Showing posts with label Private Investigator. Show all posts
Showing posts with label Private Investigator. Show all posts

Tuesday, February 19, 2019

FEATURED NOVEL: TRIGGER




ABOUT THE BOOK




Frank Marr was a good cop, until his burgeoning addictions to alcohol and cocaine forced him into retirement from the D.C. Metro police. Now, he’s barely eking out a living as a private investigator for a defense attorney–also Frank’s ex-girlfriend.

Ostracized by his family after a botched case that led to the death of his baby cousin, Jeffrey, Frank was on a collision course with rock bottom. Now clean and clinging hard to sobriety, Frank passes the time–and tests himself–by robbing the houses of local dealers, taking their cash and flushing their drugs down the toilet. When an old friend from his police days needs Frank’s help to prove he didn’t shoot an unarmed civilian, Frank is drawn back into the world of dirty cops and suspicious drug busts, running in the same circles that enabled his addiction those years ago.

Never one to play by the rules, Frank recruits a young man he nearly executed years before. Together–a good man trying not to go bad and a bad man trying to do good–detective and criminal charge headfirst into the D.C. drug wars. Neither may make it out.



Book Details:

Title: Trigger

Author: David Swinson

Genre: Suspense, thriller

Series: A Frank Marr novel, book 3

Publisher: Mulholland Books, (February 12, 2019)

Print length: 352 pages

On tour with: Great Escapes Book Tours








EXCERPT FROM TRIGGER



One




I never count the days. Why would I want to know how long it’s been since I quit? It’s only a reminder of what it is I’m trying to let go of. I loved the fucking lifestyle. I loved cocaine. Didn’t want to let it go. I still have cravings. Pops in my head like it’s a good thing, visit from an old friend, but all I got to do is remind myself of why it is I quit—because of all the people I hurt, even got killed. And yes, it is something I did for me, too, but not for the reasons you might think.

Sometimes what gets me through the day is doing what I’m best at.

It still gives me a rush, even more so without the cocaine high. You realize how reckless it is. Just how dangerous.

I slip on my tactical gloves, grab my suit jacket from the front seat, step out of the car. I put the suit jacket on, reach back in to take my backpack. I shoulder it and lock the car door. The house I’m going to is up the street, second from the corner, an unattached, paint-peeled, light-blue two-story with a large patio.

I ring the doorbell. Wait. Ring again. Open the storm door and knock on the door a few times.

When enough time passes so I feel comfortable, I take the tactical pry bar out of my backpack, wedge it in between the door and the frame, about half an inch below the dead bolt. I smack the heavy flattop of the handle hard with the palm of my hand, and with one solid push inward, I pry the door open, bending the dead bolt out with the door. I scan the area, slip the pry bar back in my pack, and enter. Once inside I stand and listen, then secure the backpack over my shoulders and quietly shut the door. There’s a fold-up chair leaning against the wall beside a filthy sofa. I take the chair and prop it against the door to keep it closed.

My stun gun is clipped to my belt at the small of my back. My Glock 19 is in a holster on my right side, but I don’t want to have to use it unless I find myself facing another gun. I’d figure out a good story after. That’s why the stun gun is preferable. Saves me having to think up a good story.

I’ve known about the occupants of this house since I was a detective working narcotics. It’s low-level. Detective Al Luna, my former partner at Narcotics Branch, and I hit it a couple of times. Sent a CI in to make a buy, then drafted an affidavit in support of a search warrant and rammed the door in the next day. A good quick hit, and we always got enough to make us look good when other work was slow. Luna’s still on the job. Me? Well, that’s another story.

Nothing has changed with how the boys in this house operate, except a couple of new faces that replaced the two who are doing a bit of time. They’re working the same park area a couple blocks north of here, where some of the local drunks and junkies still hang, but not near as many as back in the day. Gentrification has seen to that, pretty much cleaned everything up. Lot of the dealers had to change up their game. These guys didn’t have enough sense to. From what I’ve been able to learn, they haven’t been hit by the police in a while. That can be good for me.

What has changed is who the boys cater to and all the homes in this neighborhood, once vacant shells, now worth a million bucks. They’re dealing mostly to young clean-cut men and women who drive nice cars with Virginia tags and consider themselves social users, pulling up and making their deals without stepping out of the cars. Times change. Old street junkies die or go to jail for getting caught up in something bad. The boys gotta move up if they wanna make a living.

My cell phone vibrates inside my blazer’s inner pocket. Nearly sends me through the roof. I don’t pull it out. Instead I just let it go to voice mail.



Excerpt from by Trigger.  Copyright © 2018 by David Swinson. Reproduced with permission from . David Swinson. All rights reserved.






ABOUT THE AUTHOR

David Swinson is a retired police detective, having served 16 years with the Washington, D.C. Metropolitan Police Department. He is the author of two previous novels featuring Frank Marr: The Second Girl and Crime Song. Swinson currently lives in Northern Virginia with his wife, daughter, bull mastiff, and bearded dragon.

Connect with David:
Website  |  Facebook  |  Twitter  |  GoodReads 

Buy the book:

Amazon  |  Barnes & Noble





Tuesday, July 17, 2018

FEATURED AUTHOR: DAVID BURNSWORTH




ABOUT THE BOOK

The past is never past. Sometimes it repeats itself. And sometimes it comes back to pay a visit. Blu Carraway, flush with cash and back in business, never had it so good. Or so he thought.The reality is his love life is in shambles, his business partner is spending too much time with women half his age and not enough time on the job, and someone close goes missing. Blu’s business partner goes off the rails, his friends show their true colors, and he realizes that getting closure sometimes means walking away from everything. With a case from the past gone wrong twice, a loved one in trouble, and an unanswered marriage proposal, it’s a bad time to be in it for Blu Carraway Investigations.


Book Details:


Title: Bad Time to Be In It


Author: David Burnsworth

Genre: Mystery


Series: Blu Carraway Mysteries, book 2

Publisher: Henery Press (July 10, 2018)

Page count: 254

On tour with: Partners in Crime Book Tours






INTERVIEW WITH DAVID BURNSWORTH


David, where did you grow up?
I’ve lived in the south since I was nine so I’ll say Atlanta, Georgia.  I loved the big city life and set one of my books (Big City Heat, Henery Press 2017) there. My wife and I reside in South Carolina, which I’ve called home since 2000. It’s the longest I’ve lived in any state. As a side note, our state flag is my favorite!

What do you love about where you live?

Where my wife and I live in South Carolina, we are close to two major cities and three hours from the ocean.  The cost of living is reasonable, unemployment is low, and it isn’t insanely crowded. Plus it’s the south. There’s so much grand history and ugly baggage here to keep me busy writing books for a long time.

If you had an extra $100 a week to spend on yourself, what would you buy?

A used Porsche 911 in about 500 weeks. It’s my dream car and sooner or later I’m going to have one. I don’t care if I’m fulfilling the cliché of mid-life-crisis with it or not.

What is the stupidest thing you've ever done?
I didn’t study hard enough in college. On the flip side, I didn’t give up which I thought about doing several times. At some point, I realized that graduating was the best thing I could do, so I gritted my teeth, straightened up, and made it through. It turned out to be one of the best things I’d done.

What’s one thing that you wish you knew as a teenager that you know now?
Life is short. Planning to do something “some day” never really happens. For me, it took my wife basically saying it was “time to write your book now.” If she hadn’t, I might still be thinking about doing it instead of authoring five novels and working on a sixth.

What’s one thing you wish your younger writer self knew?
I should have started writing seriously thirty years ago. Looking back, I suppose I wasn’t ready. It takes quite a bit of toughness, if I can call it that, to put something out there. I didn’t have it then. Some days I don’t have it now. Some people are great. Some are not. In the end, I’m glad I keep going.

Do you have another job outside of writing?
I’m a degreed engineer, and I have worked in manufacturing for twenty years. I feel it is important for America to continue to make things and get better at it so it is a vocation for me as well as my livelihood. Engineering is all about problem solving. That helps me with my writing. What doesn’t help is being structured. I am a “seat-of-the-pants” writer as opposed to an outliner. The problem solving comes in when I have about two-thirds of a book not necessarily in any kind of sequence and need to put it all together.

How did you meet your spouse?
Our German teacher set us up. No joke. We were living two hundred miles apart at the time.

Would you rather be a lonely genius, or a sociable idiot?
Depending on the day, I’d say I’ve been both.

What would your main character say about you?
Blu says, “He mostly gets it right, but sometimes I have to spell things out for him.”

Sometimes it feels exactly like I’m telling Blu’s story, but since I’m not him, it takes a while to figure out why he’s doing what he’s doing. Since I don’t outline, Blu has carte blanche in the story. It’s the “why” that throws me for a loop. Sooner or later, he shows me what he’s up to. But, damn if the man isn’t frustrating when he takes his own bloody time about it.

Who are your favorite authors?
John Sanford, Robert Crais, James Lee Burke, Michael Connelly.


What’s one pet peeve you have when you read?
I have to be able to get into the book within one page. Some readers struggle through an entire book. I don’t have the time and figure if I’m not getting it, it’s not for me. It’s not that the book is bad, it’s that I’m not the right reader for it.


Do you have a routine for writing?
I just completed the first draft of the manuscript for my next book. My routine was to write 1000 words a day. I wrote 75,000 words in eighty days, and it was the most stress-free writing I’ve done in a while.

Where and when do you prefer to do your writing?
I’ve trained myself to write anywhere, but I prefer my home office. It’s on the first floor, and my desk faces the window that overlooks my front lawn. We live on a cul-de-sac so there isn’t a lot of traffic.

What would your dream office look like?
It would be similar to my current one except it would overlook a wildlife refuge or a body of water. Or both.

What are you working on now?
I’m in the middle of the second draft of my next Blu Carraway book. It should be out in the spring of 2019, and I’m really enjoying the story.



READ AN EXCERPT FROM BAD TIME TO BE IN IT


Chapter One


Belize City, Belize, August, mid-Monday

Paco squinted as he stared out over the courtyard, the afternoon sun a brilliant blaze. Sounds of local women selling vegetables, cheap pottery, and trinkets to tourists filled the air. The clinking of dishware. Some of the vendors were lucky enough to have an umbrella or canopy to shield them from the burning heat. Most weren’t.
The pavement baked Paco’s feet through his cowboy boots.
He lifted his straw hat, one with an orange band he’d bought from a local Mennonite child, and wiped his brow. The air tasted of salt, dust, and tamalito grease.
His two partners, a Belizean Creole called Lin and a Jamaican named Peter, were already in position. Lin nodded at him from the other side of the square. Paco checked on Peter and found him fifty meters due east scoping out the three young women they’d come for.
Well, really it was just one of them they wanted. The other two women were going to be a bonus. The contract was to grab the woman with the family name of Kincaid, make a phone call when they had her at their hideout, and then do whatever they wanted with the other two. And eliminate any resistance.
The stupid chicas had only one guard with them. Some tall, middle-aged Bufon Paco guessed was half-Cuban, half-gringo, who wore sunglasses and dressed in light-colored fatigues and military style boots. He looked fit but was most likely nothing but an easy target. In the three days Peter, Lin, and Paco had tracked the women, the man with the sunglasses always kept watch from behind.
The past two nights Paco had dreamt of shooting the man through those sunglasses.
Using the sleeve of his shirt, Paco wiped his forehead one more time and then replaced his hat. He watched Peter wait until the women and the man passed and then fell in behind them.
God, the women were beautiful. Suntanned white girls in their early twenties. Perfect teeth. Curled, long hair. Linen blouses, short shorts, and sandals. After he shot their protector, his dreams ended with tying each of them to a bed, the fear in their eyes giving him immense pleasure.
And today was the day his dream would come true.
Paco watched the group pass through a crowd of old people in bright clothes unloading from a tour bus.
Except Peter didn’t emerge behind them when the women came through the other side of the gray-haired mass.
Neither did the sunglass-wearing guard.
Paco smiled and thought, good, Peter took him out already.
He nodded at Lin who gave him a thumbs-up.
The women perused another row of vendors.
He and Lin followed, coming from opposite ends.
The women were just ahead. Paco caught sight of their toned caderas and thanked his god again for tight American shorts. He picked up his pace as he threaded through the crowd.
After about forty meters, something didn’t seem right any more. He should have caught up to them by now. And Lin should have joined him.
Paco stopped, checked his phone. No messages.
Looking around, he thought he spotted the women turn down an alley.
Where were Peter and Lin?
It didn’t matter.
He had to get the woman now. Especially with the guard out of the picture.
Paco knew he could handle her by himself, even if the other two females had to die to make things easier. He sprinted after them, cut down the alley, and found himself alone with nothing but a dead end. The only noise he heard was the market from which he’d come.
An abandoned car on blocks with its hood open mocked him. Dust kicked up from his boots as he skidded to a stop. Paco turned around. No one had followed him.
He turned back and looked straight down the barrel of a revolver.
His eyes would not—could not—keep from staring at the black hole in front of him that brought death. Where in the hell did this come from? There had been no sound.
A man’s voice said, “Esto es donde dar la vuelta y a pie.” (This is where you turn around and walk away.)
Thinking fast, Paco said, “Que buscaba para mi hija.” (I was looking for my daughter.)
The thumb of the hand holding the revolver cocked the hammer back.
Anyone else would have soiled his pants at this. But Paco knew the man had made a very big mistake. Other peoples’ mistakes, and Paco’s awareness of them, were how he had survived this long. The cocked pistol an arm’s reach from his face had caught him off guard. If it had been five feet away, the perfect distance for control,he would have had a problem.
But this close—
Paco swung an arm at the hand with the pistol and ducked the other way, all in one motion just like he’d done before.
Except another gun fired.
Paco felt an inferno of heat and lead tear through his leg. He screamed and crashed to the ground.
A large, military boot kicked him in the face. It jolted his focus off the pain in his leg for a second and onto the sunglasses of the man from his dreams. Paco spotted a second pistol in the man’s other hand. He hadn’t seen the second gun because he couldn’t tear his eyes away from the first. The man had outsmarted him.
The man smiled down at him and said, in Spanish, “Who hired you?”
The pain flooded back. Paco seethed out a “Piss off.”
The man with the sunglasses put his large boot on Paco’s injured leg and stepped down hard.
Paco had never felt pain so great in his thirty-three years on this earth. He tried to scream, but nothing came out. He swam in a horizon of white noise.
The pressure on his leg let up. The boot kicked him in the ribs, ripping his concentration away from his leg once more, long enough for him to breathe.
“Your two friends won’t be joining us. Tell me who hired you. Do it now. I won’t ask again.” Paco’s mind recovered enough from the pain to formulate a last desperate plan. He slipped a hand behind his back and pulled out a derringer.
Before he could aim it, the man standing over him blasted his hand from two feet away. And Paco felt a different twinge of pain that almost matched the firestorm in his leg. He lifted his hand to where he could look at it. Two of his fingers were missing.
Then he saw nothing.


Chapter Two
Charleston County, South Carolina, August, mid-Monday
DAY ONE

Mick Crome sat on a stool at the inside bar of the Pirate’s Cove on the Isle of Palms. He finished off a second pint while staring at all the liquor bottles lined up on the shelves in front of him. They had a habit of staring back. Maureen, his sometimes girlfriend and bartender a hundred miles north up in Myrtle Beach, was pissed off at him. He couldn’t chill and watch her tight rear end as she poured drinks tonight. Maybe not tomorrow night, either.
The current bartender serving the beers, a friend named Brack Pelton, wasn’t exactly his type. At six feet and with a perpetual suntanned complexion, Brack looked like he should be tending bar in the Bahamas, not owning two watering holes in the South Carolina lowcountry.
Pelton asked, “You want another one, Mick?”
Even inside the place, the smell of the Atlantic Ocean directly behind him cleaned out his sinuses. The song streaming on the bar’s sound system, “Paradise City” by Guns and Roses, was a real classic.
Crome nodded, hooked a boot heel on the bottom rung of his stool, and pulled a vape pen out of the breast pocket of his weathered leather vest.
He couldn’t figure out what exactly he’d done wrong with Maureen but was sure it might have something to do with the two women he traded vodka shots with the night before. Mainly because neither of them was Maureen. Maureen hadn’t taken too kindly to him cancelling their date so he could follow a lead only to end up getting drunk and crashing at another woman’s pad. She didn’t believe him when he’d tried to explain that nothing had happened. The lead was legit, but even he knew he should have just gotten the information over the phone.
What did people say in times like this? C’est la vie?
Whatever.
Pelton set a fresh pint of draft down in front of Crome. “Haven’t seen you or Blu around in a while. How’s it going?”
The kid, Pelton, meant well. If Crome hadn’t taken a liking to him, and if he hadn’t watched a video of the kid, empty handed, take on an armed giant of a man and win, he might have picked a fight with him just for fun. But the kid had saved his best friend’s daughter and was an unofficial partner in the private investigation firm Crome co-owned. Unofficial because just about everything Crome did was unofficial. The official side was handled by his main partner, Blu Carraway.
Crome said, “Blu’s on a security job. In Belize, the lucky bastard. Should be back in a day or two.”
A voice from behind him said, “Hi, Crome.”
It was female and familiar. Damn.
Anyone else would have been a welcome change to his wandering thoughts, a defense mechanism he used to avoid thinking about Maureen.
Hell, Maureen in her most pissed-off state would have been a welcome companion compared to—
The female voice interrupted his thought. “Aren’t you going to invite me to sit down?”
Crome saw the smirk form on his own face reflected in the mirror behind the bar. He also saw the strawberry-blond curls, red lipstick, and tight dress of his newest problem. “It’s a free country.”
Harmony Childs pulled out the stool next to him and sat. “That bad-ass biker routine won’t work on me, Sugar. You’ve seen me in my underwear.”
Twenty years his junior, nuttier than a pecan tree, driven, and drop-dead gorgeous, Harmony was the very cliché of Kryptonite for him. She was also one of the two women he’d traded shots with last night.
It was true; he had seen her in her underwear. But not out of her underwear, thank God, or he and Maureen wouldn’t have lasted this long.
Harmony said, “Don’t tell me you’ve still got a hangover. I’d hate to think you couldn’t hang with us, given your propensity for bars and liquor.”
She really was beautiful. And she’d matched him shot for shot, unless the bartender was feeding her and her friend water instead of Citron. But that couldn’t be because he’d watched all their shot glasses get refilled from the same bottle.
“Not on your life, Dolly,” he said.
Pelton came over, grinned at the young woman, and said, “What’ll it be, Ms. Harmony?”
If Pelton’s wife caught him doing anything more than casual flirting, she’d string him up by his testicles. Especially if it was with Harmony. Or her cohort, Tess Ray. Which reminded Crome, when there was one, the other wasn’t far behind.
Tess pulled out the stool on the other side of Crome and sat. “Sorry I’m late. There was another double homicide in North Charleston.”
Shorter than Harmony, with shoulder length blonde hair that fell in layers, Tess wore dark-rimmed glasses, a business dress with no sleeves, and medium heels.
She’d been the second woman from the night before. Two women to one man, a bottle of vodka, and all he had to show for it was a nasty headache, a stiff back from the couch he’d crashed on alone, and a pissed off girlfriend. Must be his lucky day.
Crome opened his mouth to say “howdy” but got cut off before he could start.
“It would be nice if your partner was around,” Harmony said.
“You guys make good copy. Maybe you all could give us something besides gang violence to report on.”
Harmony and Tess were eager-beaver news correspondents who’d recently gone independent.
Tess asked, “So when is Blu due back in town? Soon, right?”
Every damn woman who’d ever laid eyes on Blu Carraway fell in love with the bastard.
Again, Crome opened his mouth to speak, and again got interrupted. This time by the other local lady killer, Pelton’s dog, Shelby.
At the sight of the chow-collie mix, Harmony and Tess both slid off their stools and swarmed the mutt. The damned canine seemed to be eating it all up, dancing around between them, his wagging tail high in the air.
The song ended, and in the lull before the next one began, Crome checked his iPhone, the one that felt like an old-fashioned pair of handcuffs restraining him from freedom. The one that came with the business of running a private investigation firm. The one that his partner had made him take.
He’d missed a call.
The number wasn’t familiar, but whoever had called left a voicemail. He listened.
It sounded like Maureen. “Mick? I’m in trouble. Please help—”
A man’s voice cut her off. “Listen Crome, it’s payback time. You took from me so I’m taking from you. I’ll be in touch.”
His phone showed a text message. He tapped to open it up and stared at a picture of a scared Maureen with a gun to her head.
Billy Idol’s “Eyes Without a Face” started playing, blowing a hole through the world.

Excerpt from Bad Time To Be In It by David Burnsworth.  Copyright © 2018 by David Burnsworth. Reproduced with permission from David Burnsworth. All rights reserved.



ABOUT THE AUTHOR



David Burnsworth became fascinated with the Deep South at a young age. After a degree in Mechanical Engineering from the University of Tennessee and fifteen years in the corporate world, he made the decision to write a novel. Bad Time To Be In It (July 2018, Henery Press) will be his sixth. Having lived on Charleston’s Sullivan’s Island for five years, the setting was a foregone conclusion. He and his wife call South Carolina home.


Connect with David:
Website  |  Facebook  |  Twitter  |  Goodreads 

Buy the book:

Amazon  |  Barnes & Noble  |  iTunes  |  Kobo




Tuesday, October 17, 2017

CHARACTER GUEST POST BY DAVID BURNSWORTH'S BLU CARRAWAY




ABOUT THE BOOK

Lowcountry Private Investigator Blu Carraway needs a new client. He’s broke and the tax man is coming for his little slice of paradise. But not everyone appreciates his skills. Some call him a loose cannon. Others say he’s a liability. All the ex-Desert Storm Ranger knows is his phone hasn’t rung in quite a while. Of course, that could be because it was cut off due to delinquent payments.

Lucky for him, a client does show up at his doorstep—a distraught mother with a wayward son. She’s rich and her boy’s in danger. Sounds like just the case for Blu. Except nothing about the case is as it seems. The jigsaw pieces—a ransom note, a beat-up minivan, dead strippers, and a missing briefcase filled with money and cocaine—do not make a complete puzzle. The first real case for Blu Carraway Investigations in three years goes off the rails.

 And that’s the way he prefers it to be.





GUEST POST BY DAVID BURNSWORTH'S BLU CARRAWAY



Blu Carraway, Charleston County, South Carolina

Running a business isn’t easy. Especially in these litigious days. A successful business means there’s extra fundage to cover mistakes. One that struggles has a harder time. Everything you do has to pay off because you don’t have anything to gamble with.


Private Investigation, in my experience, is the cliché “feast or famine.” I was in a huge drought when my author picked up the story for
In It For the Money. One could make an inference from the title that I was definitely in it for the money. I needed cash. It had been three years since I had any kind of job that paid anything real.

It wasn’t always this way. It’s called feast or famine for a reason. In the feast times, the business had a downtown Charleston office and two surveillance vehicles. My business partner, Mick Crome, and I had more work than we could do. I had to subcontract some of it out.

I was at a real low point at the beginning of the first book about me. My downtown office was gone. So were my extra cars. I was down to a desk in my living room with a phone that had been disconnected and I didn’t even know it. Talk about a sorry state for an operative.

My favorite jobs aren’t even investigations. They’re private security. Anticipating when and where someone could attack is what I like best. But, I’ll take most any respectable work these days. It’s better to keep the lights on by earning money as a private investigator than working day labor. Ask me how I know.

Reputation only goes so far, especially for one like mine. Don’t get me wrong, I’m not the town leper. It’s just that not everyone needs the work I’m known for. I already talked about private security. But it’s more than that. Once, I took a job pro bono to help a woman get out of an abusive marriage. He’s no longer with us and she’s now my best source at the DMV.

My business partner left town with half the money from the last big job we did three years ago. I don’t blame him. He’s not one of those that’s good at responsibility. I’ve got a daughter and a small island with some scraggly horses to take care of. So, yes, I’m IN IT FOR THE MONEY.


ABOUT THE AUTHOR


David Burnsworth became fascinated with the Deep South at a young age. After a degree in Mechanical Engineering from the University of Tennessee and fifteen years in the corporate world, he made the decision to write a novel. He is the author of both the Brack Pelton and the Blu Carraway Mystery Series. Having lived in Charleston on Sullivan’s Island for five years, the setting was a foregone conclusion. He and his wife call South Carolina home.




Connect with David:

Webpage  |  Facebook  |  Twitter GoodReads

Buy the book:

Amazon  |  Barnes & Noble


Wednesday, September 23, 2015

FEATURED AUTHOR: SUSAN RUSSO ANDERSON



ABOUT THE BOOK

In the middle of a wintry night, private investigator Fina Fitzgibbons finds Lorraine’s friend, Phyllida Oxley, slumped over her dining room table, the victim of memory-impairing date rape drugs. When her condition goes from poor to comatose, her distraught fifteen-year-old granddaughter, Kat Oxley disappears. Meanwhile, Fina’s agency is busy surveilling a massage parlor in Bensonhurst suspected of human trafficking, and Fina’s father reappears to throw a wrench into her relationship with NYPD Patrol Officer Denny McDuffy. As Fina frantically searches for the missing teen, she uncovers the truth behind the traffickers, but they have a surprise waiting for her in the not-so-friendly skies.



INTERVIEW WITH SUSAN RUSSO ANDERSON

Susan, welcome back to A Blue Million Books. How did you get started writing and when did you become an “author?”
First of all, thank you so much for having me on your blog, Amy. And now for the answer: I can’t remember when I didn’t write. I’ve always loved words and was one of the few people I know who actually looked forward to writing papers. Crazy, huh? It is a way for me to focus, a way for me to be in my own world. I became an author when I published my first short story.

What's your favorite thing about the writing process?

I love creating characters and having readers tell me they love them, and I also love creating new worlds and being in my own place.

How long is your to-be-read list?
HUGE.

I can't read that word without hearing it in Donald Trump's voice! What books do you currently have published?
I write two mystery series. One’s a contemporary mystery series, and it takes place in Brooklyn; the other is an historical mystery series and takes place in nineteenth-century Sicily.

Can you share some of your marketing strategies with us?
Sure, for what they’re worth.

The most important marketing tip someone told me? Write the best stories you can and readers will find you. As for the rest, I’m no expert by any stretch. Mine has painfully slowly evolved, and it’s for everyone, but it seems to be working for me. Keep in mind that I write in a series, so here goes: Every month I make a book free for two or three days and advertise their availability on several sites. And when I publish a new book, I try to do a tour. I just published my eighth book, and I am just beginning to make a profit. But since I started making a book free each month, my income has gone from nil to respectable.

How long have you been a writer?
For a very long time, but I just started publishing three years ago.

If you could only watch one television station for a year, what would it be?
I love the PBS stations.

How often do you tweet?

Almost every day, unless I’m on vacation or have another kind of family function, although even then I’ll probably whip out my phone and do some tweeting on the side.

For what would you like to be remembered?

I guess that I’m a woman who loved and loved to write.

What scares you the most?
Wow, that’s an interesting question! Losing my ability to think and to remember.

If you had a swear jar, would it be full?
Not really, but I’d have to empty it every other day.

Are you an introvert or an extrovert?
It depends. I’m trying to learn how to navigate in crowded rooms and at parties where I don’t know anyone else. I just attended the Writers Police Academy. (Great, BTW), and I walked in to the reception not knowing anyone. It was wall to wall unknowns. So I walked right out and up to my room and had a good talk with myself and came back down and started conversations and had fun. So I’d say I was an introvert trying to breathe.

What’s one of your favorite quotes?
“Everything that rises must converge.” -Teilhard de Chardin

What would your main character say about you?

Once in a while she gets it right.


Where is your favorite library, and what do you love about it?
I love the reading room at the New York Public Library, and I like talking to the lions in front.


You can be any fictional character for one day. Who would you be?
Golly. Can I come back to that one? (Thinks) I’d like to be Liz, the wife of Thomas Cromwell, the fictional version, please, before she dies of the plague. Maybe when she’s still a young wife waiting for her husband to come back from some trip or other. She understood lots, Hilary Mantel’s Liz Cromwell did, and I’d like to have her understanding.

What’s the worst thing someone has said about your writing? How did you deal with it?
Someone told me that my work was irrelevant, that my perpetrators were too ordinary. That hurt the worst, even worse than one star reviews. I didn’t know what to say. In the old days, I’d probably mutter a thank you. But at least I said nothing. On some level, I think of that remark every day.

Who would you invite to a dinner party if you could invite anyone in the world?
Gandhi, and I know he’s dead and all, but I still talk to the dead.


What's your relationship with your cell phone?

Best buddies. I have a big cell phone and wear it in one of those Waterfield sleeves on my belt. Invariably I’m asked if I’m wearing a gun but I tell them not even my characters shoot guns.


How many hours of sleep do you get a night?
Usually I’m in bed by 10 except when I’m not, and always up by 5:30 because that’s the time I love to write.

What is your favorite movie?

When Harry Met Sally.

Do you have a favorite book?

Wolf Hall by Hilary Mantel.

How about a favorite book that was turned into a movie? Did the movie stink?
Wolf Hall was turned into a PBS series, and it was pretty good. Mark Rylance was great.

Do you sweat the small stuff?

Yes, but not enough.

How long is your to-do list?
Beyond the horizon.


What are you working on now?
I’m working on another mystery, but it’s a new series. The working title is Death of a Brooklyn Landlord, and I’m almost finished with the first draft. One of the characters in my last series is the protagonist of this one, and some of the characters from the last series appear in this one, but wearing different hats or at least coming at life from different places, so it’s the same neighborhood, but still it’s new because the character’s voice is different, and her needs are different. She’s older and she’s a widow and in the book, she has an affair. It’s not front and center, because I don’t write romances, just stories about characters who solve mysteries or at least who ponder mysteries — the mystery of themselves as well as who commits the crimes.

Lightning round:
Cake or frosting? Cake
Laptop or desktop? Laptop
Chevy Chase or Bill Murray? Bill Murray
Emailing or texting? Texting
Indoors or outdoors? Outdoors
Tea: sweet or unsweet? A little cream, please.
Plane, train, or automobile? Car

ABOUT THE AUTHOR

Susan Russo Anderson is a writer, a mother, a member of Sisters in Crime, a graduate of Marquette University, and a life member of The Art Students League of New York. She has taught language arts and creative writing, worked for a publisher, an airline, an opera company. Like Faulkner’s Dilsey, she’s seen the best and the worst, the first and the last. Through it all, and to understand it somewhat, she writes.

Too Quiet in Brooklyn, the first in the Fina Fitzgibbons Brooklyn mystery series published December 2013. The second book in the series, Missing Brandy, published September 2014, and Whiskey's Gone published in January 2015 and completes a trilogy. The fourth book in Fina's series, The Brooklyn Drop, published August 15.

Death of a Serpent, the first in the Serafina Florio series, published January 2012. It began as a painting of the Lower East Side, the landmark immigrant neighborhood in Manhattan, and wound up as a mystery story set in nineteenth-century Sicily. No More Brothers, a novella, published May 2012, the second in the series. The third book, Death in Bagheria, published in December, followed by Murder on the Rue Cassette in January 2014.



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