Showing posts with label Action Adventure. Show all posts
Showing posts with label Action Adventure. Show all posts

Thursday, July 16, 2020

FEATURED: JEFF BOND'S CHARACTERS



ABOUT THE BOOK





From Jeff Bond, author of Blackquest 40 and The Pinebox Vendetta, comes Anarchy of the Mice, book one in an epic new series starring Quaid Rafferty, Durwood Oak Jones, and Molly McGill: the trio of freelance operatives known collectively as Third Chance Enterprises.



How far could society fall without data? Account balances, property lines, government ID records — if it all vanished, if everyone’s scorecard reset to zero, how might the world look? What savagery would take hold?



The Blind Mice are going to show us.



————



Molly McGill is fighting it. Her teenage son has come downstairs in a T-shirt from these “hacktivists” dominating the news. Her daughter’s bus is canceled — too many stoplights out — and school is in the opposite direction of the temp job she’s supposed to be starting this morning. She is twice-divorced; her P.I. business, McGill Investigators, is on the rocks; what kind of life is this for a woman a mere twelve credit-hours shy of her PhD?



Then the doorbell rings.



It’s Quaid Rafferty, the charming — but disgraced — former governor of Massachusetts, and his plainspoken partner, Durwood Oak Jones. The guys have an assignment for Molly. It sounds risky, but the pay sure beats switchboard work.



They need her to infiltrate the Blind Mice.

Danger, romance, intrigue, action for miles — whatever you read, Anarchy of the Mice is coming for you.


"Bond’s three main characters leap off the page . . . hurtling from one life-threatening challenge to the next . . . a gripping thriller, sure to please its target audience and likely to have crossover appeal as well." — BlueInk Reviews (starred)


Book Details

Title: Anarchy of the Mice

Author: Jeff Bond

Genre: action-adventure


Series: Third Chance Enterprises (#1)


Publisher: Jeff Bond books
 (June 15, 2020) 

Print length: 462 pages

On tour with: Partners in Crime Virtual Book Tours







INTERVIEW WITH JEFF BOND’S CHARACTERS


Who are the main characters and owners of Third Chance Enterprises?
Molly McGill.  Durwood Oak Jones, and Quaid Rafferty.

Relationship status? Are they single, married, widowed, divorced?
Molly is twice-divorced and sometimes tweets (@mollyMcGill3rd) matrimonial cautions under the hashtag #youChoseWrong.

Durwood is a widower. He lost his wife, Maybelle, to a terrorist attack in Tikrit. He later avenged her killing by wiping out the responsible cell in defiance of his commanding officer, who’d intended to wait on a full and proper investigation before retaliating. This incident resulted in Durwood’s discharge from the Marines.

Quaid, a bachelor, boasts a checkered history of liaisons with Third Chance Enterprises accomplices—including Molly McGill.

Do they have any tattoos?
Molly is forced to get a nose-ears-whiskers tattoo during her initiation into the Blind Mice. This is a source of angst, as she’s staked out a firm “no body art/piercing” policy with Zach, her rebellious fourteen-year-old son.


What are Quaid’s and Durwood’s personal style?
Quaid consistently dons a sport coat and spends more time than he cares to admit re-mussing his wavy blond hair, which features appealing curlicues at the temples on better days.

Each morning, Durwood pulls on blue jeans, boots, and the first shirt he sees.

What is Quaid’s favorite catchphrase?

The word “believe” is central to Quaid Rafferty’s ethos. He believes in the Blind Mice mission. He believes in Molly McGill and her ability to rise to the job. When a mission gets tough and the odds look long for Third Chance Enterprises, he believes their motley gang will pull together and prevail. More often than not, this belief carries the day.

Does Durwood have any bad habits?

Durwood suffers from chronic migraines. Sometimes fishing helps. Other times, he’ll lean into a headache—nurse it, use it to enhance that righteous rage that drives him.

What is Molly’s strongest character trait?

Molly’s overarching mode is hope. She believes the future will be brighter—for her kids, for the world, for herself. She wakes every morning eager to do better than she did yesterday, to show more patience at home, to make McGill Investigators all it can be, to settle for nothing less than a full and equal partner in matters of the heart.

What is Quaid’s weakest character trait?

Quaid struggles with boredom and its insidious cousin, apathy. He does poorly with cases requiring monotonous daily chores like close surveillance. (A task at which Durwood Oak Jones excels.) Too often in these moment, Quaid falls back on women, gambling, alcohol—or all three.

What quality do Molly and Quaid most value in a friend?
For Molly, kindness and selflessness. Jenny, her girlfriend down the street, is a great example. They regularly watch each other’s kids in a pinch or drop chocolate biscotti by in hard times—Molly’s last divorce, Jenny’s middle schooler getting suspended. (Again.) True friends buck you up before you even know you need bucking.

Quaid has a soft spot in his heart for conversationalists. If you’re vain, if you’re mean, if you can’t reason your way out of a paper bag—all that’s fine with Quaid so long as you’ll open up your trap and engage. This is a common source of friction with Durwood, a conversationalist on par with cabinetry.



If Durwood could change one thing about himself, what would it be?

Durwoood would give himself foot speed. A fan of West Virginia Mountaineers football, he admires the players’ speed and grace. He marvels at squirrels chasing each other in the sorghum fields, zooming through stalks like silent wind. He would love to be fast. It wouldn’t hurt for chasing down criminals, either.



What is Durwood’s obsession?

Justice. He maintains a standing ad in Soldier of Fortune magazine soliciting “injustices in need of attention,” which serves as the basis for book two in the series. Durwood sidesteps anthills if he sees them, mindful of the work those beady-eyed creatures put into their structures.

What is Quaid’s greatest achievement?

Before his second impeachment removed him from the governor’s mansion, Quaid successfully humanized Massachusetts’ criminal justice system and reformed its mental health bureaucracy—items on progressives’ bucket lists for a good long while.

What are Molly and Quaid’s ambitions?

When Molly allows herself to slip from the daily grind and dream, she imagines having brunch at a funky diner with Karen—who’s settling into her first apartment, dishing breathlessly about some office romance—and later meeting Zach out somewhere. The details are fuzzier with Zach. Is he a graphic designer? An architect? An Uber driver? Do they meet at a seaside boardwalk? At Molly’s place? It’s different every time, but for some reason he’s always drinking a Red Bull smoothie.

Quaid, when struck by the red devil of ambition, thinks of reentering politics. Could he assemble a new progressive majority, heal the dysfunctional left and bring home the flyover states with the same down-home charm he uses in his Jesse Holt—the Caterpillar rep from Peoria—disguise? Possibly. The womanizing could be a problem, though.



Where’s Durwood’s favorite hangout place?


Durwood’s blood pressure is lowest while with Crole, his neighbor, on the river dividing their two properties. The Appalachians loom at the horizon. Insects buzz and whine. Sue-Ann lies snoring on the muddy banks, all right with the world.



What is Molly’s password?

She uses her kids’ birthdays joined together with the nonsense word “KfurrDL!” in between.



What are Quaid and Durwood’s favorite foods?

Though fine dining is Quaid’s preference, for fare closer to home, the Caesars Palace buffet does a superb filet with olive tapenade.

Crole cooks a variety of stews, eating them for upwards of a month. Durwood makes a point to join for the beet-turnip variety in the fall.



What is Quaid’s alcoholic drink of choice?

Quaid’s drink is the prairie fire: whiskey with a dash of hot sauce. He loves the bite of Cholula, but in times of great distress, Tabasco is adequate too.

Describe Quaid’s best friend.
Sergio Diaz, the mayor of New York City, is an old political ally of Quaid’s and lately his partner in the Manhattan social scene. Six-foot-five with a mane of jet-black hair, the mayor has been known to slip his security detail for an escapade or two.

Who are Durwood’s enemies?

Nobody gets under Durwood’s skin quite like Blake Leathersby, the former British Army commando and current international mercenary. Though the two ostensibly fought on the same side of the Gulf War, Leathersby looks down his nose at enlisted grunts—and enlisted American grunts like Durwood especially.

What does Durwood love to hate?

Durwood bears a secret grudge against the University of Texas. The first year his West Virginia Mountaineers joined the Big 10, Durwood saw them play UT in person. Watching the visitors prance onto Mountaineer Field in their pretty orange uniforms, jumping up and down, cocky. It bothered Durwood.

Do Molly and Durwood carry weapons?

She never would’ve dreamed of carrying a weapon in her purse, but at the height of the Anarchy, the guys convinced her to.
Durwood carries an M9 semi-automatic, United States Armed Forces standard issue.


What is Molly’s current job?
Molly is the founder and sole employee of McGill Investigators. (She apologizes for that misleading plural in the name.) The business is on the rocks, and she’s just dipping her toe back into temp work—because bills don’t pay themselves—when Quaid and Durwood show up on her porch.

What are Quaid’s hobbies?
Swim-up blackjack.

What is Molly’s educational background?
Molly is twelve credit-hours shy of her PhD in Psychology. Her second husband convinced her, when she got pregnant with Karen, there was no point in finishing. His sales numbers were outta the park that quarter. She should just relax and kick up her feet. He had a plan.
Yeah, a plan…

Does Durwood have any special training?
He does. Sniper training, alpine warfare training, amphibious warfare draining, and a dozen others they give you a cloth patch for. Durwood keeps the patches in a shoebox out in the shed.

Does Molly have a natural talent for something?
Molly speaks a half-dozen languages, making her invaluable to Third Chance Enterprises’ many international operations. She is also, in her own humble opinion, the world’s best splinter remover.


What’s in their car?
The Third Chance mobile headquarters is a beater Vanagon, which Durwood maintains. Among the supplies inside are tubed Stinger missiles, grenades (frag, concussion, smoke), assault and sniper rifles, blocks of C4, detcord, and peanut butter dog treats. Sue’s favorite kind.

What is Quaid’s most treasured possession?
Quaid travels with a signed copy of Ann Richards’s autobiography. The hand-scribbled note from the liberal former governor of Texas reads, “With that face, that tongue of yours, there’s nothing you won’t do.”


Are Molly and Durwood comfortable with technology?
Molly just started paying bills online.

Durwood does okay with the computer he got from Wal-Mart on Black Friday, forty-nine bucks. It’s a tool like any other.



EXCERPT FROM ANARCHY OF THE MICE

 

CHAPTER ONE

The first I ever heard of the Blind Mice was from my fourteen-year-old son, Zach. I was scrambling to get him and his sister ready for school, stepping over dolls and skater magazines, thinking ahead to the temp job I was starting in about an hour, when Zach came slumping downstairs in a suspiciously plain T-shirt.
“Turn around,” I said. “Let’s see the back.”
He scowled but did comply. The clothing check was mandatory after that vomiting-skull sweatshirt he’d slipped out the door in last month.
Okay. No drugs, profanity, or bodily fluids being expelled.
But there was something. An abstract computer-ish symbol. A mouse? Possibly the nose, eyes, and whiskers of a mouse?
Printed underneath was, Nibble, nibble. Until the whole sick scam rots through.
I checked the clock: 7:38. Seven minutes before we absolutely had to be out the door, and I still hadn’t cleaned up the grape juice spill, dealt with my Frizz City hair, or checked the furnace. For twenty minutes, I’d been hearing ker-klacks, which my heart said was construction outside but my head worried could be the failing heater.
How bad did I want to let Zach’s shirt slide?
Bad.
“Is that supposed to be a mouse?” I said. “Like an angry mouse?”
“The Blind Mice,” my son replied. “Maybe you’ve heard, they’re overthrowing the corporatocracy?”
His eyes bulged teen sarcasm underneath those bangs he refuses to get cut.
“Wait,” I said, “that group that’s attacking big companies’ websites and factories?”
“Government too.” He drew his face back ominously. “Anyone who’s part of the scam.”
“And you’re wearing their shirt?”
He shrugged.
I would’ve dearly loved to engage Zach in a serious discussion of socioeconomic justice—I did my master’s thesis on the psychology of labor devaluation in communities—except we needed to go. In five minutes.
“What if Principal Broadhead sees that?” I said. “Go change.”
“No.”
“Zach McGill, that shirt promotes domestic terrorism. You’ll get kicked out of school.”
“Like half my friends wear it, Mom.” He thrust his hands into his pockets.
Ugh. I had stepped in parenting quicksand. I’d issued a rash order and Zach had refused, and now I could either make him change, starting a blow-out fight and virtually guaranteeing I’d be late my first day on the job at First Mutual, or back down and erode my authority.
“Wear a jacket,” I said—a poor attempt to limit the erosion, but the best I could do. “And don’t let your great-grandmother see that shirt.”
Speaking of, I could hear Granny’s slippers padding around upstairs. She was into her morning routine, and would shortly—at the denture-rinsing phase—be shouting down that her sink was draining slow again; why hadn’t the damn plumber come yet?
Because I hadn’t paid one. McGill Investigators, the PI business of which I was the founder and sole employee (yes, I realized the plural name was misleading), had just gone belly-up. Hence the temp job.
Karen, my six-year-old, was seated cheerily beside her doll in front of orange juice and an Eggo Waffle.
“Mommy!” she announced. “I get to ride to school with you today!”
The doll’s lips looked sticky—OJ?—and the cat was eyeing Karen’s waffle across the table.
“Honey, weren’t you going to ride the bus today?” I asked, shooing the cat, wiping the doll with a dishrag.
Karen shook her head. “Bus isn’t running. I get to ride in the Prius, in Mommy’s Prius!”
I felt simultaneous joy that Karen loved our new car—well, new to us: 120K miles as a rental, but it was a hybrid—and despair because I really couldn’t take her. School was in the complete opposite direction of New Jersey Transit. Even if I took the turnpike, which I loathed, I would miss my train.
Fighting to address Karen calmly in a time crunch, I said, “Are you sure the bus isn’t running?”
She nodded.
I asked how she knew.
“Bus driver said, ‘If the stoplights are blinking again in the morning, I ain’t taking you.’” She walked to the window and pointed. “See?”
I joined her at the window, ignoring the driver’s grammatical example for the moment. Up and down my street, traffic lights flashed yellow.
“Blind Mice, playa!” Zach puffed his chest. “Nibble, nibble.
The lights had gone out every morning this week at rush hour. On Monday, the news had reported a bald eagle flew into a substation. On Tuesday, they’d said the outages were lingering for unknown reasons. I hadn’t seen the news yesterday.
Did Zach know the Blind Mice were involved? Or was he just being obnoxious?
“Great,” I muttered. “Bus won’t run because stoplights are out, but I’m free to risk our lives driving to school.”
Karen gazed up at me, her eyes green like mine and trembling. A mirror of my stress.
Pull it together, Molly.
“Don’t worry,” I corrected myself. “I’ll take you. I will. Let me just figure a few things out.”
Trying not to visualize myself walking into First Mutual forty-five minutes late, I took a breath. I patted through my purse for keys, sifting through rumpled Kleenex and receipts and granola-bar halves. Granny had made her way downstairs and was reading aloud from a bill-collection notice. Zach was texting, undoubtedly to friends about his lame mom. I felt air on my toes and looked down: a hole in my hose.
Fantastic.
I’d picked out my cutest work sandals, but somehow I doubted the look would hold up with toes poking out like mini-wieners.
I wished I could shut my eyes, whisper some spell, and wake up in a different universe.
Then the doorbell rang.

CHAPTER TWO

Quaid Rafferty waited on the McGills’ front porch with a winning smile. It had been ten months since he’d seen Molly, and he was eager to reconnect.
Inside, there sounded a crash (pulled-over coatrack?), a smack (skateboard hitting wall?), and muffled cross-voices.
Quaid fixed the lay of his sport coat lapels and kept waiting. His partner, Durwood Oak Jones, stood two paces back with his dog. Durwood wasn’t saying anything, but Quaid could feel the West Virginian’s disapproval—it pulsed from his blue jeans and cowboy hat.
Quaid twisted from the door. “School morning, right? I’m sure she’ll be out shortly.”
Durwood remained silent. He was on record saying they’d be better off with a more accomplished operative like Kitty Ravensdale or Sigrada the Serpent, but Quaid believed in Molly. He’d argued that McGill, a relative amateur, was just what they needed: a fresh-faced idealist.
Now he focused on the door—and was pleased to hear the dead bolt turn within. He was less pleased when he saw the face that appeared in the door glass.
The grandmother.
“Why, color me damned!” began the septuagenarian, yanking open the screen door. “The louse returns. Whorehouses all kick you out?”
Quaid strained to keep smiling. “How are you this fine morning, Eunice?”
Her face stormed over. “What’re you here for?”
“We’re hoping for a word with Molly if she’s around.” He opened his shoulders to give her a full view of his party, which included Durwood and Sue-Ann, his aged bluetick coonhound.
They made for an admittedly odd sight. Quaid and Durwood shared the same vital stats, six one and 180-something pounds, but God himself couldn’t have created two more different molds. Quaid in a sport coat with suntanned wrists and mussed-just-so blond hair. Durwood removing his hat and casting steel-colored eyes humbly about, jeans pulled down over his boots’ piping. And Sue with her mottled coat, rasping like any breath could be her last.
Eunice stabbed a finger toward Durwood. “He can come in—him I respect. But you need to turn right around. My granddaughter wants nothing to do with cads like you.”
Behind her, a voice called, “Granny, I can handle this.
Eunice ignored this. “You’re a no-good man. I know it, my granddaughter knows it.” Veins showed through the chicken-y skin of her neck. “Go on, hop a flight back to Vegas and all your whores!”
Before Quaid could counter these aspersions, Molly appeared.
His heart chirped in his chest. Molly was a little discombobulated, bending to put on a sandal, a kid’s jacket tucked under one elbow—but those dimples, that curvy body...even in the worst domestic throes, she could’ve charmed slime off a senator.
He said, “Can’t you beat a seventy-four-year-old woman to the door?”
Molly slipped on the second sandal. “Can we please just not? It’s been a crazy morning.”
“I know the type.” Quaid smacked his hands together. “So hey, we have a job for you.”
“You’re a little late—McGill Investigators went out of business. I have a real job starting in less than an hour.”
“What kind?”
“Reception,” she said. “Three months with First Mutual.”
“Temp work?” Quaid asked.
“I was supposed to start with the board of psychological examiners, but the position fell through.”
“How come?”
“Funding ran out. The governor disbanded the board.”
“So First Mutual...?”
Molly’s eyes, big and leprechaun green, fell. “It’s temp work, yeah.”
“You’re criminally overqualified for that, McGill,” Quaid said. “Hear us out. Please.”
She snapped her arms over her chest but didn’t stop Quaid as he breezed into the living room followed by Durwood and Sue-Ann, who wore no leash but kept a perfect twenty-inch heel by her master.
Two kids poked their heads around the kitchen doorframe. Quaid waggled his fingers playfully at the girl.
Molly said, “Zach, Karen—please wait upstairs. I’m speaking with these men.”
The boy argued he should be able to stay; upstairs sucked; wasn’t she the one who said they had to leave, like, immedia—
“This is not a negotiation,” Molly said in a new tone.
They went upstairs.
She sighed. “Now they’ll be late for school. I’m officially the worst mother ever.”
Quaid glanced around the living room. The floor was clutter free, but toys jammed the shelves of the coffee table. Stray fibers stuck up from the carpet, which had faded beige from its original yellow or ivory.
“No, you’re an excellent mother,” Quaid said. “You do what you believe is best for your children, which is why you’re going to accept our proposition.”
The most effective means of winning a person over, Quaid had learned as governor of Massachusetts and in prior political capacities, was to identify their objective and articulate how your proposal brought it closer. Part two was always trickier.
He continued, “American Dynamics is the client, and they have deep pockets. If you help us pull this off, all your money troubles go poof.”
A glint pierced Molly’s skepticism. “Okay. I’m listening.”
“You’ve heard of the Blind Mice, these anarchist hackers?”
“I—well, yes, a little. Zach has their T-shirt.”
Quaid, having met the boy on a few occasions, wasn’t shocked by the information. “Here’s the deal. We need someone to infiltrate them.”
Molly blinked twice.
Durwood spoke up, “You’d be great, Moll. You’re young. Personable. People trust you.”
Molly’s eyes were grapefruits. “What did you call them, ‘anarchist hackers’? How would I infiltrate them? I just started paying bills online.”
“No tech knowledge required,” Quaid said. “We have a plan.”
He gave her the nickel summary. The Blind Mice had singled out twelve corporate targets, “the Despicable Dozen,” and American Dynamics topped the list. In recent months, AmDye had seen its websites crashed, its factories slowed by computer glitches, internal documents leaked, the CEO’s home
egged repeatedly. Government agencies from the FBI to NYPD were pursuing the Mice, but the company was troubled by the lack of progress and so had hired Third Chance Enterprises to take them down.
“Now if I accept,” Molly said, narrowing her eyes, “does that mean I’m officially part of Third Chance Enterprises?”
Quaid exhaled at length. Durwood shook his head with an irked air—he hated the name, and considered Quaid’s branding efforts foolish.
“Oh, Durwood and I have been at this freelance operative thing awhile.” Quaid smoothed his sport coat lapels. “Most cases we can handle between the two of us.”
“But not this one.”
“Right. Durwood’s a whiz with prosthetics, but even he can’t bring this”—Quaid indicated his own ruggedly handsome but undeniably middle-aged face—“back to twenty-five.”
Molly’s eyes turned inward. Quaid’s instincts told him she was thinking of her children.
She said, “Sounds dangerous.”
“Nah.” He spread his arms, wide and forthright. “You’re working with the best here: the top small-force, private-arms outfit in the Western world. Very minimal danger.”
Like the politician he’d once been, Quaid delivered this line of questionable veracity with full sincerity.
Then he turned to his partner. “Right, Wood? She won’t have a thing to worry about. We’d limit her involvement to safe situations.”
Durwood thinned his lips. “Do the best we could.”
This response, typical of the soldier he’d once been, was unhelpful.
Molly said, “Who takes care of my kids if something happens, if the Blind Mice sniff me out? Would I have to commit actual crimes?”
“Unlikely.”
Unlikely? I’ll tell you what’s unlikely, getting hired someplace, anyplace, with a felony conviction on your application...”
As she thundered away, Quaid wondered if Durwood might not have been right in preferring a pro. The few times they’d used Molly McGill before had been secondary: posing as a gate agent during the foiled Delta hijacking, later as an archivist for the American embassy in Rome. They’d only pulled her into Rome because of her language skills—she spoke six fluently.
“...also, I have to say,” she continued, and from the edge in her voice, Quaid knew just where they were headed, “I find it curious that I don’t hear from you for ten months, and then you need my help, and all of a sudden, I matter. All of a sudden, you’re on my doorstep.”
“I apologize,” Quaid said. “The Dubai job ran long, then that Guadeloupean resort got hit by a second hurricane. We got busy. I should’ve called.”
Molly’s face cooled a shade, and Quaid saw that he hadn’t lost her.
Yet.
Before either could say more, a heavy ker-klack sounded outside.
“What’s the racket?” Quaid asked. He peeked out the window at his and Durwood’s Vanagon, which looked no more beat-up than usual.
“It’s been going on all morning,” Molly said. “I figured it was construction.”
Quaid said, “Construction in this economy?”
He looked to Durwood.
“I’ll check ’er out.” The ex-soldier turned for the door. Sue-Ann, heaving herself laboriously off the carpet, scuffled after.
Alone now with Molly, Quaid walked several paces in. He doubled his sport coat over his forearm and passed a hand through his hair, using a foyer mirror to confirm the curlicues that graced his temples on his best days.
This was where it had to happen. Quaid’s behavior toward Molly had been less than gallant, and that was an issue. Still, there were sound arguments at his disposal. He could play the money angle. He could talk about making the world safer for Molly’s children. He could point out that she was meant for greater things, appealing to her sense of adventure, framing the job as an escape from the hamster wheel and entrĂ©e to a bright world of heroes and villains.
He believed in the job. Now he just needed her to believe too.

CHAPTER THREE

Durwood walked north. Sue-Ann gimped along after, favoring her bum hip. Paws echoed bootheels like sparrows answering blackbirds. They found their noise at the sixth house on the left.
A crew of three men was working outside a small home. Two-story like Molly’s. The owner had tacked an addition onto one side, prefab sunroom. The men were working where the sunroom met the main structure. Dislodging nails, jackhammering between fiberglass and brick.
Tossing panels onto a stack.
“Pardon,” Durwood called. “Who you boys working for?”
One man pointed to his earmuffs. The others paid Durwood no mind whatsoever. Heavyset men. Big stomachs and muscles.
Durwood walked closer. “Those corner boards’re getting beat up. Y’all got a permit I could see?”
The three continued to ignore him.
The addition was poorly done to begin with, the cornice already sagging. Shoddy craftsmanship. That didn’t mean the owners deserved to have it stolen for scrap.
The jackhammer was plugged into an outside GFI. Durwood caught its cord with his bootheel.
“The hell?” said the operator as his juice cut.
Durwood said, “You’re thieves. You’re stealing fiberglass.”
The men denied nothing.
One said, “Call the cops. See if they come.”
Sue-Ann bared her gums.
Durwood said, “I don’t believe we need to involve law enforcement,” and turned back south for the Vanagon.
Crime like this—callous, brash—was a sign of the times.  People were sore about this “new economy,” how well the rich were making out. Groups like the Blind Mice thought it gave them a right to practice lawlessness.

Lawlessness, Durwood knew, was like a plague. Left unchecked, it spread. Even now, besides this sunroom dismantling, Durwood saw a half dozen offenses in plain sight. Low-stakes gambling on a porch. Coaxials looped across half the neighborhood roofs: cable splicing. A Rottweiler roaming off leash.
Each stuck in Durwood’s craw.
He walked a half block to the Vanagon. He hunted around inside, boots clattering the bare metal floor. Pushed aside Stinger missiles in titanium casings. Squinted past crates of frag grenades in the bulkhead he’d jiggered himself from ponderosa pine.
Here she was—a pressurized tin of black ops epoxy. Set quick enough to repel a flash air strike, strong enough to hold a bridge. Durwood had purchased it for the Dubai job. According to his supplier, Yakov, the stuff smelled like cinnamon when it dried. Something to do with chemistry.
Durwood removed the tin from its box and brushed off the pink Styrofoam packing Yakov favored. Then allowed Sue a moment to ease herself down to the curb before they started back north.
Passing Molly’s house, Durwood glimpsed her through the living room window. She was listening to Quaid, fingers pressed to her forehead.
Quaid was lying. Which was nothing new, Quaid stretching the truth to a woman. But these lies involved Molly’s safety. Fact was, they knew very little of the Blind Mice. Their capabilities, their willingness to harm innocents. The leader, Josiah, was a reckless troublemaker. He spewed his nonsense on Twitter, announcing targets ahead of time, talking about his own penis.
The heavyset men were back at it. One on the roof. The other two around back of the sunroom, digging up the slab.
Durwood set down the epoxy. The men glanced over but kept jackhammering. They would not be the first, nor last, to underestimate this son of an Appalachian coal miner.
The air compressor was set up on the lawn. Durwood found the main pressure valve and cranked its throat full open.
The man on the roof had his ratchet come roaring out of his hands. He slid down the grade, nose rubbing vinyl shingles, and landed in petunias.
Back on his feet, the man swore.
“Mind your language,” Durwood said. “There’s families in the neighborhood.”
The other two hustled over, shovels at their shoulders. The widest of the three circled to Durwood’s backside.
Sue-Ann coiled her old bones to strike. Ugliness roiled Durwood’s gut.
Big Man punched first. Durwood caught his fist, torqued his arm behind his back. The next man swung his shovel. Durwood charged underneath and speared his chest. The man wheezed sharply, his lung likely punctured.
The third man got hold of Durwood’s bootheel, smashed his elbow into the hollow of Durwood’s knee. Durwood scissored the opposite leg across the man’s throat. He gritted his teeth and clenched. He felt the man’s Adam’s apple wriggling between his legs. A black core in Durwood yearned to squeeze.
He resisted.
The hostiles came again, and Durwood whipped them again. Automatically, in a series of beats as natural to him as chirping to a katydid. The men’s faces changed from angry to scared to incredulous. Finally, they stayed down.
“Now y’all are helping fix that sunroom.” Durwood nodded to the epoxy tin. “Mix six to one, then paste ’er on quick.”
Luckily, he’d caught the thieves early, and the repair was uncomplicated. Clamp, glue, drill. The epoxy should increase the R-value on the sunroom ten, fifteen, units. Good for a few bucks off the gas bill in winter, anyhow.
Durwood did much of the work himself. He enjoyed the panels’ weight, the strength of a well-formed joint. His muscles felt free and easy as if he were home ridding the sorghum fields of johnsongrass.
Done, he let the thieves go.
He turned back south toward Molly’s house. Sue-Ann scrabbled alongside.
“Well, ole girl?” he said. “Let’s see how Quaid made out.”

CHAPTER FOUR

I stood on my front porch watching the Vanagon rumble down Sycamore. My toes tingled, my heart was tossing itself against the walls of my chest, and I was pretty sure my nose had gone berserk. How else could I be smelling cinnamon?
Quaid Rafferty’s last words played over and over in my head: We need you.
For twenty minutes, after Durwood had taken his dog to investigate ker-klacks, Quaid had given me the hard sell. The money would be big-time. I had the perfect skills for the assignment: guts, grace under fire, that youthful je ne sais quoi. Wasn’t I always saying I ought to be putting my psychology skills to better use? Well, here it was: understanding these young people’s outrage would be a major component of the job.
Some people will anticipate your words and mumble along. Quaid did something similar but with feelings, cringing at my credit issues, brightening with whole-face joy at Karen’s reading progress—which I was afraid would suffer if I got busy and didn’t keep up her nightly practice.
He was pitching me, yes. But he genuinely cared what was happening in my life.
I didn’t know how to think about Quaid, how to even fix him in my brain. He and Durwood were so far outside any normal frame of reference. Were they even real? Did I imagine them?
Their biographies were epic. Quaid the twice-elected (once-impeached) governor of Massachusetts who now battled villains across the globe and lived at Caesars Palace. Durwood a legend of the Marine Corps, discharged after defying his commanding officer and wiping out an entire Qaeda cell to avenge the death of his wife.
I’d met them during my own unreal adventure—the end of my second marriage, which had unraveled in tragedy in the backwoods of West Virginia.
They’d recruited me for three missions since. Each was like a huge, brilliant dream—the kind that’s so vital and packed with life that you hang on after you wake up, clutching backward into sleep to stay inside.
Granny said, “That man’s trouble. If you have any sense in that stubborn head of yours, you’ll steer clear.”
I stepped back into the living room, the Vanagon long gone, and allowed my eyes to close. Granny didn’t know the half of it. She had huffed off to watch her judge shows on TV before the guys had even mentioned the Blind Mice.
No, she meant a more conventional trouble.
“I’ve learned,” I said. “If I take this job, it won’t be for romance. I’d be doing it for me. For the family.”
As if cued by the word “family,” a peal of laughter sounded upstairs.
Children!
My eyes zoomed to the clock. It was 8:20. Zach would be lucky to make first hour, let alone homeroom. In a single swipe, I scooped up the Prius keys and both jackets. My purse whorled off my shoulder like some supermom prop.
“Leaving now!” I called up the stairwell. “Here we go, kids—laces tied, backpacks zipped.”
Zach trudged down, leaning his weight into the rail. Karen followed with sunny-careful steps. I sped through the last items on my list—tossed a towel over the grape juice, sloshed water onto the roast, considered my appearance in the microwave door, and just frowned, beyond caring.
Halfway across the porch, Granny’s fingers closed around my wrist.
“Promise me,” she said, “that you will not associate with Quaid Rafferty. Promise me you won’t have one single thing to do with that lowlife.”
I looked past her to the kitchen, where the cat was kinking herself to retch Eggo Waffle onto the linoleum.
“I’m sorry, Granny.” I patted her hand, freeing myself. “It’s something I have to do.”

***

Excerpt from Anarchy of the Mice by Jeff Bond.  Copyright 2020 by Jeff Bond. Reproduced with permission from Jeff Bond. All rights reserved.





ABOUT THE AUTHOR

 Jeff Bond is an American author of popular fiction. His books have been featured in The New York Review of Books, and his most recent, The Pinebox Vendetta, received the gold medal (top prize) in the 2020 Independent Publisher Book Awards. A Kansas native and Yale graduate, he now lives in Michigan with his wife and two daughters.

Connect with Jeff:
@mollyMcGill3rd, @quaidRafferty, @durwoodOakJones

Buy the book:

Tuesday, June 12, 2018

FEATURED AUTHOR: MICHAEL OKON





ABOUT THE BOOK 


After Monsterland has been destroyed, the entire world is thrown into chaos. Wyatt Baldwin and his friends must go beyond the boundaries of their small town to reestablish contact with the outside world. During their journey they discover a new threat released from the bowels of the defunct theme park. The danger of werewolves, vampires and zombies pale in comparison to an army of relentless mummies, Vincent Conrad's reanimated monster and the menace of a life-sucking ooze they call The Glob. Will Wyatt and his friends survive when they reenter the scariest place on earth?




Book Details:

Title: Monsterland Reanimated


Author: Michael Okon

Genre: Action Adventure / Young Adult

Series: Monsterland, book #2

Publisher: WordFire Press (April 13th, 2018)

Page count: 250

On tour with: Pump Up Your Book







INTERVIEW WITH MICHAEL OKON


Michael, tell us about your series. Is this book a standalone, or do readers need to read the series in order?
Two books for Monsterland are out now. Five more are planned. They would need to start with the book one: Monsterland.

Where’s home for you?
North shore of Long Island.

Where did you grow up?
North Shore of Long Island.

What’s your favorite memory?
Driving to Florida with my family.


If you had an extra $100 a week to spend on yourself, what would you buy?
More steak.


What’s the dumbest purchase you’ve ever made?
A magic eight ball.


What’s the most valuable thing you’ve learned?
Some people are so poor, all they have is money.

Who would you pick to write your biography?
Me.

What do you love about where you live?
The isolation of living on an island. 



Have you been in any natural disasters?
A few hurricanes, but I have a generator so I’m good.

What is the most daring thing you've done?
I’m a wimp, so nothing crazy. I want to go surfing one day. 


What is the stupidest thing you've ever done?
I hit a horse while driving. Head on. I’m serious.

What’s one thing that you wish you knew as a teenager that you know now?
Get married young. The dating thing was stupid.

What makes you bored?
Social media.


If someone gave you $5,000 and said you must solve a problem, what would you do with the money?
Try to get another $5,000 and play in the World Series of Poker. 



What makes you nervous?
Flying. 


What makes you happy?
My wife and kids.

What makes you scared?
Flying.

What makes you excited?
Hearing good news from my agent.

How did you meet your spouse? Was it love at first sight?
Yes, it was love at first sight. Was introduced to her in college. I couldn’t get it right until I matured.

What are your most cherished mementoes?
My poker chip and shot glass collection.

What brings you sheer delight?
BBQ with my family.

What’s one of your favorite quotes?
"Your future is just as you’ve imagined." That’s by me from my book Just Ask the Universe.

If you could live anywhere in the world, where in the world would it be?
Disney World.

Are you like any of your characters?
All my characters have the same fears I had as a teen -  fitting in, being comfortable in my own skin.

One of your characters has just found out you’re about to kill him off. He/she decides to beat you to the punch. How would he kill you?
Give me sugar.

What’s the best compliment you’ve ever received about your writing?
Most people say all my books should be movies.

What are you working on now?
Monsterland 3. Revamping Witches Protection Program.








ABOUT THE AUTHOR 



Michael Okon is the award-winning, best-selling author of 15 books, including Witches Protection Program, Pokergeist, Stillwell, and The Battle for Darracia series, all of which were written under his nom de plume Michael Phillip Cash. Michael writes full time and lives on the North Shore of Long Island with his wife and children.  


Connect with Michael:
Website  |  Blog  |  Facebook  |  Twitter  |  Goodreads 

Buy the book:
Amazon  |  Barnes & Noble


Wednesday, July 29, 2015

GUEST POST BY MARIS SOULE



ABOUT THE BOOK

P.J. Benson knows Sheriff’s Detective Wade Kingsley wouldn’t blow up his own boat to kill his ex-wife and her new husband, Michael Brewster. Sure, Wade wasn’t happy that his ex was taking their six-year-old son, Jason, to live in California, but Wade and Jason were also onboard the boat when it blew up. Wade would never have endangered his son that way. Nevertheless, the investigating detectives consider Wade their prime suspect, and Wade’s ex in-laws loudly accuse him and threaten to file for custody of Jason. 

Under the circumstances, P.J. is certain this isn’t the right time to tell Wade she’s pregnant, but bouts of morning sickness give her away. Wade is upset by the news. P.J. wonders if it’s because he’s afraid he’ll be put in prison for a double homicide he didn’t commit, or if he’s afraid the new baby will cause P.J. to become schizophrenic, as was the case with her mother. Even P.J. is worried about that. Although Wade doesn’t want her playing detective, P.J. soon discovers that Michael Brewster wasn’t as great a guy as everyone thought. But did anyone hate the man enough to kill him?


GUEST POST BY MARIS SOULE

I like visiting new places, but I also love writing about areas I know. Eat Crow and Die takes place in three locations that I’m quite familiar with.

Zenith, Michigan may be a fictitious village, but most of the residents of Climax, Michigan and the area around that village (where I lived for 27 years) recognize the businesses as those they pass every time they go through town. The grocery store in Climax went out of business a few years ago, but the one in Zenith is still there. My main character, P.J. Benson, often meets neighbors and friends at the store. And I remember getting my hair cut at the beauty parlor near the town’s only restaurant and bar. If ever a neighbor coming out of the beauty parlor saw me going into that bar with a stranger, I know it would be all over town within an hour. P.J. also knows that’s true.

When P.J. drives Wade to South Haven to view where his boat exploded and sank, it was easy for me to write about the traffic jams they encountered. During the summer, I’m constantly dealing with the out-of-state drivers, beach goers, and waits for the drawbridge.

We had a boat explode not far from our boat slip. That was a totally different situation from what I created in Eat Crow and Die, but the pictures of that boat burning and the news articles about the passengers who were tossed into the water from the blast certainly triggered my imagination. I knew I had to start Eat Crow and Die with Wade’s boat exploding. (Poor Wade.)

I’ve been in the hospitals in Kalamazoo, and in the casinos that have sprung up in southwest Michigan. It was fun to weave both of those locations into P.J.’s quest to discover who blew up Wade Kingsley’s boat, how it was accomplished, and why?

I hope those who enjoy a mystery with a touch of humor will find Eat Crow and Die a pleasure to read.


ABOUT THE AUTHOR

Maris Soule has been writing for over 30 years. Prior to switching to mysteries, Soule had 25 category romances published and is a two-time RITA finalist. In addition to A Killer Past, Soule has three published mysteries in her P.J. Benson Mystery series (The Crows, As the Crow Flies, and Eat Crow and Die).

Born and raised in California, Soule was working on a master’s degree at U.C. Santa Barbara when a redhead with blue eyes talked her into switching from a Masters to a Mrs. He also talked her into moving to Michigan, where over the years they’ve raised two children and a slew of animals. The two now spend their summers near Lake Michigan and their winters in Florida.

Connect with Maris:
Website  |  Blog  |  Facebook  |  Twitter 

Sunday, February 17, 2013

Double Feature: Kathleen Shoop and Alex Akira


Guest Post
How to Avoid the Rejection Blues

by Kathleen Shoop 

How to Avoid the Rejection Blues—well, once you decide to go indie, you find the type of rejection shifts from agent/editor rejection to reader rejection. It’s hard when readers don’t like your work—actually that’s not as hard as the blanket, “I hate this, it’s the worst, most depressing thing I’ve ever read...” It’s so important to recognize everyone will not like or love or even tolerate your work. That’s what makes all this work. There’s something out there for every reader and dealing with the negatives is just part of the job. Again, I can’t say how glad I am to be able to participate. That’s what matters to me.

Why Book Covers are So Important—A book cover draws readers in, gives them a feel for what the book is about even if the image isn’t a literal representation of the content. A good cover is everything!

Practical Advice for Beginning Fiction (or other genre) Writers—Just write. Don’t worry about it being fantastic. It won’t be—the first draft won’t be. But you have to have a draft in order to mold and shape it. The first draft is akin to an artist formulating her own special clay to shape. Your first draft is your clay—the recipe is complete—after you have your clay you need to actually sculpt, shape, mold...for me that’s the hard part. Just start.

Five Mistakes Writers Make When Querying Publishers

Booksigning Tips to Sell That Book—Pull a theme from your book and create an event around that theme. Yes, you’ll be signing books and that’s great, but make the day enjoyable for readers. With my first book The Last Letter, the tagline was “for every daughter who thought she knew her mother’s story...” And we had a pre-mother’s day signing complete with sets of books, stationery, letter boxes, mother/daughter stuff, relaxation baskets both for sale and for raffle. Find a theme and exploit it!

How I Made My First Sale—I put an ad in Mary Jane’s Magazine, and I got an email from a woman who couldn’t wait to read it. She did and she loved it, and she became my northeast territory sales person! She gave my book away, asked indie book stores to carry it and was just incredible to me. It was like something straight out of a movie. I will never forget that.

What Inspired Me to Write My Book—

My Publishing Journey or How I Became a Published Author
Why Blogging is Important—I’m not sure blogging itself is important. There are fabulous, wonderful, powerful bloggers who land book deals. But there are many more fabulous writers who stink or are unable to focus energy on blogging. There was a time I thought having a strong blog was important (and it can be for many, many people) but with Facebook and Twitter, I don’t feel the need to spend a lot of time blogging. I LOVE twitter because it’s not a mini-article that I have to proof and suffer over. It’s just fun. I’m probably wrong about this though, because I am not a marketing pro at all, in the least!!!

What Makes the Perfect Book Blog—one that is funny and reveals the true personality of the author...some authors have fantastic reader blogs and they converse with readers about all manner of topics and issues as well as their books. Others have sites more oriented toward writing and they draw an powerful following as well. For me, my blog is used to offer news, invite other writers for interviews, and to be a landing pad for everything related to my work. I don’t use my blog the way awesome bloggers do, but I LOVE, LOVE, LOVE having other writers and bloggers to my blog to talk.

How to be a Good Guest Blogger—Guest blogging is fun. You are exposed to new readers and often can entice them to pick up your work or follow you on Twitter, etc. Be sure to be gracious and have the owner of the blog guide you in what she wants to see in your post. However, if she invited you to her blog she probably understands your perspective, writing style and topics of interest for you.

Why Mentors Are Important I have too many mentors to count—writing mentors, marketing, pr, networking mentors. Even people in other fields who have started their own businesses are my mentors. Just like there’s never a shortage of material to inspire my writing, there’s never a shortage of people I can learn from. And, I return the favor. If someone needs help with any component of publishing I do my best to help them or find the person who can if I can’t. Mentors and mentoring is vital to being successful, I think.

Inside the Mind of the Author—it’s crowded, noisy, crazy...I hate the inside of my head and wish I was more organized and methodical in my writing. The only thing I can say is that I am exceptionally methodical in my dedication to the craft—I just wish the work came out in a packaged, neat form instead of the mess it does!!!


About the author:

Thank you for reading about me here and for purchasing my novel! I'm married with two children. I've been seriously writing for almost a decade although I dabbled much earlier than that! I've had short stories published in four Chicken Soup for the Soul books, am a regular contributor to a local magazine, Pittsburgh Parent, and have had essays in local newspapers as well.

I have a PhD in Reading Education and have worked in schools for over twenty years. I work with teachers and their students in grades k-8 and am lucky to learn something new from them every time I walk through their doors. This experience was a huge help in writing LOVE AND OTHER SUBJECTS--a quirky, post-college coming of age story.

My first novel, The Last Letter (2011 IPPY Gold Medal--Regional Fiction, Midwest, 2011 Indie Excellence Finalist Award for Historical Fiction and Regional Fiction, 2011 International Book Awards Finalist for Historical Fiction and Best New Fiction), was a fascinating trip through history, punctuated with fictional characters and events. The idea for the story grew from my great-great grandmother's letters (see My Dear Frank for the complete set of letters!) written during the year of her engagement to Frank Arthur. The beautiful letters are the inspiration for the novel, the seed from which The Last Letter's characters and their voices grew.

I've also written women's fiction--Love And Other Subjects--and have written another historical fiction novel, After The Fog, set in 1948 in a town not far from Oakmont, Pennsylvania. After The Fog is also an award winning book--silver IPPY and WINNER in the literary category of the National Indie Excellence Awards.

Right now, I'm finishing up a 20,000-word short love story for an anthology and am also using my characters and setting from The Last Letter as per reader request to show what happened between the two timelines in the original book! I hope readers will enjoy the fact I write about varied eras and places and that they will love each book for its unique setting and time.

About the book:

For every woman who wonders if she chose the right career...
In Love and Other Subjects Carolyn Jenkins strives for two things—to be the greatest teacher ever and to find true love. She’s as skilled at both as an infant trying to eat with a fork. Carolyn’s suburban upbringing and genuine compassion for people who don’t fit effortlessly into society are no match for weapon-wielding, struggling students, drug-using colleagues, and a wicked principal.

Meanwhile, her budding relationship with a mystery man is thwarted by his gaggle of eccentric sisters. Carolyn depends on her friends to get her through the hard times, but with poverty-stricken children at her feet and a wealthy man at her side, she must define who she is. The reality of life after college can be daunting, the road to full-fledged adulthood long and unscripted. Can Carolyn take control and craft the life she’s always wanted?


Website / Facebook / Twitter / Amazon / Smashwords








Guest Post

A Day In The Life of Alex Akira

by Alex A. Akira

Well, I’m  a creature of habit, so at least four days of my week go like this:
I rise at four o’clock in the AM (yes you read that correctly) throw on some workout clothes and either run on my treadmill for thirty minutes or do warm-up calisthenics, followed by some light free weight work. I then go out to the dojo and do some bag work, generally punches. Then I kick the  heavy bag around some. If my partner is up (about three days out of seven) we do a little sparring, sometimes he drills me on a new or a particular skill. For those of you who don’t know this, my partner is my Sensei.

By six o’clock I’m in the shower wondering if the stuff I wrote the previous evening is any good. By six-thirty, I’m dressed, grab the bowl of oatmeal that my guy microwaved for me and seat myself before my iMac and check said stuff, out. Generally I’m surprised, it’s not as bad as I thought, but the errors are glaringly obvious.

After I munch down the oatmeal I start to make the changes as my partner tells me information relative (not) to my day...the weather, world disasters, what Obama said...you catch the drift. By now I’ve got my Thesaurus up and I’m probably on Wiki researching some information that I want to use in my story. Shortly after, I’m checking my email, answering it and if possible sending out a Tweet or checking FB.

During this process I am also rigging my iPod to my person. I have to be at my real life job between seven-thirty and eight o’clock. Okay I’m supposed to be in at seven-thirty, but I’m head of the design team, so they don’t really care if I’m late. Generally by seven-fifteen I’m saving whatever changes I made in my writing, shrugging into my scarf, grabbing my supplements and a protein bar to hold me over until I return home. After kissing my partner, I jump in the Jetta, crank up my music and drive the short four miles to the design studio.

Once I enter the studio, I turn on my iPod, make myself a hot drink, (coffee or tea) suck down my supplements and check out what design work I’ve got lined up. I design giftware, accessories, jewelry and other stuff for a long-standing firm that sells in the UK and America. It’s not rocket science, so generally I’m on automatic and am working out some feature in the story I am writing. The music coming though the iPod helps me isolate. Although no one is supposed to wear earbuds at the studio, when I was hired I made it a point in my contract...no iPod, no Alex. Plus everyone knows to “leave Alex alone.” They get better designs if they don’t interrupt me.

By two o’clock the protein bar I ate at noon is waning and I’m readying myself to go home. Two thirty is my official quitting time, but if I’m done, I’m done. I get in my Jetta, switch off the earbuds, switch on the cd player and return home.

Once home, I strip, throw on something more comfortable and if I didn’t have a coffee, I make  a cup. If not then it’s tea and some kind of snack like banana chips, both of which I take over to my iMac. I’m home alone in one of two ways, either my lover is sleeping because he’s working the night shift or he’s already left and I’ll see him after eleven.
So, this two-thirty and on time, is when I get most of my writing done. After bringing up iTunes or Pandora, I put my other headset on. Then I grab all the little Post-it notes I’ve scribbled on all day, sort them and add the prevalent information to my outline, timeline or appropriate place. I’ll generally take a quick look at what I worked on in the AM, maybe make some additional changes and then I’m checking my outline to see what passage(s) I think I can work on. I select the appropriate music for which character or scene I’ll be working on and lose myself in the story.

I’ll work until about five thirty, then take a break and fix something to eat. Generally steamed veggies or yogurt and fruit and sometimes soup. While I eat this I check my email, Twitter, and maybe send in that book review that is due. Afterwards I’ll wash the dishes and then bundle up, pod up and go out for a walk-about or sometimes jog-about. This clears my head and since I live in a college neighborhood, I re-energize as I walk/run among the students on campus.

By seven or seven-thirty I’m back at my keyboard, either writing or researching.  Sometimes I go into Photoshop and work on a cover illustration or a book trailer image. If I’m researching, I’ll put up another window and watch some MMA fights while I research for a couple of hours. If I get inspired, I’ll take a break, try some moves, do sit ups or some type of movement for a half hour, before sitting back down to resume writing/researching/drawing.

At about ten-thirty or eleven, I hit the shower, grab my Kindle and retire to the bedroom, where I’ll read to review whatever books are on my list. I keep my notebook nearby, because I am still fine-tuning my WIP, if anything comes to me, I make a note. I generally fall off  between twelve-thirty and one-thirty, depending on if my partner comes home and we make happy.

So that’s pretty much it, a winter day in the life of Alex A. Akira.

About the author:

Alex A. Akira spend a number of years traveling internationally as a jack of all trades dabbling in wide array of creative fields, theatre, martial arts, metaphysics, yoga, weightlifting, and accessories, jewelry and giftware design to name a few, before deciding to put pen to paper and later finger to keyboard, to craft various tales of young males struggling with emotional turmoil and internal conflict as they try to navigate their way through love and life in general. Why, yaoi, boy's love and m/m romance tales, you ask? ... well you do what you know. Alex is the author of Dojo Boys: The Italian Connection.

About the book:

This swiftly-paced two-volume romantic Yaoi love story tells the tale of the multi-talented thief/dancer Philippe Michael Ponty. First introduced in Dojo Boys: Dragon & Crow Volume II, the now twenty-two-year-old platinum haired petite Adonis struggles to make a home for himself in America.

Volume I finds Philip settling in Connecticut in disguise, as he doesn’t want to draw too much attention to his true line of work. Despite his caution, he meets and befriends a local rock musician, Tommy Sear, who despairs of ever having his band make it.
Quickly smitten by the dark-haired, shy Asian male that is Philip, Tommy seeks to make the young man his, but Philip doesn’t believe in love; besides, he has a very real problem. He can’t seem to get the victim of his last burglary, a green-eyed, virile Italian male...out of his mind.
With Philip’s encouragement, Tommy renews his efforts to get his band, Sear, a record deal. He makes a demo and shortly after a scout contacts him, from Italy no less. The Italian scout is coming to America hear them play in the hopes of signing Sear to the much sought-after label, Romano Studios.
But Tommy has a secret and he’s afraid that without Philip’s help, they may not get the deal.


Publisher’s Note: This book contains sexual content, explicit language and situations that some readers may find objectionable: male/male sexual practices.