrate the onset of the season. I’d bought it at Saks one bitterly cold day during the depths of winter to cheer myself up. But right now, I didn’t feel very cheerful.

“Okay,” I finally said reluctantly to Maggie, “you can reach out to Anne Devlin and see if she’ll sit down for an interview with us.”

“I already did.” Of course. Knowing Maggie, I should have figured she’d already set it in motion before checking with me.

“And?” I asked her. “She said yes.” “Good.” “Under one condition. She wants you to be the person who does the interview with her.”

“Me?” “She said she’d feel more comfortable talking to you than some reporter she didn’t know.”

“C’mon, I don’t go on air anymore, Maggie.” “She insisted on talking to you. She said you owed her. She said you would understand what that meant.”

I sighed. Oh, I understood. Anne Devlin was holding me to a promise I made a long time ago.

It was maybe a few months after Lucy was gone. Anne had become depressed as people stopped talking about the case. The newspapers, the TV stations, even the police—they seemed to have given up and moved on to other things. She felt so alone, she said. I told her that she wasn’t alone. I told her I’d always be there for her. I made her a lot of promises that I couldn’t keep.

“Let’s make a pact,” she said, squeezing my hand on that long- ago night. “If I ever find out anything, you’ll help me track Lucy down, won’t you, Clare?”

“I promise,” I said. “No matter what happens or how long it takes, you can’t let people forget about her.”

“No one will ever forget about Lucy.” I thought about that long-ago conversation now as I sat in my office looking at the Pulitzer that had come out of my coverage of the Lucy Devlin story in what seemed like another lifetime ago. That story had been my ticket to fame as a journalist. It made me a front-page star; it catapulted me into the top of the New York City media world; and it was eventually responsible for the big TV executive job that I held today.

“She said you owed it to her,” Maggie said again. Anne Devlin was right. I did owe her.
 

CHAPTER 2


Lucy Devlin disappeared on a sunny April morning.

She was eleven years old, and she lived on a quiet street in the Gramercy Park section of Manhattan with her parents, Anne and Patrick Devlin. That last day her mother had helped her get dressed for school, packed her books in a knapsack that hung over her back, and then kissed her goodbye before putting her on the school bus.

As far as anyone knew, she was with the other students on the bus when they went into the school. The first indication that something was wrong came when Lucy didn’t show up in her classroom for the morning attendance. The teacher thought she was either late or sick, reporting it at first to the principal’s office as a routine absence. It wasn’t until later that police began a massive search for the missing eleven-year-old girl.

The disappearance of Lucy Devlin exploded in the media when the New York Tribune, the newspaper I wrote for, ran a front-page story about her. The headline simply said: “MISSING!” Below that was a picture of Lucy. Big brown eyes, her hair in a ponytail, a gap between her two front teeth.

The story told how she was wearing a blue denim skirt, a white blouse, and cork sandals when she was last seen. It said she loved reading; playing basketball and soccer; and, most of all, animals. She petted every dog in the neighborhood and begged her parents to get her one. “She was my little angel,” Anne Devlin said in the article. “How could anyone want to hurt an angel?”

The whole city fell in love with her after that. The Tribune story spared no emotion in talking about the anguish of her parents as they waited for some kind of word. It talked about their hopes, their despair, and their confusion over everything that had happened.

I know because I was the reporter who wrote it. With my help, Lucy Devlin—just like Maggie had said— became one of the most famous missing person stories in New York City history. Posters soon appeared all over the city. Announcements were made in schools and churches asking people to look for her. The family offered a reward. First it was $10,000. Then $20,000 and $50,000 and as much as $100,000 as people and civic groups pitched in to help the Devlin family. For many it brought back memories of the tragic Etan Patz case—a six-year-old boy who had disappeared from the streets of New York City a quarter century earlier. Little Etan became the face of the missing child crisis all over the country when his picture was the first to appear on a milk carton in the desperate search for answers about his fate. In that case, the family had finally achieved some closure when a man was eventually arrested and convicted for their son’s murder. But there was no closure for Anne and Patrick Devlin.

I sat in the Devlins’ apartment—crying with them, praying with them, and hoping against hope that little Lucy would one day walk in that door.

I’ve never worked a story before or after where I identified so much with the people I was writing about. My access to the parents gave me the opportunity to see things no one else did, and I put every bit of that into my stories. Everyone was picking up my stuff—the other papers, TV news, and even the network news magazines like Dateline and 60 Minutes.

Yes, I did win a Pulitzer for my coverage of this story. The Pulitzer judges called it “dramatic, haunting, and extraordinarily compassionate coverage of a breaking deadline news story” in giving me the award. That was nice, but they were all just words to me. I wasn’t thinking about a Pulitzer or acclaim or my career when I covered the Lucy Devlin disappearance. I just reported and wrote the hell out of the story, day after day.

Eventually, of course, other stories came along to knock this one off the front page.

All the reporters moved on to cover them. In the end, I did, too. It wasn’t that easy for Anne and Patrick Devlin. The police told them that Lucy was probably dead. That the most likely scenario was she’d been kidnapped outside the school that day, her abductor had become violent and murdered her. He then must have dumped her body somewhere. It was just a matter of time before it turned up, they said.

Anne Devlin refused to believe them. “I can’t just forget about my daughter,” she said. “I know she’s still alive. I know she’s out there somewhere. I can feel her. A mother knows. I’ll never rest until I find her.”

Her obsession carried her down many paths over the next few years. Every time a little girl turned up murdered or police found a girl without a home, Anne checked it out. Not just in New York City either. She traveled around the country, tracking down every lead—no matter how slim or remote it seemed.

There were moments of hope, but many more moments of despair.

A woman who’d seen the story on TV said she’d seen a little girl that looked like Lucy at an amusement park in Sandusky, Ohio. She was standing with a man holding her by the hand near the roller coaster, looking confused and scared. At one point, she tried to break away, but the man wouldn’t let her go. The woman told one of the security guards that there was something suspicious about the man and the little girl, but never found out what happened. Anne went to Ohio and talked to everyone she could find at the amusement park. She eventually tracked down the security guard and finally the little girl herself. It turned out that the man was her father, and she looked scared and tried to run away because she was afraid to ride the roller coaster.

Another time a group of college coeds thought they spotted her in Florida during spring break. Some fraternity guys who tried to hit on them had a young girl in the back seat of their car, and she seemed out of place amid the beer swilling Neanderthals par- tying up a storm in Fort Lauderdale. The coeds told Anne they were convinced it was her missing daughter. That lead turned out to be a dead end, too. She was the daughter of a woman the fraternity guys had picked up the night before. The woman had passed out back in their hotel room, and they were just driving around with the girl because they didn’t want to leave her alone.

And then there was the time the body of a young girl about Lucy’s age and description was found alongside a highway in Pennsylvania. The state troopers found Lucy’s name on a list of missing children and contacted Anne. She drove ten hours through a blinding snowstorm to a morgue outside Pittsburgh, where the body had been taken. The entire time she had visions of her daughter lying on a coroner’s slab. But it wasn’t Lucy. It turned out to be a runaway from Utah. A truck driver had picked her up hitchhiking, raped and killed her, then dumped the body alongside the road. Anne said afterward she felt relief it wasn’t Lucy, but sadness for the family in Utah who would soon endure the same ordeal as she did.

Once a psychic came to Anne and said she’d seen a vision of Lucy. Lucy was living somewhere near the water, the psychic told her. Lucy was alright, but lonely. Lucy wanted to get back to her family, but she didn’t know how. Eventually, the psychic said she saw a sign in the vision that said La Jolla. La Jolla is a town in Southern California, just north of San Diego. The psychic offered to travel with Anne there and help search for her. They spent two weeks in La Jolla, staying in the best hotels and running up big bills at fancy restaurants. The psychic found nothing. Later, it turned out she just wanted a free trip to the West Coast and some free publicity for her psychic business.

Worst of all were the harassing phone calls. From all the twisted, perverted people in this world. Some of them were opportunists looking for extortion money by claiming they had Lucy. Others were just sickos who got off on harassing a grieving mother. “I have your daughter,” they would say and then talk about the terrible things they were doing to her. One man called Anne maybe two dozen times, day and night, over a period of six months. He taunted her mercilessly about how he had turned Lucy into his sex slave. He said he kept her in a cage in the basement of his house, feeding her only dog food and water. He described unspeakable tortures and sexual acts he carried out on her. He told Anne that when he finally got bored, he’d either kill her or sell her to a harem in the Middle East. When the FBI finally traced the caller’s number and caught him, he turned out to be one of the police officers who had been investigating the case. He confessed that he got a strange sexual pleasure from the phone calls. None of the others turned out to be the real abductor either. But Anne would sometimes cry for days after she got one of these cruel calls, imagining all of the nightmarish things that might be happening to Lucy.

All this took a real toll on Anne and Patrick Devlin. Patrick was a contractor who ran his own successful construction firm; Anne, an executive with an advertising agency. They lived in a spacious townhouse in the heart of Manhattan. Patrick had spent long hours renovating it into a beautiful home for him, Anne, and Lucy. There was even a backyard with an impressively large garden that was Anne’s pride and joy. The Devlins seemed to have the perfect house, the perfect family, the perfect life.

But that all changed after Lucy disappeared. Anne eventually lost her job because she was away so much searching for answers about her daughter. Patrick’s construction business fell off dramatically, too. They had trouble meeting the payments on their town house and moved to a cheaper rental downtown. Their marriage began to fall apart, too, just like the rest of their lives. They divorced a few years after Lucy’s disappearance. Patrick moved to Boston and started a new construction company. He remarried a few years later and now had two children, a boy and a girl, with his new wife. Anne still lived in New York City, where she never stopped searching for her daughter.

Every once in a while, at an anniversary or when another child disappeared, one of the newspapers or TV stations would tell the Lucy Devlin story again.

About the little girl who went off to school one day, just like any other day, and was never seen again. But mostly, no one had time to think about Lucy Devlin anymore.

Everyone had forgotten about Lucy. Except her mother.
***

Excerpt from Yesterday's News by R.G. Belsky. 
Copyright © 2018 by R.G. Belsky. Reproduced with permission from R.G. Belsky. All rights reserved.



OTHER BOOKS BY R.G. BELSKY





ABOUT THE AUTHOR


R.G. Belsky is an author of crime fiction and a journalist in New York City. His newest mystery, Yesterday’s News, was published in May 2018 by Oceanview. It is the first in a series featuring Clare Carlson, the news director for a New York City TV station. He previously wrote the Gil Malloy series for Atria about a tabloid newspaper reporter. Belsky himself has been a top editor at the New York Post (where he helped create the famous “Headless Body in Topless Bar” headline), the New York Daily News, Star magazine and NBC News. Two earlier Belsky thrillers that came out in the ‘90s – Loverboy and Playing Dead  – were re-released by Harper Collins recently in ebook form for the first time.   



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