Tuesday, October 29, 2013

Featured Author: Dan O'Brien



Dan O'Brien is back to promote the release of his latest publication. Water is a novella in the B-Sides universe, which follows people in a post-apocalyptic world. While each story is a standalone adventure, together they form a deeply intricate web of action, drama, and hope. Here is a brief summary of the novella:

The next installment in the B-Sides series follows a father and son living out a quiet life in northern Arizona. A strange occurrence at the border, and a series of events that turns the world upside down, plunges society into a spiral from which it might not be able to recover. Having to flee from their home with a band of unlikely friends in tow, the open road beckons. 

Can they survive?


And here be an excerpt for your enjoyment:

Tuesday


His phone vibrated as it slowly ventured toward the edge of his nightstand. Shaking and spinning, it was a ballet of electronic futility. James had left it behind; it wasn’t even an afterthought as he neared the valley of sand and heat that he had passed through only the night before. There were two reasons to live in the desert: sunsets and sunrises. 

This particular morning was no exception. 

The valley was formed of a crimson pastel rock that from a distance looked like the mountains at the entrance to some unknown world. But in the morning and just before the wisps of night grab a hold and smother the day, there was an explosion of colors. It was a beautiful cornucopia of blistering and beautiful art. 

The sun crawled just above the sand dunes, flooding the valley in sunshine. The splashing light tumbled across the rock formations, and iridescent stones ignited the walls of the basin. 

This was the part of the day James loved the most. 

This was when his life felt less worthless. 

There was purpose here. 

The sun came into the valley each day to create this beautiful marvel, and each day he was here to witness it. The twisting serpent of the road wove in and out of the majesty of nature, until the paved parking lot of his daily grind came into view. 

A grotesque sign was perched just off the road. 

It read: Our Stuff. 

The door of the jeep creaked as James closed it. He pulled his red vest over his black t-shirt and ran a hand through his short hair. 

The parking lot was mostly empty. 

A beat-up Buick had been parked there since the late 90s and had never moved. By this time, it was a makeshift homeless shelter for local transients. It was an important component of his duties for the day, driving off the homeless when they panhandled in front of the store. 

Silence permeated the morning––a rare treat James relished in the early mornings. She walked in from the other side of the parking lot. A blue Honda with a dented door and missing hubcaps was parked some distance away. She was his dream girl, of a sort. She was married to––or had been, it was a strange situation to be sure––a local drunk and abuser. 

Light brown hair to her chin: It was often combed over one eye, mirroring a childhood memory. There was too much eye shadow to hide indiscretions, long shirts to hide bruises. 

She was a broken doll. 

“Hey Violet,” James mumbled as he got closer, chancing an awkward wave. 

She rarely looked up and when she did, all he was struck by was the wide eyes that looked at him in gratitude for recognizing her existence. This day, she smiled weakly. Dimples in her cheeks deepened as he got closer. 

“Hello, James,” she whispered back, her voice small. 

He felt protective of her.

As he neared, he smiled widely, invitingly. 

“Did you bring Julie with you today?” 

Julie was her eight-year old daughter who often frequented work with her mother when her father was away on a binge, or more violent than usual. James felt defensive of her as well, much to his detriment. 
She shook her head. Most of the time she wore an over-sized coat with a faux fur lining and hood that was often the barrier of her hidden face. 

“Her father took her today.”

James nodded absently, as he could not imagine what that man could do with a child. He could barely take care of himself. Too often, he would barrel into the store––half-drunk and yelling––and would have to be dragged out by the police. The automatic doors at the front of the store did not open as they approached. 
Reaching out, James pulled them open and gestured for Violet to go first. She bowed her head, making an already smaller person even more diminutive. The interior of the store was still dark. The echo of the speakers played elevator music, water-downed versions of songs no one wanted to hear. As Violet disappeared into the aisles of the store, James turned and shut the front doors and locked them. 
“See you later,” he spoke, trailing off at the end.

*

The morning passed as it often did. 

The sun rose. 

Heat sweltered in the desert and the fringe humanity of Miranda sought air-conditioned shelter. James was a walker, a transient employee who sauntered through the store. Seeking out customers who required help, he sometimes cleaned the bathrooms. Often, he attended to those duties that fell between the cracks of other employees. As the morning gave way to the afternoon, there was a palpable tension in the air.

Customers were more curt than usual. 

People left angry. 

It was not until James had the distinct pleasure of interacting with a deranged desert degenerate that he began to understand what it was about that day that was enraging people so. 

“Nametag.” 

James did not register the cruel tone at first. 

“Nametag,” he repeated, this time drawing James’ attention. “Nametag, I’m talking to you. Turn around.”

James turned, his grimace dissipating into an even line. 

It was his best attempt at a smile. 

The man was a caricature of a person. His chin disappeared into his pocked neck and his bulging brown eyes seemed to be of two different sizes. Crooked teeth were revealed as he opened his mouth to speak once more. 

“Hey, what about customer service? C’mon, nametag.”

“What can I help you with, sir?” mustered James. 

The man’s face twisted into a sneer. 

He was wearing a shirt three sizes too small, his hairy belly exposed from just beneath the dirty white shirt. Putrid breath radiated from the man. It was an odor that could have risen from a trash heap in the Mojave Desert. “Attitude? You giving me attitude now, nametag? Time like this, in a crisis and what not.”

“I’m sorry that you feel I am being discourteous…”

The man sneered again. His voice, though masculine, broke as he spoke again. “Using big words on me now, college dropout. You think you’re hot shit, selling commodities to us lower folk.”

James looked at the man in disbelief, his behavior was deplorable. “Perhaps if you can just calm down, I can help you find whatever it is you are looking for.”

The man moved in closer, the scent of body odor was overpowering. “You some kind of wise guy? Why do you think I’m here? You retarded? Don’t you listen to the news? Don’t you know what’s going on?”

James looked at him, bewildered. 

“Sir, I…”

“Water,” the man spoke clearly. “Water, I need water.”

“Bottled water? Is this about the Hernandez thing? The border?” queried James, making a connection slowly, though uncertainly. “Are they peddling hysteria already?”

“Hysteria, boy, you must be living under a rock. It’s coming. That border thing’s old news. Poison is in Texas now, parts of New Mexico. They’re talking about rationing and sanctions on tap water. You believe that shit?”

James looked around the store. “I really don’t.”

It had evaded him previously. 

The scampering populace of Miranda bustled about the store, arms full of plastic water bottles and greater containers. One woman had another by the hair, dragging her away from the last water bottles on the shelf. People screamed at each other, pointing accusing fingers, claiming water as their own. 

“It would appear you aren’t the only one looking,” replied James, as he pointed to the pandemonium. “Best of luck to you.”

The man glowered at him as he passed by, but James could not believe his eyes. Lines were backed up, people nearly climbing over each other to get water and carry it away in the heat of the day, to survive. 

He stalked over to the throng of people who had begun to congregate around the empty shelves. As he approached, the masses turned as one. Their bleary eyes and angry words were upon him before he could even speak. 

“Where is the water?” one cried.

“Is there more?” queried an elderly woman shakily. 

“What do we do?” screamed another.

James held up his hands, trying to calm them. 

“Ladies and gentlemen,” he began, but they continued to bicker. Each voice rose above the others. Some shoved those smaller than themselves, like a rabid mob. He raised his voice. Some mumbles remained, but most had directed their attention at him. “Let’s all calm down for a moment. I will go in the back and see what we have.”

He moved away from them, not giving them time to object or grow ever angrier. The store was packed. Never in his eighteen months there had he seen such a rush on the store. He wondered what it was he had missed to which everyone else was reacting so intensely. Pushing open the double doors that led into the warehouse, James sighed. 

The madness was tangible. 

It permeated the air, made it thin. 

Other employees had congregated in the back, seeking shelter from the madness. Two of them talked loudly with each other. One he knew, the other was a new employee or perhaps someone with whom he had never crossed paths. The first was dressed in a style that could only be described as early fuckup. The other was the kind of person who you would not give another look, as average as they come. 

An unevenly mounted nose ring, jagged teeth, and a tone that was filled with ignorance: The younger man James did not know spoke in an overbearing tone.

“This is epic. All these fucking hillbillies running around like the skies are falling in. I’m surprised the fat ones aren’t screaming Chicken Little. Epic.” He held his hands up demonstratively. “Epic.”

Average Bob watched the less-than-eloquent fellow employee with a listless gaze. “The news said it was serious though…”

“The news? You can’t trust the news, man. They are trying to pull some bullshit over our eyes. Always, trying to force your hand,” he continued to rant. 

James moved past, making sure not to make eye contact, as he did not wish to engage them in some kind of rhetorical conversation. As he moved out of earshot, he could not help but shake his head at the redundant movie references that took the place of grammar and syntax. There was only the replacement of actual thought with recycled thought. It had become the repetition and regurgitation of the words of another. He was not necessarily bitter toward fan worship, but was simply irritated by the lack of thought most other people his age seemed to show. They were more content in the safety of what other people thought––more concerned with their small shell of a world and not the greater picture. 

His face twisted into a scowl as he moved past racks and racks of brown boxes marked in black permanent marker with various numbers designating position, quantity, and retail-related mediocrity. As he reached the back, where normally there were pallets upon pallets of shrink-wrapped water cases, he swore.

Reaching down, he picked up the wayward bunched band of plastic that had once held the pallet in place. There were seven empty pallets, the entire back stock of what the store carried. 

Where had he been? 

How had he not seen this?

The voice startled him. “Pretty intense, huh?”

James rose slowly, turning to face Violet. “Yeah, wild. How did I not notice all of this water going out?”

She moved next to him, folding her arms across her chest. “You’ve been in a daze lately, moving around as if you didn’t notice anything, anybody.”

They lingered like this for a moment. 

Neither spoke––nor breathed really––except in fractured, shallow breaths. Finally, letting out a burst of air and licking his lips, James shifted his feet and ran a hand through his hair. “I should check on those people out there. They were acting like fucking animals.”

Violet nodded, tucking her hands inside her sleeves. 

“Yeah, my break is almost over. I should be getting back.”

James nodded again, awkwardly. 

Turning away, he disappeared into the racks once more, leaving Violet to her thoughts. He shook his head and mumbled to himself in mock anger. Whenever there was a moment when he and Violet seemed to connect, they both froze, neither making a move. She was scared, but was looking for a way out. 

He knew that. 

He could be there for her. 

Smacking a hand against his forehead, he whispered to himself angrily. “Stupid.”





A psychologist, author, editor, philosopher, martial artist, and skeptic, he has published several novels and currently has many in print, including: The End of the World Playlist, Bitten, The Journey, The Ocean and the Hourglass, The Path of the Fallen, The Portent, and Cerulean Dreams. Follow him on Twitter (@AuthorDanOBrien) or visit his blog http://thedanobrienproject.blogspot.com. He recently started a consultation business. You can find more information about it here: http://www.amalgamconsulting.com/.



Sunday, October 27, 2013

Featured Author: John Gaspard

John Gaspard is a filmmaker, writer, and blogger. His blog, Fast, Cheap Movie Thoughts, has been named “One of the 50 Best Blogs for Moviemakers.” He has also written multiple books on the subject of filmmaking, but put all that aside for a moment. He's here today to talk about his newest book, an Eli Marks mystery titled The Ambitious Card, part of the Henery Press Mystery Series Collection.



About the book:

The life of a magician isn’t all kiddie shows and card tricks. Sometimes it’s murder. Especially when magician Eli Marks very publicly debunks a famed psychic, and said psychic ends up dead.  The evidence, including a bloody King of Diamonds playing card (one from Eli’s own Ambitious Card routine), directs the police right to Eli.

As more psychics are slain, and more King cards rise to the top, Eli can’t escape suspicion. Things get really complicated when romance blooms with a beautiful psychic, and Eli discovers she’s the next target for murder, and he’s scheduled to die with her. Now Eli must use every trick he knows to keep them both alive and reveal the true killer.

Interview with John Gaspard:

John, how did you come up with the title The Ambitious Card?

As soon as I decided to write a mystery about a working magician, I discovered that I had way too many cool options for the title. Magic is filled with fun words and phrases, and the tricks alone could offer a full series of titles: The Balducci Force, The Hindu Shuffle, The Linking Rings, Six Card Repeat, The Double Lift, The French Drop … just lots and lots of great titles, just waiting for stories.

After doing a ton of research, I landed on The Ambitious Card. It sounded like a great title and was a trick that would lend itself to leaving clues after each murder because in the trick, the same card keeps turning up again and again. I thought that would be a fun clue that is found at each murder site.

How did you create the plot for this book?

It came to me in bits and pieces, while doing the research or just walking around. In researching psychics (all the victims in the story are psychics), I came across the term Askashic Records – that sounded like a record store to me, so I made one of the characters a psychic who runs a new-agey record store. The use of helium was important for the plot, so I created a character who is a children’s magician, knowing that he would have a need for helium for his balloons.

Once you stir all the ingredients together, the story starts to form itself and tell you the direction it wants to head.

Which character did you most enjoy writing?

The main character, Eli, is divorced and has moved back in with his Uncle Harry, an old magician who runs a magic store. Harry spends much of his free time hanging out at the bar next door with his performing cronies, old-time magicians and mentalists, who spend their days playing cards, reminiscing, and trading barbs. They call themselves The Minneapolis Mystics, although Eli’s aunt Alice dubbed them The Artful Codgers. They were great fun to write, because of their crusty banter and playful personalities.

Tell us about your favorite scene in the book.

Many, many favorites, but one in particular: Eli is forced to perform a magic show for children (a notoriously tough audience) at the last minute, without the proper props and no time to really prepare. Uncle Harry steps in with a solution that is both lovely and magical and really helps to give Eli a glimpse at what an amazing performer his uncle had been.

Who are your favorite authors?

In the mystery genre, my favorite would be Lawrence Block – his Burglar books were a great inspiration for The Ambitious Card. Jasper Fforde is a favorite as well. For newer writers, I like Simon Rich; older favorites are James Thurber and Robert Benchley.


You get to decide who would read your audiobook. Who would you choose?

Neil Patrick Harris. I would love to see him do a movie version of the book as well. He brings just the right mix of sarcasm and sensitivity to his work – plus, he already knows how to do all the magic!

What’s one of your favorite quotes?

From Groucho Marx: “Outside of a dog, a book is a man's best friend. Inside of a dog it's too dark to read.”

I love that one too! Okay...spill it--what are you working on now?

I’m in the thick of the second book in the Eli Marks mystery series, The Bullet Catch, which picks up a couple months after the conclusion of The Ambitious Card and puts Eli and Uncle Harry into two murder investigations – one current and one from 25 years before.

Can't wait to hear more about it. Puleease come back!

Excerpt from The Ambitious Card

Prologue


Ask anyone and they’ll tell you I’m generally a positive person. But even I had to admit, this was a bad situation.

After the heavy wooden door closed behind us with an unforgiving finality, I’d come to a sudden insight—when it comes to being in the dark, there’s dark-dark and then there’s inside-a-cave dark.

We were definitely in the latter.

I’d never been in a place so dark, where the blackness of the space jostled up against us like an aggressive, surly crowd on a subway during rush hour.

My head was spinning from the lack of oxygen, and even though I couldn’t see my hand in front of my face, I was starting to see spots in front of my eyes. My lungs ached with each breath I took, the carbon monoxide that filled the cave a poor substitute for the oxygen I’d foolishly taken for granted until this relatively late point in life.

We shuffled and slogged through the inky darkness. My foot slipped on a loose rock, hurdling me forward, where a stalagmite—or is it a stalactite?—connected with my forehead, breaking my fall. My head was now covered with small scrapes and contusions, and in the darkness I couldn’t tell whether it was blood or sweat running down my face. I imagine it was a pretty even mixture of both.

Oh, and did I mention the bats? Well, I don’t know how I could have forgotten them.

The flurry of winged pests had been just as surprised to en-counter us as we had been to encounter them, leaving us the warm and sticky recipients of a rich shower of bat guano. It covered our hair and shoulders, a warm stream that slithered down my spine, making me wish I could actually remove my skin and send it out for cleaning. And as luck would have it, moments after the first battalion departed to points unknown, we were hit with yet a second wave of bat pee, the furry winged bastards slicing across the tops of our heads while their piercing screeches whizzed past our ears.

Even though I had more pressing concerns at the moment, I once again rebuked myself for getting us into this situation. It could have been avoided, I really think it could have.

Things would have turned out quite differently, I’m convinced, if I’d closed my act with something other than The Ambitious Card.

Had it been the cups and balls or the linking rings or a cut and restored rope or any of a hundred other tricks, I might be sitting home in front of the television right now happily munching popcorn, instead of asphyxiating in a cave while marinating in bat pee. But, as they say, hindsight is twenty/twenty, a lesson I appear to be learning and re-learning every day—even in the deadly pitch blackness of this stupid cave.


About the author:

In real life, John’s not a magician, but he has directed six low-budget features that cost very little and made even less – that’s no small trick. He’s also written multiple books on the subject of low-budget filmmaking. Ironically, they’ve made more than the films. His blog, “Fast, Cheap Movie Thoughts” has been named “One of the 50 Best Blogs for Moviemakers” and “One of The 100 Best Blogs For Film and Theater Students.” He’s also written for TV and the stage. John lives in Minnesota and shares his home with his lovely wife, several dogs, a few cats and a handful of pet allergies.

Connect with John:
Website | Blog | Facebook | Goodreads | Twitter

Buy the book: 
Amazon | Barnes & Noble | Henery Press





Thursday, October 24, 2013

Featured Author: Will MacMillan Jones

Will MacMillan Jones was here in March to talk about his book, Bass Instinct. I'm happy to have him back today to tell us about his latest novel, The SatNav of Doom, a comic fantasy, published by Safkhet Publishing Limited.
 

About the book: 


Once again, the Dark Lord has a cunning plan. And once again someone else is going to have to carry it out for him: that's what henchmen are for, isn't it? To hench? Oh, and to be sent on the risky missions...

Not that this one should be risky. What could be easier than secretly inserting computer spyware into a laptop, using a Banned Underground gig as a diversion? The Tax Office probably does it all the time. But the Tax Office is not normally being chased for an unpaid credit card bill for a huge round of drinks. (That's the politicians. And the henchmen, of course.) 



And it isn't just any laptop the Dark Lord wants to spy on either. The Government is struggling to find the way out of the Recession without a road map, and what better aid than a SatNav linked to a computer? If the Dark Lord can get inside information on future economic policy, maybe he can clean up and buy a new Mercedes.



Then there is a mystery: where did the time-traveling SatNav come from in the first place? What if the original owner wants it back?



Magic, mayhem and macro-economic policy collide in the latest surreal installment of the acclaimed comic fantasy series, The Banned Underground.


Book trailer: The Amulet of Kings



Interview with Will MacMillan Jones

How long have you been writing, and how did you start?

I’ve always been interested in writing, I think. I was lucky enough to have an English teacher at school who encouraged all of his class to write, and I enjoyed it at school.  Then I wrote my first book in my twenties.  And awful rubbish it was as well. But it formed the basis (after a lot of reworking!) of the first book I had published, The Amulet Of Kings - the first in The Banned Underground series. I’ve been lucky enough to be signed by Safkhet Publishing to write a series of eight of these comic fantasy books for them.  Which I think means that they like the books.

I'd say so. The SatNav of Doom is a very interesting title. What’s the story behind it?

Over the last couple of books in the series, I have been more than a little abusive towards my SatNav character. I have a bad habit of taking inanimate objects that have a big influence on our lives and giving them personalities of their own. SatNavs have come a long way since they first started, and one night I was listening to an inane politician (I can’t recall which one, there’s so many to choose from isn’t there?) going on about a Road Map. Then I realized that he wasn’t involved in the transport system, but the economy – and a SatNav seemed a perfect fit! And as neither SatNavs (I refuse to own one) not politicians are particularly helpful to us in our daily lives, Doom was a natural fit too. Anyone who has ever been misdirected down a narrow country lane their SatNav believes to be a four lane superhighway (on the grounds that one was proposed fifteen years previously but abandoned unbuilt when the funding was used instead on a fact-finding mission to Barbados) will connect with the idea.

How did you create the plot for this book?

Amy, I think I’m in love with you for this question! The idea that I actually create the plots is wonderful, you need to go out into the world and tell everyone! (Especially the publisher, who often makes urgent inquiries about this very question.) Truthfully, I start with the germ of an idea and then I let the characters loose on it. After a while, we all meet up over a drink or two. I tell them what they are going to do to bring the book to a successful conclusion, and they tell me to get lost. After eating the pizza and drinking everything I’ve laid on, of course.

What’s your favorite line from a book?

I have to say, it’s still one from my first novel, The Amulet of Kings. I love writing one-liners, and I love misunderstandings, word play and puns. Plus a bit of surreal humour now and again. This line is still so good that it needs no introductions. You don’t need a scene, a setting, a background. It doesn’t matter who delivers it. I reckon that five books later, I’m still looking to top it. Oh, I shouldn’t say that, should I? Actually, there’s a gag in book 6 (the current work in progress) that might manage it, but for now:
“I know it’s live yogurt, but is it meant to come when it’s called?”

I love it. How do you get to know your characters?

I meet them in the pub, of course! I’m a writer! Observation. People watching. These things are vital. I don’t go heavily on the character descriptions, you see: I like the readers to fill in the details in their own imaginations. So a hint here or there, a small character trait, is enough for me to pass along an impression. Gloria, for example, is a dragon receptionist. (Really a dragon, this is a fantasy!) I leave her as tall, dressed in grey, and her heels click aggressively when she walks. Now who hasn’t met a receptionist/PA like that? 

Well, I've never met a real dragon as a receptionist, but the other description certainly fits with some I've seen.

I always have my Moleskine on me for notes of people I’d like to write, too.

Which character did you most enjoy writing?

In this book, it is one of the less central characters: Gloria, the love-lorn dragon receptionist. People can be so prejudiced, can’t they? Just because she’s got a teenage attitude to live, despite being a couple of hundred years old, and has a bit of a secret thing for her Boss, the less than competent and unhappily married Dark Lord. It’s not easy being grey, you know. And people are so easily offended by casual incineration, too.

Go figure. What would your main character say about you?

This one I can escape. You see, I don’t actually have a main character. Some reviewers have found this a bit awkward when reading the series, but I actually have quite a regular cast list. In fact, the publisher (demonstrating undue sagacity) insisted from the first book that I write a cast list for every novel, to help those readers who have a bizarre desire to understand what’s going on. I mean, I hardly know so why should they?

But this is the epilogue to book 6, coming sometime next year. It’s a conversation (yes, in a pub – they are musicians!) between two of the characters. One has been reading a local paper.

“It says here that one of the author’s shorts has won a literacy prize.”
“It’s not news that his underwear has a life of it’s own. Sounds like it writes better than he can too.”

One of your characters has just found out you’re about to kill him off. He/she decides to beat you to the punch. How would he kill you?

As a humourist, particularly in the comic fantasy field, I’m not allowed to kill the characters. The uproar from the regular readers would be too much to handle. So, I’m safe from that. But they already like to get their own back. The musicians took me out drinking, and left me on my porch, fast asleep (yes all right, insensible through excess drink. I’ve confessed. Happy now?) and naked, having thoughtfully dropped all my clothes in the pond. The Dark Wizards drove past when I was asleep – this time is after midnight, so I had an excuse – and magically bricked up my front door before driving off. I’ve heard there’s something being planned for the next book, but I’ve no idea what.

My, your characters are devious little boogers. Where’s home for you?

At the moment, I live in Wales. A lovely green verdant land, full of myth and magic and legend...and great rugby and wonderful micro breweries, too. What’s not too like? But my heart lies in the Lake District, and I have firm plans to go and live there once my daughter finishes college and heads off to University to do something so insanely complex and technical that I certainly cannot spell it, and can barely pronounce it. Such is progress.

What would your dream office look like?


I’ve got it already! Nya,nya,nya. A smallish room, with a large window overlooking fields, and a wall completely covered in bookcases, full of my favourite books. No idea how many there are, I’ve never counted them. In one corner is my treasured hi-fi, and a collection of proper vinyl records, and some cds and tapes. The chair has molded itself to the shape of my bum after many, many years of use. Perfect.

How did you find Safkhet Publishing, and how long did your query process take?


Like everyone else, I was just lucky getting publishers. And I’m greedy, because I’ve contracts with more than one company. Safkhet Publishing, who picked up my humour/fantasy do not do horror. They don’t like reading it, so will not publish it: which I think is actually pretty cool of them really. They decided in the end not to take my children’s work, as they felt they couldn’t do it justice, so (cross fingers) that may yet have a third home!

All authors get a lot of rejections. I was still getting rejections from earlier queries after my first book had been released. One problem a lot of authors have is that they rush the query process, and end up sending their work to unsuitable agents/publishers. Take the example of my horror work, which does very well. I offered it to my fantasy publishers first because I trust them and we have a good relationship: they were happy with me sending it elsewhere because it isn’t their cup of tea. But if that had been my first book, I could have sent them the submission, and waited eagerly for a reply...which would have been negative of course, however good the work was. You must, as an aspiring author, do your research first. But if you believe you have written a good book, you owe it to yourself to try the query process before jumping into self publishing, however attractive that option may seem.

What do you like to do when you are not writing?

Easy one! I’m either hiking, messing about with my beloved Les Paul guitar, or out doing research for the next book. That’s the thing really, once you buy into writing as a way of life, it soon takes over everything else, doesn’t it? And you never stop looking around and getting ideas for stories.

That's very true. What are you working on now?

I’ve got two books that I am concluding at the moment: Have Frog, Will Travel which is the sixth in the Banned Underground series, and The Picture: that’s the sequel to The Showing and is another paranormal/horror adventure. In addition, I am always writing short stories, and several of them have the potential to be turned into full novels in time.

Other books by Will MacMillan Jones:


The Banned Underground series was described in a review in the Guardian newspaper Books Review site as:
Lord Of The Rings as written by Milton Jones to the Soundtrack of Led Zeppelin IV...

The books are:


The Amulet of Kings
The Mystic Accountants
The Vampire Mechanic
Bass Instinct

All of these are available through any bookshop, specifically Amazon, Smashwords, KOBO, and Nook.

His first horror release:
The Showing, available in print or ebook on Amazon.


Book trailer: The Vampire Mechanic



About the author:

  
Will lives in Wales, a lovely green verdant land of myth and legend. He does his best to support local culture by drinking as much local beer as he can, and shouting loudly at the TV during international rugby matches. In between, he writes fantasy to keep sanity at bay.

Connect with Will:
Website | Blog | Facebook | Goodreads | Twitter      

Buy the book:
Amazon | Barnes & Noble | Kobo | Waterstones 
      
Coming soon:






Wednesday, October 23, 2013

Featured Author: Robert Bartram

Today I'd like you to meet Robert Bartram, the author of the historical drama Dance the Moon Down. Get to know him in the interview, and then read an excerpt from the book.



About the book:

In 1910, no one believed there would ever be a war with Germany. Safe in her affluent middle-class life, the rumors held no significance for Victoria either. It was her father’s decision to enroll her at university that began to change all that. There she befriends the rebellious and outspoken Beryl Whittaker, an emergent suffragette, but it is her love for Gerald Avery, a talented young poet from a neighboring university that sets the seal on her future.

After a clandestine romance, they marry in January 1914, but with the outbreak of the First World War, Gerald volunteers and within months has gone missing in France. Convinced that he is still alive, Victoria’s initial attempts to discover what has become of him, implicate her in a murderous assault on Lord Kitchener, resulting in her being interrogated as a spy, and later tempted to adultery.

Now, virtually destitute, Victoria is reduced to finding work as a common laborer on a rundown farm, where she discovers a world of unimaginable ignorance and poverty. It is only her conviction that Gerald will some day return that sustains her through the dark days of hardship and privation as her life becomes a battle of faith against adversity.

Interview with Robert Bartram

Robert, I love the title Dance The Moon Down. What’s the story behind it? 

I read an article in The Nation, a now obsolete periodical, for June 1914, written by John Galsworthy, the author of the Forsyte Saga. Basically it was a critique of the younger generation, of whom he wrote-“they had been born to dance the moon down to ragtime.” In hindsight we now know that they, in fact fought the bloodiest conflict of the twentieth century and paid a terrible price. The irony of  Galsworthy’s  remark made such an impression on me that I took it for the title of my book.

How did you create the plot for Dance The Moon Down?

An enormous amount of fiction has been written about WWI, almost exclusively about the men and even the animals that fought on the front line. It occurred to me that very little had been done about the people, most particularly the women, who had been left behind. I didn’t want to write a war story, in fact Dance The Moon Down is a romance, so the woman’s angle was perfect. The rest was pure research. I took two people passionately in love, separated them by a global event, and then left them with only their courage and faith to see them through.

What’s your favorite line from a book?

That’s easy. Page 227, line 16-20. “As she made her way back to the farm, she wondered if the world would ever become what people in their heart of hearts truly wanted it to be, or if it would remain as it was now, the creation of their greed, anger and stupidity.”

How do you get to know your characters?

Rather in the same way as I get to know “real” people, little by little. Gradually I come to love and respect them (my characters, that is) I explore their strengths and weaknesses, applaud the former and make allowances for the latter. Whilst you might think  I have the “God-like”  ability to do anything I want with them, I simply don’t, for their sake, the novel's, and mine.

Which character did you most enjoy writing?

Victoria, of course. She displays such a wide range of emotions, everything that’s best, and worst, in all of us. She’s vulnerable and strong, both naive and wise, it’s how she balances it all out that makes her such a joy to write about.

She sounds like a strong character. What would she say about you?

Happily, Victoria is a lady, so she’d resist using the expletives she’s entitled to, after what I put her through. I rather hope she would say, thank you for bringing me into being and thank you for seeing me through. Now please leave me alone to live in peace.

Is your book based on real events?

Very much so. About 75% of the novel is based on actual events. Naturally I changed the names of those involved and made slight alterations to some events so they fitted the novel, but other than that, there’s less “fiction” in it than you might think.

Tell us about your favorite scene in the book.

One of several is where Victoria is finally persuaded by her girlfriends on the farm to go skinny dipping in a pond in a nearby wood one swelteringly hot summer's night. Her uninhibited friends strip off and jump straight in, but she is much more cautious. Even though she’s been implicated in an assault on Lord Kitchener, accused of obstructing a Scotland Yard inquiry, interrogated as a spy, and come close to committing adultery, she considers that taking her clothes off in a public place is the most daring thing she’s ever done. Then the Zeppelin arrives...

What song would you pick to go with your book?

When Gerald finally has to leave for France, Victoria stands at the gate and watches him go. She puts a brave face on it, but her heart is breaking. All I could think off when writing this scene was Catherine Jenkins singing “Time to say Goodbye.” Play it when you read it and see what happens...

Who are your favorite authors?


Henry James, Ernest Hemmingway and Herman Melville, among others, but these three really impress me as writers.


Do you have a routine for writing?

I prefer to write at night, it’s much quieter then, and I can hear my thoughts. I usually work from 11am to 3pm seven days a week. I tend to start with a basic idea and then write the parts I enjoy most until I have chunks of disembodied plot, then it’s a process of marrying them together. After that it’s rewrite after rewrite, until I  have the draft I want. I always write at the dining table, next to a window which looks out on my large secluded garden. My muse lives there.

You’re leaving your country for a year. What’s the last meal (or food) you would want to have before leaving?

Fish and chips (French fries) with lashings of salt and viniger.

You’re given the day off, and you can do anything but write. What would you do?


I’d probably stay in bed all day. Come on, be honest, wouldn’t you?

I just might. Why did you decide to publish with Authors Online?

The harsh truth is that nobody in mainstream publishing wanted the novel. To be fair to the book, they never asked to see more than ten pages which, I feel, hardly gave them the opportunity to reasonably assess the novel. Nevertheless, that’s the way they do things, so I decided, like many others, to go it alone. Was I right to do it ? Well, I’m only half way through my promotion campaign and the novel has already notched up 30 five star reviews and was nominated book of the month on “Wall to Wall Books.” You tell me.

Those are excellent results. What’s one of your favorite quotes? 

It’s by Oscar Wilde. “I was working on the proof of one of my poems all morning, and took out a comma. In the afternoon I put it back again.” I can really relate to that.

Oh, I can too. What do you like to do when you’re not writing?


I love natural history. I take any opportunity I get to stroll through the countryside and make observations, many of which end up in my writing. I also enjoy gardening and going to the Globe in London to watch Shakespeare preformed at its best.

If you could live anywhere in the world, where would it be?

I’m already here. I thank God for my health, my strength and letting me live in England.

What are you working on now?


It’s a story set against the background of the American Civil War. This one also has a female central character (my favorite) and I think, as with Dance The Moon Down, I’ve found a new slant on how to write it. Before you ask, no, it won’t be anything like Gone With The Wind, but that’s all I’m saying for now.

I hope you'll say more when it's finished and that you'll say it here! In the meantime, best of luck with Dance The Moon Down.


Excerpt from Dance the Moon Down

Victoria heard someone pass close by, approach the desk and stop.  After a moment, not having felt a hand on her shoulder, she opened her eyes to see a young officer standing in front of her. He bore such a striking resemblance to Gerald that for a moment she thought that it was actually he.

‘This is Lieutenant Fairchild,’ Colonel Bass informed her bluntly, ‘temporarily assigned to this department. I’ve put him in charge of investigating your husband’s case. In future, you’ll direct all your questions to him.’ Closing the file, he handed it to the lieutenant.

‘Carry on, Fairchild.’

The lieutenant took the file, turned to her, smiled and gestured that she should follow him.

Victoria was only too glad to do so, but as she rose to leave, Colonel Bass had one last word of warning.

‘In future, young woman, I suggest that you confine your activities to the appropriate channels. If you persist in pursuing your original course, you may discover that this department is no longer disposed to offer you the leniency it’s shown today.‘ With that, he looked down and began writing again.

With an outstretched hand, Lieutenant Fairchild reaffirmed his invitation for her to follow him. Victoria couldn’t wait to get out of the room. She was shaking from head to toe and in such a state that, by the time she reached the corridor, she was desperate to confide her feelings to just about anyone.

‘That man,’ she told the lieutenant, her voice wavering with emotion, ‘that awful man is overbearing, rude and insensitive!’

‘He’s a colonel in the British army,’ Lieutenant Fairchild pointed out. ‘He’s supposed to be.’

His candour did nothing to alleviate her distress. ‘Do you know, he accused me of being a spy?’

The gravity of her statement merely seemed to amuse him. ‘My dear Mrs Avery, if he’d ever once thought that you were actually a spy, then you’d never have been allowed into this building. At this moment, you’d be languishing in His Majesty’s Prison Holloway, awaiting execution.’

Victoria drew a huge gasp, her eyes widening with incredulity; she could hardly believe her ears. ‘You mean to say that he put me through all that, knowing all the time that I wasn’t a spy?’

‘Believe it or not, he did you a favour,’ Lieutenant Fairchild told her. ‘It could have been far more serious had he wished to make it so.’ Victoria was incensed. She felt completely humiliated.

Disregarding his remarks, her agitation began to boil over. ‘That’s despicable!’ she fumed.  ‘I don’t think the corridor is the best place for this conversation,’ he advised. ‘I’m certain we’ll be much more comfortable in my office.’

The lieutenant’s office was tiny in comparison to the baronial hall occupied by Colonel Bass, but it was far more inviting. It was hardly bigger than a cupboard, lined with filing cabinets and cluttered with stacks of paper that further reduced its size.

‘Sorry about the mess,’ he apologised, ‘but lowly lieutenants don’t rate a lot of space.’ He paused, studying her for a moment. ‘May I offer you some tea?’ he asked. ‘You look as though you need it.’

When the tea arrived, Victoria was grateful to receive a cup. Her ordeal had left her parched, and it was all she could do to stop herself from gulping it. Nevertheless, to her acute embarrassment, each time she tried to replace the cup back onto the saucer, her trembling hand made it rattle conspicuously, and in spite of trying not to, she slurped when she drank.

Lieutenant Fairchild waited patiently for her to recover enough to continue. Eventually, Victoria put the cup down and eyed him warily. Despite his good looks and easy charm, she was still paranoid about military conspiracies. ‘It won’t work, you know,’ she told him.
The lieutenant folded his hands on the desk top and smiled indulgently. ‘What won’t work?’ he asked.

She was certain that he knew exactly what she was talking about, but if he insisted on continuing this silly charade, then she would tell him anyway. ‘I’ve made a nuisance of myself, and after frightening the life out of me, that colonel of yours thinks to distract me by putting a pretty face in my way.’

 It took him some moments to comprehend what she was alluding to. Then suddenly, his eyes widened in surprise. ‘Oh, I see. You mean me. I can honestly say that I’ve never thought of myself in quite those terms before,’ he admitted, still somewhat bemused by her remark. ‘Do you suppose Colonel Bass sees me that way?’

Victoria was only too well aware that his amusement was entirely at her expense, and was determined not to be the butt of the joke.

‘You know precisely what I mean, Lieutenant,’ she remarked coldly.

‘Please, call me Alan,’ he invited, taking her by surprise, ‘and may I call you Victoria?’

He had a beguiling way about him that easily disarmed her caution, and after an appropriate pause required by formality, she nodded her consent.

‘Excellent,’ he beamed. ‘I’m sure we’re going to be great friends.’

Under any other circumstances, his remark might have been considered presumptuous. Perhaps the harrowing events of the last few hours had tired her, wearing down her resistance, making her susceptible to his overtures. In any event, Victoria found the suggestion not altogether unattractive. Maybe Colonel Bass was a better judge of character than she’d given him credit for.

About the author:

Born in Edmonton, London in 1951, Robert spent several of his formative years living in Cornwall where he began to develop a life long love of nature and the rural way of life. He began writing in his early teens and much of his short romantic fiction was subsequently published in various national periodicals including Secrets, Red Letter, and The People’s Fiend.

Never one to let the necessity of making a living get in the way of his writing, Robert has continued to write for most of his life whilst holding down a succession of jobs, which have included, “Health Food Shop Manager,” ”Typewriter Mechanic,” and “Taxidermist” – Yes, you read that correctly.

His passion for the history of the early twentieth century is second only to his love of writing. It was whilst researching for another project that he came across the personal diaries and letters of some women who had lived through the trauma of the Great War. What he read in them inspired him to write his debut novel Dance The Moon Down, and the rest, as they say, is history.

Robert is single and lives and writes in Hertfordshire.

Connect with Robert:
Facebook | Goodreads | Amazon author page 

Buy the book:
Amazon | Barnes & Noble 

Monday, October 21, 2013

Featured Author: Giacomo Giammatteo

Partners in Crime Virtual Book Tours brings Giacomo Giammatteo here today to talk about his mystery/suspense novel, Murder Has Consequences, published by Inferno Publishing Company.

About the book:

For a select few people, friendship lasts forever. Nicky Fusco and Frankie Donovan were friends like that, but that was years ago. Now Frankie’s a detective in Brooklyn’s Homicide department, and Nicky is a reformed hit man. But when Frankie gets in trouble—and the law can’t help him—he turns to Nicky.

The problem is that Nicky promised his family, and God, that he’d go straight. 

Book Trailer


Interview with Giacomo Giammatteo

Giacomo, how did you come up with the title Murder Has Consequences?

Murder Takes Time is the first in the Friendship and Honor series. In MTT, there is a set of six rules for murder. Murder Has Consequences is rule number two. All of the books will follow a rule of murder, so the next one out is Murder Takes Patience which is rule number three.

Excellent. Do you have another job outside of writing?

I’m a headhunter in the biotech and medical device industry. I’ve been doing this for thirty years.

How did you create the plot for this book?

All my plots are created in the same basic way. I have a concept or theme that I follow for each series. This is the Friendship and Honor series, so the theme revolves around the problems/conflicts that might arise out of a pact or oath of F&H. All I have to do is imagine a scenario that would create conflict and go with it. I always have an ending before I start, and then I work backwards. I despise a novel where the ending seems fabricated, so I swore I’d never do that.

What’s your favorite line from a book?

I’m a huge fan of the old noir films/books. Raymond Chandler, Dashiell Hammett...and I have to say my favorite lines from all time are from the scene with Sydney Greenstreet and Humphrey Bogart in The Maltese Falcon. Some of my other favorites are from Casablanca.

Tell us a book you’re an evangelist for.

The Count of Monte Cristo. My favorite book of all time.

How do you get to know your characters?

They’re real. I base them on real people, or on combinations of real people. I’m a huge believer in knowing my characters and not just the main ones. I think it is just as important, if not more so, to know your secondary characters as it is to know the primary ones. And when I say know them, I mean down to the core. Know what they’d do in a given situation, how they’d react if someone challenges them, if someone kisses them, if someone betrays them. That, in my opinion, is how great characters are created.

Which character did you most enjoy writing?

Nicky Fusco.

You say your characters are based by real people. Who?


Most of them. Can’t say.

Understandable. Tell us about your favorite scene in the book.

The scene where Nicky goes to see Millie in the bar. It seems like such a simple, nothing scene, but it isn’t. That scene allowed me to show so many things about Nicky, about the way things have changed in the neighborhood, and about the kind of conflict and respect Nicky had for people. I loved it.

Who are your favorite authors?


Alexandre Dumas, John Sandford, Raymond Chandler, Dashiell Hammett, Frank Herbert, Donna Leon, and when I need to laugh out loud, Luciano De Crescenzo.

How long is your to-be-read pile?


Far too long, unfortunately. And since I’ve been published it’s grown considerably. I’ve met so many wonderful authors, and they have books I want to read. My iPad is stocked with a lot of titles.

You get to decide who would read your audiobook. Who would you choose?

Me. If I find time, I’m going to try it myself.

What book are you currently reading and in what format?

I’m reading an ebook, Sleep Not My Child, by Christopher Bartley. He’s a gifted author, and I love his work.

Where and when do you prefer to do your writing?

I write mostly in the kitchen, and I start about 10:00 at night. If I have blog posts to write, I usually do those earlier, and if I have editing or proofreading to do, that comes before writing. My writing I like to do late.

Where’s home for you?

I live in Texas, outside of Houston, but I grew up in Wilmington, Delaware.

Your last meal would be…

Veal Marsala with good bread, and a good wine.

You won the lottery. What’s the first thing you would buy?


A lot of land for my animals.

If you could live anywhere in the world, where would it be?

Italy.

What are you working on now?


This is a loaded question. I always have a lot going on.
Mystery: A Bullet From Dominic, Blood Flows South book II
        Necessary Decisions, first book in new series, Redemption
        A novella about one of the characters in Necessary Decisions
        Murder Takes Patience, Friendship and Honor book III
        Old Wounds, a Redemption Novel

Non-fiction: No Mistakes Interviews, book II of the No Mistakes Career series
       No Mistakes Guide to Misused Words

Fantasy: Vengeance is Mine, Book IV of the Rules of Vengeance series

I realize this seems like an awful lot to be working on, but it’s how I work. I actively write on a non-fiction and a fiction (or 2) at the same time, depending on the mood I’m in, and I actively plot and write scenes as they come to me for the others.

I'm the same way. Good luck with all of your projects, and come back anytime!

Other books by Giacomo:




Excerpt from Murder Has Consequences

Actions have consequences. I learned that long ago.
  • I learned it when I was five years old and got caught stealing cigarettes.
  • I learned it when Mikey “The Face” Fagullo beat our asses for not giving him a cut of the smokes we stole from a boxcar.
  • I learned it when Father Tom caught us playing cards instead of attending mass.
  • Mostly I learned it when I shot Freddy Campisi. That lesson cost me ten years in prison.
Different actions yield different consequences. Do something wrong—-get sent to prison. That’s one kind of consequence. But that’s the easy one. If you go to prison, you do your time and get out. It’s over. Done with.

But there is another, far worse, consequence-—the one you have to live with day in and day out. The kind of consequence you beat yourself up over. The kind that won’t go away. I did my time for killing Freddy Campisi. The other things I’ve done I have to live with. Those are between me and God. They are my cross on earth.

Nicky Fusco


About the author:

Giacomo Giammatteo lives in Texas, where he and his wife run an animal sanctuary and take care of 45 loving rescues. By day, he works as a headhunter in the medical device industry, and at night, he writes. 

Connect with Giacomo:
Website | Blog | Facebook | Goodreads | Twitter |

Buy the book:
Amazon | Barnes & Noble | Apple | Kobo 

Saturday, October 19, 2013

Featured Author: Christoph Fischer


I'm very happy to have the talented Christoph Fischer back today to talk about his third book in the Three Nations Trilogy. On the market for less than a week, the historical fiction/family saga The Black Eagle Inn is already an Amazon best seller. Christoph is a three-time A Blue Million Books guest. He's been here to talk about the first book, The Luck of the Weissensteiners and the second, Sebastian. You can read those interviews here (first book) and here (the second).

What reviewers are saying:

-A comprehensive, entertaining historical novel that does not hold back any punches.
-Brilliant historical fiction: fascinating and entertaining.
-Simply a masterpiece.


About the book: 

The Black Eagle Inn is an old established Restaurant and Farm business in the sleepy Bavarian countryside outside of Heimkirchen.  Childless Anna Hinterberger has fought hard to make it her own and keep it running through WWII. Religion and rivalry divide her family as one of her nephews, Markus has got her heart and another nephew, Lukas got her ear. Her husband Herbert is still missing and for the wider family life in post-war Germany also has some unexpected challenges in store.

Once again Fischer tells a family saga with war in the far background and weaves the political and religious into the personal. Being the third in the Three Nations Trilogy this book offers another perspective on war, its impact on people and the themes of nations and identity.

Interview with Christoph Fischer 



Christoph, you get frequent flier points for being such a good friend to A Blue Million Books. I'm happy to have you back. Can you briefly catch us up with your Three Nations Trilogy and give us your elevator speech for The Black Eagle Inn?

In The Luck of the Weissensteiners, I showed the terror that was WWII and its effect on one particular area and ‘nation’ in Central Europe. In Sebastian, I went to a happier time before WWI to show the issues of nations and identity then. In The Black Eagle Inn, war is in the past and the people who find themselves in Western Germany have to pick up the remains from the ashes and form a new nation.

What’s the inspiration for your characters?

I got some inspiration from life and real people that I have met over the years, from Bavarian and German stereotypes and characters, from comments I overheard on a bus or a train, from stories I picked up and some from the characters themselves as they began to form their life in my book.

You just retired from your “day job.” Are you happy with your decision to retire?

Yes, totally. A lot of it is to do with the changes at the old work place, but I am also happy to have more time for my family when they need me.

Do you have a routine for writing?

When the muse drives me I just sit down and write. All I need to do is walk the dogs first or else Molly will kick my hands of the keyboards and demand attention.

Where and when do you prefer to do your writing?

In my little office space, preferably starting very early in the morning, when it is quiet.

Where’s home for you?

I just returned from a trip to my ‘home’ town in Germany. Now I am back in the UK, home from home if you so will, and despite the lovely time I had ‘back home’ and despite the many things that make me feel like an ‘alien’ in the UK, when we got out of the channel tunnel I felt I was home.

Neil Gaiman said, “Picking five favorite books is like picking five body parts you'd most like not to lose.” So…what are your five favorite books and your five body parts you’d most like not to lose?


The Books: Shantaram by Gregory David Roberts, The Kite Runner by Khaled Hosseini, The Slap by Christos Tsiolkas, The Gift of Rain by Tan Twan Eng, and We Need to Talk About Kevin by Lionel Shriver.

Body Parts: Head (never bodes well to lose it); Heart (been my partner’s for so long, I’d hate to transfer it now); Voice (how else would I be telling people about my books or tell my dogs to give me back that tennis ball); Hands (writing, preparing food); Legs (jogging and running away from danger).

You’re leaving your country for a year. What’s the last meal (or food) you would want to have before leaving?

Tofu salad.

Would you rather work in a library or a bookstore?

Definitely a library, there’d be no commercial pressure to sell anything.

Where is your favorite library and what do you love about it?

My home town library in Bavaria. I used to work there, I know the staff, and they stock my books. Tons of others.

Give us an update on your dogs!

Wilma had six puppies in February and turned out to be a great young mother. Two of the puppies, Ianto and Molly Junior, are living in the vicinity, and we get to see them often. In two years’ time we will see if Wilma wants to have another go at motherhood. Molly senior will be 9 in November and Greta is most happy at this time of the year for her love of Conkers.

Um...what exactly is Conkers?

They fall from trees like chestnuts. Brown and shiny, once out of the shell. We call Greta conker bonkers when she gets hold of one.

Ah! I see. There's no easy way to segue from dogs and Conkers to publishing, so I'll just get to it. Why did you decide to self-publish?


I was put off by the difficulties to even get an agent to take your calls. As much as I can see why that is, it did not seem a trust-inspiring start. I also hear how new authors are required to do much of their own marketing and publicity work. It seemed easier to do it myself and see where that would lead me.

Are you happy with your decision to self-publish?

I am very happy with the decision. I was fortunate enough to have an Academic partner, a designer friend, and an editor friend who were willing to work with me. I also met a few great writers who have functioned as beta readers for my books and helped me find my foot in the world of FB, Twitter and blogging. Self-publishing is hard work, but it is also great fun.

What steps to publication did you personally do, and what did you hire someone to do? Is there anyone you’d recommend for a particular service?

My partner did all the formatting, and together with Deborah Wall he did the editing.
Read my interview with Debra here.

Design artist Daz Smith.

Do you have any advice for an author who is getting ready to self-publish?

Make sure to do the best you can in terms of formatting, editing and design. People will judge you on formalities, regardless of how good your book is. But also, don’t let anyone discourage you to follow your dream (big symphonic sound track).

What marketing or promotion ideas have worked best for you?


Facebook, blogging and Twitter in combination. Since I got seriously involved on Twitter (and it was hard work to get going) my sales have doubled.

In your last interview here, you quoted Neil Gaiman as one of your favorite quotes: “Everybody has a secret world inside of them. I mean everybody. All of the people in the whole world, I mean everybody — no matter how dull and boring they are on the outside. Inside them they've all got unimaginable, magnificent, wonderful, stupid, amazing worlds... Not just one world. Hundreds of them. Thousands, maybe.” Can you tell us one of your secret worlds?


I just told you about those secret worlds in my books.
Okay. I do occasionally meditate and one of my ‘happy places’ I retreat to is a dark green mossy area next to a wild mountain stream, bearing both Bavarian and Irish features, if that makes sense.

One of your characters has just found out you’re about to kill him off. He/she decides to beat you to the punch. How would he kill you?

If he is anything like me, he’d just take a hammer and smash my head. No need to beat around the bush.

What’s your favorite candy bar? And don’t tell me you don’t have one!

A German kinder bar.

What are you working on now?

A Time to Let Go, a novel about a family in contemporary England. The mother has Alzheimers and the rigid father and the chaotic daughter fight over how to handle the illness.

Excellent. And you will be back to tell us more about it--right?

Guest Post

Politics in The Black Eagle Inn

by Christoph Fischer

To write about any Nation and its generational renewal party politics are difficult to avoid, even more so in the case of Germany where for 12 years one party dictated world history. In one plotline of the book I have gone deep into the rivalry between the two main parties in post-war Germany, which exists to this day.

I must apologise for any perceived bias and any offensive remarks against either of the parties portrayed. Party politics at the time were more differentiated than I could afford to showcase them in this book. The fictional party affiliation of some of my characters in the book was determined by certain ideas they stand for and which of the actual parties at the time would have fitted their profile the most.

In my view politicians of every party can be corrupt as they can be idealists. By no means would I like to imply that I favour the politicians of one party of another. My book is not a manifesto for political ideas per se but for humanitarian ideas that should be the foundation for any type of politics.

Politics can also be a frustrating and hard business and I applaud all of the idealists who go into politics and struggle hard for their visions and beliefs. I do not have the endurance for it myself and would like to thank those who have done so and who selflessly help to form and shape Germany into a modern state that has learnt from its past.

About the author:

Christoph Fischer was born in Germany, near the Austrian border, as the son of a Sudeten-German father and a Bavarian mother. Not a full local in the eyes and ears of his peers he developed an ambiguous sense of belonging and home in Bavaria. He moved to Hamburg in pursuit of his studies and to lead a life of literary indulgence. After a few years he moved on to the UK where he is still resident today. The Luck of The Weissensteiners was published in November 2012; Sebastian in May 2013. He has written several other novels which are in the later stages of editing and finalisation.

Connect with Christoph:
Website | Blog | Facebook | Facebook/Black Eagle Inn
Goodreads | Goodreads/Black Eagle Inn | Twitter |

Buy the books:
Amazon Author page  | The Black Eagle Inn on Amazon