Showing posts with label thriller & suspense. Show all posts
Showing posts with label thriller & suspense. Show all posts

Wednesday, March 21, 2018

FEATURED AUTHOR: TRACEE DE HAHN



ABOUT THE BOOK

Swiss-American police officer Agnes Lüthi is on leave in Lausanne, Switzerland, recovering from injuries she sustained in her last case, when an old colleague invites her to the world’s premier watch and jewelry trade show at the grand Messe Basel Exhibition Hall. Little does Agnes know, another friend of hers, Julien Vallotton, is at the same trade show—and he’s looking for Agnes. Julien Vallotton was friends with Guy Chavanon, a master of one of Switzerland’s oldest arts: watchmaking. Chavanon died a week ago, and his daughter doesn’t believe his death was accidental. Shortly before he died, Chavanon boasted that he’d discovered a new technique that would revolutionize the watchmaking industry, and she believes he may have been killed for it. Reluctantly, Agnes agrees to investigate his death. But the world of Swiss watchmaking is guarded and secretive, and before she realizes it, Agnes may be walking straight into the path of a killer.

Tracee de Hahn's next mystery, A Well-Timed Murder, is another magnetic mystery that will engross readers from the opening page to the stunning conclusion.


Book Details:

Title: A Well-Timed Murder

Author: Tracee de Hahn

Genre: Mystery

Publisher: St. Martin’s Press /Minotaur Books (February 6, 2018)

Series: Agnes Luthi Mysteries #2

Page count: 340 pages

Touring with: Partners in Crime Book Tours






INTERVIEW WITH TRACEE DE HAHN


Tracee, what’s the story behind the title of your book?
It’s a play on words and ideas. Well-timed in how the murder occurred, and how it is investigated, and because it is a book about a dead watchmaker. Ultimately my protagonist, Agnes Lüthi, learns that timing is everything in the pursuit of criminals and love.

Tell us about your series. Is this book a standalone, or do readers need to read the series in order?
A Well-Timed Murder is the second in the Agnes Lüthi series, but it can absolutely be read as a standalone. In it, we pick Agnes up in the weeks following Swiss Vendetta. She is coming off sick leave and is not quite ready to go back to work when a friend asks that she investigate the death of a watchmaker. He died as the result of anaphylactic shock from peanut allergy and the authorities have ruled it death by natural causes. However, his adult daughter isn’t convinced. Once Agnes is involved she quickly learns that the world of Swiss watchmaking is secretive, but is it deadly?

Where did you grow up?
I was born in Cape Girardeau, Missouri, and lived most of my life in Kentucky. I was fortunate at various times to spend several years in Europe– in Switzerland where my husband is from, and in Venice and Paris. 

Awesome! I live in Kentucky. Who would you pick to write your biography?
Someone who would ultimately not write it. I haven’t influenced the world in a way that makes me a public figure and I wouldn’t want to expose others in my life – family, friends – to the scrutiny that goes into a biography.

What choices in life would you like to have a redo on?
I don’t believe in a redo. I suppose that if I’d caused an accident that resulted in harm to someone, or something along those lines I would absolutely think if I could do it all over again I wouldn’t have left the house that day, or I’d have hit the brakes sooner, etc. However, if you are talking about other kinds of decisions, then I think that we don’t know the consequences. There is no way to predict ‘what if’s’ so I don’t try to with redos.

If you could only save one thing from your house, what would it be?
My dogs, first and absolutely foremost. After that, my computer since I never fully trust the cyber backup. After that the choice would be too hard, but possibly an icon from the Muscovite school that’s been in my husband’s family for centuries.

If you could live anywhere in the world, where in the world would it be?
If I could truly live anywhere I’d probably be peripatetic. Late Fall in India (preferably at the Umaid Bhawan Palace Hotel in Jodhpur), a winter month in an alpine ski village, then return to the States for a few months, followed by time in Switzerland – maybe a house on the square within the castle walls of Gruyères, near where my husband attended boarding school? Afterwards, late summer and fall in France, maybe a few weeks in Paris then six weeks in the countryside? Then back to the States before starting all over again.

How did you create the plot for this book?
There are so many interesting aspects of life in Switzerland, which is where my list starts. One of my husband’s childhood friends inherited his family’s watchmaking business, and I found that fascinating. From there it was a matter of saying when and where. (After all, this is a mystery so someone dies!) Baselworld is the annual trade show in Basel. Really the most prestigious watch, jewelry and gem show in the world, and that seemed a perfect setting to launch a watch-themed murder. After visiting the show and other watch-related places I developed the details of the plot, continued with research and it grew from there.

Are any of your characters inspired by real people?
The marquise Antoinette Vallotton de Tornay (Julien and Daniel Vallotton’s aunt) is a continuing character inspired by my mother-in-law. Both women were young during the Second World War and both were engaged in the war effort. My mother-in-law was the daughter of Swedish and Canadian diplomatic families and married a Baltic baron. These life experiences, I believe, contributed to her strong sense of duty and history. Ironically most people ask me about Agnes’s mother-in-law, usually in a whisper, afraid that SHE is based on my own mother-in-law. Thankfully, no.

One of your characters has just found out you’re about to kill him off. He/she decides to beat you to the punch. How would he kill you?
If Agnes Lüthi found out I was going to kill her off she might talk her mother-in-law into asking me over for dinner. Then Agnes could slip a poison mushroom into my soup . . . possibly hoping her mother-in-law would be accused.

What book are you currently reading and in what format?
Currently I’m re-reading a few Charles Todd books (mainly from the Ian Rutledge series). I like to re-read portions of a series to look at the overarching arc of the story and see any changes in style, etc. I recently finished She Rides Shotgun by Jordan Harper, in hardcover and can’t say enough about this great book. On my nightstand in hardcover, The Mitford Murders by Jessica Fellowes and The Chalk Man by C.J. Tudor. In paperback, Alexander Hamilton by Ron Chernow, Moriarty by Anthony Horowitz, The Hanging Girl by Jussi Adler-Olsen, By Gaslight by Steven Price, and Harpoon by Nitsana Darshan-Leitner and Samuel M Katz.

Wow! That's a list! Do you have a routine for writing?
Panic, then get to it.

Where is your favorite library, and what do you love about it?
The State Library at Potsdammer Platz in Berlin is my favorite public library – partly because of the beautiful space created by architect Hans Scharoun, and partly because of the role it played in the film Wings of Desire by Wim Wenders. The library that I would most like to call my own personal library is the 18th century Biblioteca Joanina in the historic center of the University of Coimbra, Coimbra, Portugal. Today it houses a portion of their collection and is such a perfect ‘vault’ that the antique books are safe there, helped by the dense oak construction and the resident bats, who every night eat any insects that appear.

What would your dream office look like?
Pretty much like my office now. Great windows to one side with a chair in front for reading, bookcases facing my desk with some favorite pieces of art above, and a fireplace behind me. The majority of my books are on utilitarian shelves in the attic (which is a full finished floor, not a garret!). That is also my annex office– a door used as a desk, plenty of wall space to hang notes, all too far from the ground to be disturbed (plus, great windows and natural light!)

Sounds like my dream office! What are you working on now?
Agnes’s next adventure takes her from Switzerland to Paris tracking the killer of a famous chef.



READ AN EXCERPT



There was a crowd but none of them mattered. Agnes Lüthi had eyes for only one man, the one she’d nicknamed the Roach. The one she’d only dreamt of finding in Switzerland.



She moved quickly despite her injured leg, focused on her destination, closing her umbrella when she reached the high canopy. A chain of busses discharged passengers in front of the Messe Basel Exhibition Halles, and they flowed past her toward the doors as if the world’s premier watch and jewelry show might sell out of goods if they dallied. She had never before been to Baselworld, but from the look of the well-dressed crowd judged it was a fitting place to find this particular man.



She was within grasping distance of a door handle when Marcel Aubry appeared from behind a kiosk. He was cloaked in a long, belted raincoat and had a finger pressed to his ear, listening. Before she could speak, he grasped her wrist with his free hand, and pulled her behind the advertising stand, out of sight of the glass front of the lobby.



“Slight change of plan,” Aubry said, his voice low and hurried. “The Roach is headed this way.” He frowned, listening to the voices in his earpiece.



Agnes moved closer to Aubry; it felt like stepping into a shadow. He was a big man, not exactly fat, but big enough to make her feel slim. She could hear the scratch of a voice broadcast from his earpiece, but not the words. Her pulse quickened. They’d worked together for years in financial crimes. Despite that, she’d never seen him run a field operation. This was an important arrest for him, one he’d not leave to others. She was thrilled to be included.



“Did you ever think you’d see us catch him?” Aubry said to her, still focused on the chatter in his ear.
“No, and I don’t believe it yet today.” She’d had the Roach in her grasp three times, only to have him scurry back into a crack at the last moment. All of Europe and half of Asia was looking for him. In addition to Swiss francs, he’d stolen millions of euros, yen, dollars, and pounds—all electronically. Despite his methods, she’d always believed that he occasionally appeared in person at a place he’d targeted. Now it looked as if her suspicions were proving true.



“This time he’s definitely here,” said Aubry. “Problem is, the place is littered with exits and there’s a record crowd. Feels like half the world’s come to Baselworld. Good for the economy, bad for us, since on-site security doesn’t want a fuss disturbing their clientele.” He nodded. “Anyway, I’m glad you’re here to see it.”



“I was nearby when you called. I left my mother-in-law at the Beyeler Museum like a bride at the altar. She may not forgive me.” Agnes watched the crowd stream into the building, oblivious of the police operation. Aubry had orchestrated a smooth intervention despite having to move quickly.



“Your call was the best news I’ve had in weeks,” she added. “A few days ago one of my kids accused me of missing the criminals.”



Vincent – her oldest – had phrased it more bluntly: that she liked spending time with the bad guys more than with them. Before she could protest, her youngest son had added that at least she wasn’t a criminal herself. They’d all laughed. It was true, she did miss work. Surely that wasn’t a bad message for the boys? Their father had had a strong work ethic.



Aubry pulled his wrist up and spoke into a microphone, asking a question. He looked at her. “When are you officially back on the job?”



“Three days. Monday.” She gave her wool jacket a downward tug and straightened the matching skirt. Her stint in hospital had melted a few kilos away. Nearly being killed wasn’t the easiest diet, but it was no doubt effective. A few more kilos and she would consider thanking the man who had knifed her.



Aubry held up his hand, listening to chatter in his earpiece. “Any minute now,” he whispered, as if they could be overheard. “He’s heading to the lobby. It’s perfect. Fewer civilians and more space gives us an advantage.”



“He’ll run.” Agnes shifted weight off her bad leg. Critically, she eyed the long bank of doors. The building’s sleek overhang soared across the street, sheltering trams, taxis, a restaurant, and a flower stall. She hoped Aubry really did have all exits covered. She had a vague notion that the five or six halls of the Messe Basel facility were connected by upper corridors and enclosed walkways. It was a large complex.



Aubry tapped his thigh impatiently. His gaze strayed to her leg. “How’s life in violent crimes?”



A voice sputtered in his ear and Aubry listened, sparing her the need to answer. “He’s on the move,” Aubry said quietly.



Agnes tensed.



“Now,” Aubry shouted, running to the doors and yanking one open.



Two men in suits moved from another angle and Agnes spotted their earpieces. The men broke into a half run, and a few bystanders gasped while others pulled out mobile phones set to record video. The officers pushed ahead toward the turnstiles leading to the show, and Agnes followed. Aubry put a hand to his earpiece and stopped her. He angled his head down and she could hear voices talking on top of one another. Someone yelled and Aubry flinched.



Suddenly, in the distance, car tires screeched. There was a loud thump and a scream, followed seconds later by other shouts. Agnes turned toward the noise and Aubry followed. They ran to the right side of the building, ignoring the drizzle. The side street was closed to all but exhibitors’ vehicles and Agnes pushed her way through the gathered crowd. What she saw stopped her in her tracks. Aubry, close behind, collided with her.



The street was dedicated to instruments of luxury and speed, and in the middle of the road a gleaming red Ferrari had struck a man. He lay in a shallow pool of rainwater a meter from the front bumper. Both car and man were broken. The hood of the car was dented and smeared with blood. The man’s leg was angled midcalf, and the fabric of his pants was split by a bone. Blood spilled from the back of his head, pooling around his hair, missing with rain and running in rivulets to the curb. Agnes recognized the man immediately. She put a hand to her mouth. A second glance at the unique shape of his ears confirmed it: the Roach.



***



Excerpt from A Well-Timed Murder by Tracee de Hahn. Copyright © 2018 by Tracee de Hahn. Reproduced with permission from Tracee de Hahn. All rights reserved.






ABOUT THE AUTHOR



Tracee de Hahn is author of the Agnes Lüthi mysteries, which were inspired by her years living in Switzerland. Prior to writing full time she practiced architecture and was head of university alumni relations at a major west coast university. She and her Swiss-architect husband live in southwest Virginia with their Jack Russell Terriers.

Connect with Tracee:
Website  |  Blog  |  Facebook  |  Twitter  |  Goodreads

Buy the book:
Amazon  |  Barnes & Noble  |  iTunes  |  Indiebound  |
Books-a-Million 






Thursday, February 1, 2018

INTERVIEW WITH TRACEE DE HAHN'S INSPECTOR AGNES LÜTHI




ABOUT THE BOOK


Swiss-American police officer Agnes Lüthi is on leave in Lausanne, Switzerland, recovering from injuries she sustained in her last case, when an old colleague invites her to the world’s premier watch and jewelry trade show at the grand Messe Basel Exhibition Hall. Little does Agnes know, another friend of hers, Julien Vallotton, is at the same trade show—and he’s looking for Agnes. Julien Vallotton was friends with Guy Chavanon, a master of one of Switzerland’s oldest arts: watchmaking. Chavanon died a week ago, and his daughter doesn’t believe his death was accidental. Shortly before he died, Chavanon boasted that he’d discovered a new technique that would revolutionize the watchmaking industry, and she believes he may have been killed for it. Reluctantly, Agnes agrees to investigate his death. But the world of Swiss watchmaking is guarded and secretive, and before she realizes it, Agnes may be walking straight into the path of a killer.

Tracee de Hahn’s next mystery, A Well-Timed Murder, is another magnetic mystery that will engross readers from the opening page to the stunning conclusion.


Book Details:

Title: A Well-Timed Murder

Author’s name: Tracee de Hahn   

Genre: International Mystery, 2nd in Series

Minotaur Books (February 6, 2018)

Hardcover: 352 pages

Touring with: Great Escapes Book Tours





ABOUT THE CHARACTER

Police inspector Agnes Lüthi is in her mid-thirties, recently widowed, with three young sons. She was born in Switzerland to American parents and has lived there her entire life. After her husband’s unexpected death several months ago, she moved divisions from financial crimes to violent crimes, hoping the change would help her recovery. 


CHARACTER INTERVIEW WITH TRACEE DE HAHN'S INSPECTOR AGNES LÜTHI


Inspector, how did you first meet Tracee? 


When she was living in Switzerland. I attended a reception for students and alumni at her husband’s boarding school, and we struck up a conversation about our American backgrounds. We met again by chance on a ski lift in St. Moritz. That’s when we started talking about my story.

Want to dish about her?

She shouldn’t give up her day job for skiing. She fell off the lift in St. Moritz (one of the small ground-level wheel-between-the-legs ones), and for a minute I didn’t think she would get up. It took some maneuvering to convince her to swing her body around so her feet weren’t up the slope above her head. Good thing she enjoys the easy slopes, she will never make black diamond level. Of course, if we hadn’t spent that time together I wouldn’t have ended up in a book. Truthfully, she’s a good skier, just terrible on the lifts.

Tell us about your favorite scene in the book.

My author won’t let me give away too much, she hates the ‘spoiler alert’ notice, but there is a scene in A Well-Timed Murder where, for a brief moment, I have the upper hand with Julien Vallotton. Although I’ve become friendly with his family, I am still unnerved by their self-assurance. Being in control that entire scene was amazing. (It involves a barn . . .)

Did you have a hard time convincing Tracee to write any particular scenes for you?

When my story was first written in Swiss Vendetta, I was reluctant about everything. I thought I wasn’t interesting enough. Then I admitted that I was worried about everyone knowing the interesting parts. Once I got over that hurdle, I knew that what happened with my husband had to be told as part of the book. It was a gut-wrenching experience for me and even harder for my author to tell. Harder for her because I lived it once, but putting it down on paper meant a few revisions to get the essence perfect. We both knew that the scene would reveal something extremely personal – something I’ve not told anyone else – to the readers. It had to be done.

What do you like to do when you are not being actively read somewhere?
Lots of people – including my mother-in-law – ask why I work. What they really mean is: Why don’t I spend all my time with my boys? When I’m not being read that is where I spend much of my time. What people forget is that the boys are old enough to not want their mother around. This means that I let them do homework and play and talk to their friends while I observe from a distance, hoping they’ll forget I’m in the room. I know that when people read me they are getting a peek inside my life. That’s what I like to do with my sons. Get that unfiltered peek into their world. That may be one of the reasons I agreed to have my life recorded on paper.

Tell the truth. What do you think of your fellow characters?
I will tell the truth, but you can’t print it. I’m not even sure I can say it without sounding like a schoolgirl. Sometimes I want to grab my boys and run away with Julien Vallotton and live a glamorous jet set life. Other times – most of the time – I don’t know why he even wants to have dinner with me. I suspect it’s because I’m not part of the global jet setting lifestyle he says bores him. I wonder if I’m a passing fancy, someone far from his orbit and interesting like an exotic animal? I don’t think so. Mainly because I’m not at all exotic. However, I feel there is an attraction. I really don’t know what to think. Of course, we haven’t known each other long. Time will tell.

Do have any secret aspirations that Tracee doesn’t know about?

Yes, I want to shoot in the Olympics in the 50 meter rifle three position competition. I haven’t practiced in months, not since George died, but I have won medals, and think I could reach the next level. I don’t think a woman from Switzerland has placed in this event in the World Championships since before 1966 and it’s a lot to take on, but it might be the focus I need while I try to make sense of what happened with . . . well, you know.

If you had a free day with no responsibilities and your only mission was to enjoy yourself, what would you do?
I work full time and have three sons. If I had a day off I would probably do nothing, in silence with no one around. Actually, that is only what I dream about when I’m exhausted. What I’d probably do is go on a short trip. A grown-up trip with no kids. A real treat. 



I think I know, but have to ask anyway . . . What's the worst thing that's happened in your life? 
The worst thing was my husband’s suicide. From that I learned that we never really know anyone – including ourselves. I also learned that I could survive anything.


What are you most afraid of?

Letting my past prevent me from a great future. I struggle with self-doubt in my personal life. Self-doubt. That’s what I’m afraid of.

How do you feel about your life right now? What, if anything, would you like to change?


I’m a little nervous about change, particularly after what happened to my family, so let’s avoid that word. Right now, my life is finding a new center. I like my new work in violent crimes, and the boys are doing well. I’m nervous about upsetting the balance. At the same time, and I know this sounds ungrateful, there are parts of my old job in financial crimes that I miss, and sometimes I think I moved over too quickly. There are a few cases in financial crimes that I want to see closed. Most people don’t think they are as exciting as the cases we face in violent crimes but to me they were. There was a cerebral aspect of tracking the money that I miss. Of course, now that I say it out loud, I’m afraid my author will overhear me and I’ll be out of violent crimes. That’s not exactly what I want. Maybe she does understand and that’s why she gave me a dose of both in A Well-Timed Murder?

What aspect of Tracee’s writing style do you like best?

I have enjoyed her descriptions of the places in my life. I felt like she really captured the experience of the ice storm in Swiss Vendetta. It was a powerful experience – at the mercy of the elements, cut off from anyone outside the Vallotton château, and, at the same time, hunting for Felicity Cowell’s murderer. When I read the manuscript for A Well-Timed Murder I felt like I was again at Baselworld – a fascinating glamorous expo that nearly conceals the high stakes business behind the scenes. What happened there is special to me because it was a chance to work in financial crimes and in violent crimes. I shouldn’t say this out loud, but I’d like to keep doing that.

If your story were a movie, who would play you?

My author says Jessica Chastain even though I know she doesn’t look like me. I suppose that’s where hair and make-up are important. Although I pretend to disagree with Ms. Chastain as a choice, I would be flattered. She is a talented actress who can convey strong characters. I suppose that’s a vote of confidence for how my author feels about me.

Describe the town where you live.

My town is a typical Swiss village. It’s livelier than you might imagine, mainly because so many people have small children and this brings spirit to the streets. We have our own bakery and butcher, plus a few other stores. There is a beautiful church with an impressive tower and bell. We are on a road that cuts across the slope of the base of higher mountains so we have nice views down the valley toward Lausanne. Higher up the hills the cows wander the pastures and you can hear their bells ring. My boys go to school in a new concrete and wood building, which is lovely and has large windows with views onto the landscape. The church cemetery anchors the central village and is the main view from the terrace in front of our café. We don’t think about it, but anyone visiting thinks it’s unique and interesting. What I like best is how remote our village feels. And how close we are to so many other places!

What makes you stand out from any other characters in your genre?

Most of the police investigators are still men. The women tend to be single or perhaps divorced, but almost none of them have children. Regardless of whether you are a man or a woman, having children in your life changes the equation. Mainly, I believe, it makes people judge you differently. I have to defend my decision to work as well as my performance at work. I have to work harder at home and on the job. I also think that I stand out because I live and work in Switzerland. We aren’t the dark noir of the Scandinavian countries, or the cozy villages of the UK. Switzerland is a different kind of crossroads, with space for our own kind of mishaps.

Will you encourage Tracee to write a sequel?


Absolutely. I have my eye set on traveling to Paris soon. That sounds like a sequel to me!







ABOUT THE AUTHOR



Tracee de Hahn completed degrees in architecture and European history at the University of Kentucky and then lived in Europe, including several years in Switzerland. She is a member of Mystery Writers of America, Sisters in Crime, and International Thriller Writers. She currently lives in Virginia with her husband, a Swiss architect, and their Jack Russell Terriers.

Connect with Tracee:
Website  |  Blog 1  |  Blog 2  |  Facebook  |  Twitter  |  Goodreads   |  Pinterest   |  Instagram

Buy the book:
Amazon  |  Barnes & Noble  |  iTunes  |  Indie Bound  |  Books-A-Million







Saturday, January 6, 2018

FEATURED AUTHOR: KATHERINE HALL PAGE



ABOUT THE BOOK


The inimitable Faith Fairchild returns in a chilling New England whodunit, inspired by the best Agatha Christie mysteries and with hints of the timeless board game Clue.

For most of her adult life, resourceful caterer Faith Fairchild has called the sleepy Massachusetts village of Aleford home. While the native New Yorker has come to know the region well, she isn’t familiar with Havencrest, a privileged enclave, until the owner of Rowan House, a secluded sprawling Arts and Crafts mansion, calls her about catering a weekend house party.

Producer/director of a string of hit musicals, Max Dane—a Broadway legend—is throwing a lavish party to celebrate his seventieth birthday. At the house as they discuss the event, Faith’s client makes a startling confession. "I didn’t hire you for your cooking skills, fine as they may be, but for your sleuthing ability. You see, one of the guests wants to kill me."

Faith’s only clue is an ominous birthday gift the man received the week before—an empty casket sent anonymously containing a twenty-year-old Playbill from Max’s last, and only failed, production—Heaven or Hell. Consequently, Max has drawn his guest list for the party from the cast and crew. As the guests begin to arrive one by one, and an ice storm brews overhead, Faith must keep one eye on the menu and the other on her host to prevent his birthday bash from becoming his final curtain call.

Full of delectable recipes, brooding atmosphere, and Faith’s signature biting wit, The Body in the Casket is a delightful thriller that echoes the beloved mysteries of Agatha Christie and classic films such as Murder by Death and Deathtrap.


Book Details:

Genre: Mystery

Published by: William Morrow

Publication Date: December 5th 2017

Number of Pages: 238

ISBN: 0062439561 (ISBN13: 9780062439567)

Series: Faith Fairchild, 24
Touring with: Partners in Crime







INTERVIEW WITH KATHERINE HALL PAGE


Katherine, tell us about your series. Is this book a standalone or do readers need to read the series in order?
I have been fortunate to write a long running series starting with The Body in the Belfry (1990) and now #24, The Body in the Casket, all in print. I had no idea that I was writing a series when I wrote the first book, but as soon as it appeared there would be a few more I realized I needed to make each one work as a stand alone. Reading in order is a matter of temperament, but not a necessity! My amateur sleuth is Faith Sibley Fairchild who grew up in the Big Apple, but falls in love, marries and finds herself in Aleford, a small town west of Boston. Her husband is the Reverend Thomas Fairchild. Daughter and granddaughter of clergy, she had vowed to avoid the fishbowl existence of a parish, but the heart knows no reason. In the first book she has her infant son in a Snugli when she stumbles across the still warm body of a parishioner in the town’s old belfry and rings the bell setting off a chain of events and characters that continue in spirit throughout the books. She left her highly successful Manhattan catering firm, “Have Faith” when she moved, but starts it up again in Aleford. Along the way she has another child, daughter Amy. I didn’t get the memo about not putting kids in murder mysteries. Motherhood seemed to go with my character, but childcare can become difficult when pursuing a hot lead!

Where’s home for you?
I live in two small towns, one twenty minutes west of Boston and not unlike the completely fictitious town of Aleford. I am surrounded by woods and very nice people. The other town is on an island in Penobscot Bay, Maine fortunately connected to the mainland by a lovely suspension bridge. I am surrounded by water and very nice people.

Where did you grow up?
I grew up in Livingston, New Jersey about forty minutes from Manhattan. When we first moved there in the 1950s, it was a farm community. That continued for a while—there was a 4H Club in my high school. But the post war baby boom changed things—over 500 in my graduating class—and the farms were covered by malls and housing. It was, however, a wonderful place in which to grow up. I’m a Jersey Girl—and no, I don’t pump gas.

What’s the most valuable thing you’ve learned?

That as I grown older, a lot of the baggage I’ve carried around would become lighter and even fall by the wayside.

What is the stupidest thing you've ever done?
Was conned during a sales call into one of those “free” vacations—NYC—in return for listening to a brief sales pitch about vacation condominiums. If it sounds too good to be true it is. We went on the “vacation” during which the pitch went on for hours, increasingly aggressive and splinters under my nails would have been a relief.

What’s one thing that you wish you knew as a teenager that you know now?
That much of the time would be veiled by the mists of time—and that my braces would eventually come off!


What makes you happy?
My friends and family, specifically my husband of 42 years and our son. Nothing will ever equal the joy we felt when baby Nicholas was placed in our arms. I tear up thinking about it now 34 years later. On another note, I am made quite happy by chilled, not cold good champagne and tasty nibbles.

What makes you scared?
Aside from noir mysteries—when I read, I am right there in the book—I am frightened about what the future hold for my son, his cohort, and the next generation because of climate change in particular. We saw the effects in Maine this summer on the fishing industry that was down because of warming waters.

Do you have another job outside of writing?
I have had two (so far) great careers. My writing job started in the late 1980s and before that I was a secondary school teacher and administrator. The last 5 years I was the head of a program within a public school for teens with special emotional needs due to chronic truancy, difficult family situations and substance abuse. It was rewarding and exhausting. I miss the classroom, and I miss those kids.

How did you meet your spouse? Was it love at first sight?
My husband and I were fixed up, although we did not know it at the time. Mutual friends invited us to dinner, a rather large party. It wasn’t love at first sight, but definitely second as he left to do research in Canada immediately after for some weeks and I pretty much forgot him. Not his wonderful deep voice though—he’s from the Bronx—when he got in touch upon his return. The friends reminded him to call, although he says he didn’t need it. We went out the following night. And here we are.

If you could only save one thing from your house, what would it be?
Taking family and the cat—Samantha, the daughter I never had—as givens, I would take one of my mother’s paintings. She was a professional painter and one large one, an abstract landscape she titled “Winter Light” is my favorite. She gave it to me for a significant birthday. It was one she never wanted to sell, and she knew I loved it. Miss my parents every day.

What’s one of your favorite quotes?
This is very easy. “Bad Taste Leads to Crime” (Le Mauvais Gout Mène Crime) from the Baron Adolphe De Mareste (1784-1867). Definitely words by which we all should live!

What would you like people to say about you after you die?
“She tried her best.” This is actually on a woman’s tombstone from the 1800s in a Deer Isle, Maine cemetery.

How did you create the plot for this book?
I have always wanted to write a traditional country house murder in the spirit of many of Agatha Christie’s set in such places. Hercule Poirot was introduced in The Mysterious Affair at Styles, a quintessential country manor house. I have also always had a passion for the theater, especially Broadway musicals. Growing up not far from New York City, this was an important part of my life and my parents had friends in that world. I wanted to draw on those experiences. Faith is catering a weekend long 70th birthday party that legendary Broadway producer Max Dane is throwing for himself. The twist is that all the guests were connected in some way with Max’s only failure: Heaven or Hell The Musical twenty years ago.  He hasn’t produced anything since, retreating to his isolated large mansion not too far from Faith’s Massachusetts home. Giving her a tour of the house and interrupting her menu suggestions, he tells her that although he is sure she is a fine chef, he has hired her for her sleuthing abilities. A macabre early birthday gift convinced him that one of the invitees wants to kill him. Before long the two elements became one. Broadway meets Havencrest (Max’s house) equals murder.

Are any of your characters inspired by real people?
I enjoy research, and for this book I read a number of theatrical biographies, specifically ones about the Broadway producers David Merrick and Hal Prince. I also went back to some of my favorite movies: The Wrong Box (1966), Sleuth (1972 version), Deathtrap (1982), Clue (1985), and especially Murder By Death (1976). These also explain why Max Dane and Michael Caine became one in my imagination.

With what five real people would you most like to be stuck in a bookstore?

Dorothy Cannell, Neil Gaiman, Charlaine Harris, Roger Lathbury, and Gregory Maguire.

What’s one pet peeve you have when you read?
Again, this is very easy. Being interrupted. Even by my near and dear. There had better be a good reason—fire etc.


Do you have a routine for writing?
I started out writing when the school bus came to pick my son up and stopping when it dropped him off with breaks for housework and even a walk. All these years later it’s still what works for me. I don’t write on weekends if at all possible. And I take more walks now. I have dedicated offices (small) in both my houses now, which is heaven.

What’s the best compliment you’ve ever received about your writing?
“She gave me all the clues and I should have guessed the murderer!” Hear it with happy frequency.

What would your dream office look like?
I’ve always been envious of those who have writing sheds or shacks outdoors. E.B. White had a perfect small one that you can see still from the waters of Eggemoggin Reach. I’ve seen some in beautiful gardens in Britain like Vita Sackville-West’s Sissinghurst one. Would also like to have work in my tiny abode interrupted by someone bringing me elevenses complete with tea and biscuits (I know this happens-will not name the writer though and dare I mention he had a wife?)

How did you find your publisher, and how long did your query process take?

This comes under the good old “Had she but known.” My husband took a sabbatical in France. Our son was two years old, and the French have excellent day care. Each morning I took him to a lovely little nursery school in the center of Lyon where we were living and returned home to write the book that had been percolating for a very long time in my mind on a manual (old Underwood) typewriter friends loaned me. I went to pick Nicholas up each noon and by the end of the year I had a book. I used the same method I do now. To essentially jump-start myself I rewrite what I’ve written the day before, so I can’t say how many drafts. Not realizing (the had I known part how difficult it was to get published) I saw a query from an agent looking for manuscripts, including those for adults, in the Society for Children’s Book Writer’s and Illustrator’s newsletter. I had originally thought I’d do a YA book, so was getting the newsletter. I wrote to her, and she asked to see it, had three offers and we’ve been together ever since. Cue eerie music. My agent’s first name is “Faith.”

What are you working on now?
The 25th in the series—Silver Anniversary—The Body in the Wake, working title.


Read an excerpt:

Chapter One

“Have Faith in Your Kitchen,” Faith Fairchild said, answering the phone at her catering firm. She’d been busy piping choux pastry for éclairs onto a baking sheet.
“Mrs. Fairchild?”
“Yes? This is Faith Fairchild. How may I help you?”
“Please hold for Max Dane.” The voice had a plummy, slightly British tone, reminiscent of Jeeves, or Downton Abbey’s Carson. The only Max Dane Faith had heard of had been a famous Broadway musical producer, but she was pretty sure he’d died years ago. This must be another Max Dane.
She was put through quickly and a new voice said, “Hi. I know this is short notice, but I am very much hoping you are available to handle a house party I’m throwing for about a dozen guests at the end of the month. A Friday to Sunday. Not just dinner, but all the meals.”
Faith had never catered anything like this. A Friday to Sunday sounded like something out of a British pre-World War II country house novel—kippers for breakfast, Fortnum & Mason type hampers for the shoot, tea and scones, drinks and nibbles, then saddle of lamb or some other large haunch of meat for dinner with vintage clarets followed by port and Stilton—for the men only. She was intrigued.
“The first thing I need to know is where you live, Mr. Dane. Also, is this a firm date? We’ve had a mild winter so far, but January may still deliver a wallop like last year.”
A Manhattan native, Faith’s marriage more than 20 years ago to the Reverend Thomas Fairchild meant a radical change of address— from the Big Apple to the orchards of Aleford, a small suburb west of Boston. Faith had never become used to boiled dinners, First Parish’s rock hard pews and most of all, New England weather. By the end of the previous February there had been 75 inches of snow on the ground and you couldn’t see through the historic parsonage’s ground floor windows or open the front door. Teenage son Ben struggled valiantly to keep the back door clear, daily hewing a path to the garage. The resulting tunnel resembled a clip from Nanook of the North.
“I’m afraid the date is firm. The thirtieth is my birthday. A milestone one, my seventieth.” Unlike his butler or whoever had called Faith to the phone, Max Dane’s voice indicated he’d started life in one of the five boroughs. Faith was guessing the Bronx. He sounded a bit sheepish when he said “ my birthday,” as if throwing a party for himself was out of character. “And I live in Havencrest. It’s not far from Aleford, but I’d want you to be available at the house the whole time. Live in.”
Leaving her family for three days was not something Faith did often, especially since Sunday was a workday for Tom and all too occasionally Saturday was as he “polished” his sermon. (His term, which she had noticed over the years, could mean writing the whole thing.)
Ben and Amy, two years younger, seemed old enough to be on their own, but Faith had found that contrary to expectations, kids needed parents around more in adolescence than when they were toddlers. Every day brought the equivalent of scraped knees and they weren’t the kind of hurts that could be soothed by Pat The Bunny and a chocolate chip cookie. She needed more time to think about taking the job. “I’m not sure I can leave my family…” was interrupted. “I quite understand that this would be difficult,” Dane said and then he named a figure so far above anything she had ever been offered that she actually covered her mouth to keep from gasping out loud.
“Look,” he continued. “Why don’t you come by and we’ll talk in person? You can see the place and decide then. I don’t use it myself, but the kitchen is well equipped—the rest of the house too. I’ll email directions and you can shoot me some times that work. This week if possible. I want to send out the invites right away.”
Well, it wouldn’t hurt to talk, Faith thought. And she did like seeing other people’s houses. She agreed, but before she hung up curiosity won out and she asked, “Are you related to the Max Dane who produced all those wonderful Broadway musicals?”
“Very closely. As in one and the same. See you soon.”
Faith put the phone down and turned to Pix Miller, her closest friend and part-time Have Faith employee.
“That was someone wanting Have Faith to cater a weekend long birthday celebration—for an astonishing amount of money.” She named the figure in a breathless whisper. “His name is Max Dane. Have you ever heard of him?”
“Even I know who Max Dane is. Sam took me to New York the December after we were married and we saw one of his shows. It was magical—the whole weekend was. No kids yet. We were kids ourselves. We skated at Rockefeller Center by the tree and…”
Her friend didn’t go in for sentimental journeys and tempted as she was to note Pix and Sam skated on Aleford Pond then and now, Faith didn’t want to stop the flow of memories. “Where did you stay? A suite at the Plaza?” Sam was a very successful lawyer.
Pix came down to earth. “We barely had money for the show and pre-theater dinner at Twenty-One. That was the big splurge. I honestly can’t remember where we stayed and I should, because that’s where—” She stopped abruptly and blushed, also unusual Pix behavior.
“Say no more. Nine months later along came Mark?”
“Something like that,” Pix mumbled and then in her usual more assertive voice, added “You have to do this. Not because of the money, although the man must be loaded! Think of who might be there. And the house must be amazing. We don’t have anything booked for then and I can keep an eye on the kids.”
The Millers lived next door to the parsonage and their three now grown children had been the Fairchilds’ babysitters. Pix played a more essential role: Faith’s tutor in the unforeseen intricacies of childrearing as well as Aleford’s often arcane mores. Faith’s first social faux pas as a new bride—inviting guests for dinner at eight o’clock— had happily been avoided when her first invite, Pix, gently told Faith the town’s inhabitants would be thinking bed soon at that hour, not a main course.
Faith had started her catering business in the city that never slept before she was married and was busy all year long. Here January was always a slow month for business. The holidays were over and things didn’t start to pick up until Valentine’s Day—and even then scheduling events was risky. It all came down to weather.
Pix was at the computer. Years ago she’d agreed to work at Have Faith keeping the books, the calendar, inventory—anything that did not involve any actual food preparation.
“We have a couple of receptions at the Ganley Museum and the MLK breakfast the standing clergy host.”
The first time Faith heard the term, “standing clergy”, which was the town’s men and women of any cloth, she pictured an upright somberly garbed group in rows like ninepins. And she hadn’t been far off.
“That’s pretty much it,” Pix added, “except for a few luncheons and Amelia’s baby shower—I think she baby sat for you a couple of times when she was in high school.”
“I remember she was very reliable,” Faith said.
“Hard to believe she’s the same age as Samantha and having her second!” Pix sounded wistful. She was the type of woman born to wear a “I Spoil My Grandchildren” tee shirt. Faith wouldn’t be surprised if there were a drawer somewhere in the Miller’s house filled with tiny sweaters and booties knit by Pix, “just to be ready.” Mark Miller, the oldest, was married, but he and his wife did not seem to be in a rush to start a family.
Samantha, the middle Miller, had a long-term beau, Caleb. They were living together in trendy Park Slope, Brooklyn and Sam, an old-fashioned pater familias, had to be restrained from asking Caleb his intentions each time the young couple came to Aleford. Pix was leaning that way herself, she’d told Faith recently, noting that young couples these days were so intent on careers they didn’t hear the clock ticking.
Faith had forgotten that Amelia—who apparently had paid attention to time— was Samantha’s age and quickly changed the subject to what was uppermost in her mind—the Dane job. “Where is Havencrest?” she asked. “I thought I knew all the neighboring towns.”
“It’s not really a town so much as an enclave between Weston and Dover. I don’t think it even has a zip code. I’ve never been there, but Mother has. You can ask her about it. The houses all date to the late nineteenth and early twentieth centuries. I believe there’s a gatehouse at the entrance. It’s an early equivalent of the mid century modern planned communities like Moon Hill in Lexington. Havencrest wasn’t a bunch of architects like that one though. Just very rich Boston Brahmin families who wanted privacy and plenty of space. I wonder how Max Dane ended up there? From what Mother has said, the houses don’t change hands, just generations.”
“I think I’ll check my email and see if there’s anything from him yet,” Faith said. “And maybe drop by to see Ursula on my way home.” Stopping to visit with Ursula Lyman Rowe, Pix’s mother, was no chore. The octogenarian was one of Faith’s favorite people. She turned back to the éclairs, which were part of a special order, and added a few more to bring to her friend.
“I know you’ll take the job,” Pix said. “I’m predicting the weekend of a lifetime!”
***
Excerpt from The Body in the Casket by Katherine Hall Page. Copyright © 2017 by William Morrow. Reproduced with permission from William Morrow. All rights reserved.

ABOUT THE AUTHOR


Katherine Hall Page is the author of twenty-three previous Faith Fairchild mysteries. The recipient of Malice Domestic’s Lifetime Achievement Award, she has received Agathas for best first mystery (The Body in the Belfry), best novel (The Body in the Snowdrift), and best short story, (“The Would-Be Widower”). She has also been nominated for the Edgar, the Mary Higgins Clark, the Macavity, and the Maine Literary Award. She lives in Massachusetts and Maine with her husband.



Connect with Katherine:

Website Facebook  |   Goodreads  

Buy the book:

Amazon  |  Barnes & Noble  |  Indie Bound



Friday, October 28, 2016

CHARACTER INTERVIEW WITH REBECCA ADLER'S JOSIE CALLAHAN




ABOUT THE BOOK

Tex-Mex waitress and part-time reporter Josie Callahan is about to serve up some Lone Star justice in this spicy Taste of Texas Mystery from the author of Here Today, Gone Tamale.

Tourists are pouring into the town of Broken Boot for the annual Homestead Days Music Festival. Opening the celebration at Two Boots dance hall is smooth-talking country singer Jeff Clark, the ex-boyfriend of Josie’s best friend, Patti Perez. When the charming Clark woos Patti onstage in an attempt to rekindle some sparks with his old flame, Josie fears her friend will end up as just one more notch on the singer’s guitar strap.

To impress her editor at the Broken Boot Bugle, Josie and her Chihuahua, Lenny, pursue the singer to Patti’s house, hoping for an interview. Instead, they discover Clark facedown in a bowl of guacamole with a bloodied guitar at his side. With Patti suddenly a murder suspect, Josie must use her reporter skills to find out who had a chip on their shoulder—before the killer double dips . . .

INCLUDES TEX-MEX RECIPES!





ABOUT THE CHARACTER

Josie Callahan was living the dream, engaged to a musician while building a career she loved at the Austin Gazette. Then her pitch perfect life hit a sour note. Forced to move home after losing her job and her fiance in one fell swoop, she's living above  Milagro, her family's Tex Mex restaurant, and trying to find a new path while delivering plates of delicious Tex Mex to quirky tourists and locals alike.


INTERVIEW WITH JOSIE CALLAHAN


Josie, how did you first meet Rebecca?

She answered an ad in the Broken Boot Bugle. I wanted someone with skills and a sense of humor to tell my story.

Want to dish about her?
All I can say about my author is that woman works harder than any one I've met. How she teaches middle school, directs plays and musicals, and write my books, beats the heck out of me.

Why do you think that your life has ended up being in a book?
That's easy. First, my fiance deserts me at the altar and then the Austin Gazette lays me off. Sounds like a soap opera. But dwelling on the negative is just not not me, I've got more grit than that. I moved home determined to lay low, lick my wounds, and find my happy place again.

Tell us about your favorite scene in the book.
If I do say so myself, the best part of this book is when I solve the crime with the help of my trusty colleague, Lenny—who's also my pet long-haired chihuahua. I can't reveal any secrets, but I can say there's football, Tex Mex, and country music involved.

Did you have a hard time convincing Rebecca to write any particular scenes for you?
Funny. I tried really hard to convince her to write me a love scene, but she's convinced I'm not ready. Something to do with me being left at the altar and needing to heal.

Tell the truth. What do you think of your fellow characters?
I think the guys in this book are hot. She may not have allowed me to have a full-on romance yet with Coach Ryan or Detective Lightfoot, but at least she made them easy on the eyes and full of heart.

Tell us about your best friend.
Patti Perez is my great friend. We've known each other since my parents died and I came to live in Broken Boot with my Uncle Eddie and Aunt Linda Martinez. She may have bottle-black hair and a few tattoos and piercings, but she's a marshmallow underneath. Why else would she run her parents Feed & Supply store?

Beats me. What are you most afraid of?
I'm always looking out for Lenny, my tough as nails chihuahua. He's a brave little tyke, but he's an easy target for folks looking to stir up trouble.

What’s the best trait Rebecca has given you? What about the worst?
I've been told I'm generous and kindhearted and that I look on the bright side. That trait, uh, kind of leads to my worst quality—I can be a bit of a ditz.

What do you like best about Senora Mari?
On good days Senora Mari lets me call her abuela, but she's actually my aunt's mother-in-law.

What's her least attractive quality?

She's prickly as a cactus—or at least she wants me to think so. She runs the kitchen at Milagro with a strict hand; but she secretly loves me and Lenny, which is why we could both stand to lose a few pounds.

What aspect of Rebecca’s writing style do you like best?

She's got a sense of humor--I'll give her that. Plus, she gives me challenging mysteries to solve.

If your story were a movie, who would play you?
Easy one. America Ferrera, Sandra Bullock, or Mila Kunis are all pretty, intelligent, and funny brunettes. Any of the three would do an excellent job.

Describe the town where you live.
I live in the high desert town of Broken Boot, Texas. It's a quaint place of only 3000 or so, nestled close to the mountains and deserts of Big Bend Country in far West Texas. We have antique stores, novelty shops, art galleries, not to mention the restaurants and Two Boots Dance Hall.

Tell us about an average day in your life.
I wake up and walk Lenny, eat some yogurt, work on a story for the Broken Boot Bugle, walk Lenny, and work the lunch shift at Milagro--my family's Tex Mex restaurant. After a delicious taco salad, I work on Lenny's blog—a killer blog followed by at least three hundred citizens of Broken Boot. Then I walk Lenny, work the dinner shift, and then collapse . . . after taking Lenny on one final walk. It might sound dull, but the town council is always coming up with a bigger and better event, like The Homestead Days Festival, in an attempt to draw more tourists.

What makes you stand out from any other characters in your genre?
I stand out because I'm down on my luck, but I'm plucky. Not like Supergirl, more like Lois Lane. And even though I've been unlucky in love, I'm not rushing into another relationship on the rebound.

Will you encourage Rebecca to write a sequel?
I didn't have to twist her arm too hard. On my better days, she's my best friend. (But don't tell her I said so.)


ABOUT THE AUTHOR

Rebecca Adler grew up on the sugar beaches of the Florida Gulf Coast. Drawn to the Big Apple by the sweet smell of wishful thinking, she studied acting on Broadway until a dark-eyed cowboy flung her over his saddle and hightailed it to the Southwest.

Prior to writing women's fiction, Gina always found a way to add a touch of the dramatic to her life: dinner theatre in Mississippi, can-can club in Florida, and playing a giant Furskin in the New York Toy Fair, plus the occasional play and musical.

She's currently content to pour her melodramatic tendencies into writing her Taste of Texas culinary mystery series. Set in far West Texas, her humorous stories are filled with delicious suspense and scrumptious Tex-Mex recipes. Her alter ego, Gina Lee Nelson, writes sweet contemporary romances with a sweet, Southern-fried flavor.

Connect with Rebecca:
Website   |   Facebook   |   Twitter  |  Goodreads
Buy the book:
Amazon  |  Barnes & Noble

Monday, October 13, 2014

Cover reveal: Mobsters, Monsters & Nazis




Author Dan O'Brien has teamed up with artist Steve Ferchaud for a one-of-a-kind reading experience that will span six short books. Blending noir, hardboiled detective stories, and pulp comics, Mobsters, Monsters & Nazis follows private investigator Derrick Diamond as he searches for an elusive object: a strange device that the Nazis need for their nefarious experiments. Aided by Ava Harpy, a lounge singer at the Yellow Monarch, they dive deep into the underbelly of the city, uncovering a sordid plot that is much larger than they could have possibly imagined.

If you love illustrated works, pulp comics, and a little bit of Lovecraft in your stories, then what are you waiting for?

It is available for pre-order starting today, so be sure to grab and let everyone know about it! You can pre-order it for only $2.99 by clicking on the button below.