Showing posts with label Cy Wyss. Show all posts
Showing posts with label Cy Wyss. Show all posts

Wednesday, September 25, 2019

FEATURED AUTHOR: CY WYSS



ABOUT THE BOOK

PJ Taylor, the feline shapeshifter, is back! Someone is kidnapping people’s pet cats and holding them for ransom. When PJ’s beloved niece is catnapped, the trail leads PJ to Nowhere, a tiny hamlet north of her hometown of Mayhap. What intrigues will PJ find among the inhabitants of this minuscule community? You can bet it involves at least one person up to no good and flushing this person out could be…murder!


Book Details:

Title: Road to Nowhere

Author: Cy Wyss

Genre: Cozy Mystery

Series: Eyeshine, book 2

Publisher: Nighttime Dog Press, LLC (September 1, 2019)

Print length: 222 pages







GUEST POST BY CY WYSS


The Art of Not Taking Advice



Everyone and their mentors all say that if you’re an indie author, whatever you do, don’t create your own covers. Step away from the notion you can create something decent. You’ll just end up embarrassing yourself.

Having a long history of not taking sage advice, and also having a few courses in art under my belt from when I was younger, I set out to completely disregard this advice. Like most contrary acts, it was both a great and terrible idea.

There is more motivation behind my insouciance than just financial. I’ve actually had rather rotten luck with designers. I’ve had them fail to produce the work they promised, produce shoddy work, and charge me a ton of money for something I can’t imagine not being able to do myself.

Armed with GIMP, the “free Photoshop,” I set out to outfit my own books with graphic art from my own mind and talent. Now that I’ve been creating covers for a few years, I can honestly say that I don’t recommend it unless you’re actually a graphic designer. Because, I basically had to become a graphic designer to get anything that was halfway decent and able to compete with the “big boys”—the professionals hired by the big publishing companies.

Let’s look at two case studies: Dimorphic (my first book), and Eyeshine (my second). Each had a distinct progression, through unreliable hired artists to my own early attempts and, finally, to my more learned offerings.

My covers really took off when I studied with Stuart Bache by taking the Covers that Sell course associated with Mark Dawson’s Self-Publishing Formula platform. Using Stuart’s techniques—plus years of practice, and I do mean years—I’ve been able to make decent covers recently.

      
     Dimorphic


       Eyeshine


The 2016 Eyeshine cover isn’t bad (in fact it’s pretty good), but it was seriously expensive, and I wasn’t about to pay $500 for every cover in my long, planned series. Plus, I wasn’t sure how it would translate to future books in the series. It is important they are similar and consistently recognizable.

        The Eyeshine Series—So Far


You can find more of my covers at cywyss.com and also nighttimedogpress.com. Thanks for reading! What do you think? Should indie authors ignore all that well-meaning advice and learn graphic design?



EXCERPT FROM ROAD TO NOWHERE


Robert Taylor entered the brownstone via the back door, closing it quietly behind himself. He was in a landing of pale green and gray with tan carpet and stairs leading upward and a sandwich board on the wall with office numbers. The woman he was looking for was in 303, two stories above him. He ascended the two flights, his heart leaden with reluctance.
He considered himself a unicorn – someone special and rare. Not only was he smart and successful (head of his own one-man FBI office in Mayhap, Indiana), the women in his family had the unusual proclivity to turn into cats when the sun set. This made them particularly effective operatives, although in fearing for their safety he often restricted their usefulness. His sister, PJ, had been his most important informant up until her recent death. He couldn’t believe she was gone.
It didn’t seem real. Didn’t cats have nine lives? He somehow expected PJ to rise from her grave and come back to him. Instead, here he was, about to attempt to convince a psychotherapist of his sanity in the face of his recent tragedies. All he wanted was to get back to work. They wouldn’t let him back without the sign-off from this woman, Ms. Julia Herzenberg. Her name conjured images of some ancient Freudian presence, maybe someone who looked like Dear Abby or Ruth Bader-Ginsberg, with copious wrinkles and a severe bun. He shivered at the idea of exposing his inner life to this person.
On the third floor, the stairwell opened into a larger space of muted pastels that smelled of rose and mint. Three doors greeted him, and he pushed through the one whose frosted glass proclaimed it 303. Inside, soft new age music played, and the floral scent was stronger. The culprit was an incense burner on a small table near the door. Thin smoke wafted from a glazed, bulbous pot in gray ombre. The walls of the suite were a soothing blue and the furniture worn leather in earthy browns. Striped pillows and throw blankets abounded, and health magazines lined the coffee table. Robert perched on the edge of a fat armchair and crossed his legs, interlacing his fingers around his knee. He waited, with the demeanor of a man about to face something dire and unwanted.
His first impression of Julia Herzenberg when she opened the inner door was that she looked nothing like an old psychiatrist or supreme court judge. Her hair flowed around her head in generous curls, spilling from her shoulders in waves of auburn silk. Her eyes were a crystalline green the likes of which he had only seen previously on actresses or fashion models. She was tall and thin, with slender, manicured fingers and long legs beneath a plaid wool skirt. She reminded him of a willow – inscrutable and eternal, with Nature’s grace and strength.
“Robert Taylor?” she asked.
It took him a moment to shut his flapping mouth and recover his aplomb.
“Yes,” he finally said, extending his hand.
She shook it firmly, her hand warm and dry. She led him into a brown hallway, and to an office at one end. The room contained the same homey furniture as the waiting area, in neutral shades of soft leather with woven and plush accompaniments.
“Have a seat,” she said.
He stared at the wide couch before him.
“Do I need to lie down?” he asked.
“Only if you want to,” she said.
She sat in an armchair across from the couch with her knees pressed together and her hands folded in her lap. She studied him, an entirely unassuming expression on her porcelain face. Awkwardly, he perched on the edge of the couch and rested his weight on his elbows on his thighs. He let his hands dangle.
She remained still and silent as he took in his surroundings. The paintings on the walls were interesting but not distracting and consisted of abstractions that reminded him of natural surroundings. The lights were incandescent, and the shades partially drawn, rendering the space as comforting as a forest nook where sunlight filtered through the branches above. Dr. Herzenberg even had a small fountain on one side table and the faint sound of running water complemented the illusion. Robert could feel his tension recede, despite his natural wariness and dark mood.
Still, she said nothing. Robert felt her watching him and found he couldn’t meet her gaze directly. Rather, his eyes roved over their environment, never settling for more than a few seconds. Behind and beside her was a narrow bookcase with glass panels and something about it bothered him. He kept returning to it, until he realized why. On the very top of the bookcase was an old-fashioned globe and a statue that looked like a very realistic black cat. It could have been PJ. He stared at the cat, and almost jumped out of his seat when the statue blinked.
“God, that’s a cat!” he said.
Dr. Herzenberg smiled. “That’s Bella.”
“Wow,” Robert said. “I thought she was a statue.”
“She likes to sit up there,” Dr. Herzenberg said. “Many of my patients don’t ever notice her.”
“I’m amazed. You bring your cat with you to the office?”
Dr. Herzenberg shrugged. “She doesn’t like to be alone.”
“You could get her a companion.”
“She doesn’t like other cats.”
Robert chuckled. “Typical difficult feline.”
“Tell me,” Dr. Herzenberg said. “Are you a cat person?”
He remembered his sister, and the fact he’d never see her again. His eyes burned, though he willed himself not to tear up.
“You could say that,” he said.
PJ had turned into a cat every night since shortly after she had hit puberty. He still remembered the first time she’d shapeshifted. He was a rookie cop at the time and looking after her since their parents had died, as her much older brother and legal guardian. They’d been playing video games on the couch when she howled and writhed in pain. He had thought she was dying and called 911.
Imagine his chagrin when they arrived and found no sign of the girl that he’d insisted needed an ambulance. Instead, a black tabby cat watched him explain that he’d had a nightmare and called emergency services by mistake. His colleagues ribbed him for weeks afterward.
Robert was so traumatized, he confined PJ to her room after sundown from that time forward, and he somehow managed to convince himself her transition hadn’t happened. It was only recently, with his own daughter, Nancy, entering puberty, that he’d finally opened up to PJ about her wonderous ability. He had been terrified that Nancy would become a shapeshifter as well. Be the status of that as it may, at least one outcome had been that he had become significantly closer to PJ, a relationship long overdue.
His memories of PJ ran through his mind, and guilt stabbed his heart. If only he hadn’t been so pigheaded, he could have showed his love for her sooner. He could have had years of closeness instead of mere months. They could even, perhaps, have–
No. He wouldn’t let himself think about that. Regret was a demon that ate you alive. It was what it was. He couldn’t change the past any more than he could draw castles in the sky.
“What are you thinking about?” Dr. Herzenberg asked.
Robert blinked several times, his reverie broken. “Nothing,” he said.
She stared at him. His gaze dropped to the coffee table between them.
“I was thinking of my sister,” he said.
“Tell me about her.”
Robert took a deep breath and let it out slowly. He crossed his arms over his chest and studied the carpet under their feet, a confetti-patterned collage of woodland hues. He found himself telling Dr. Herzenberg the truth – something he hadn’t done in decades.
“She’s not actually my sister,” he said.
“Oh?” She raised a delicate eyebrow.
“Well, she wasn’t, I mean,” he said. “My father was her mother’s cousin.”
Dr. Herzenberg appeared lost in thought for a moment. “So, your ‘sister’ was actually your second cousin?”
“Yes,” Robert said.
“Why do you call her your sister?”
“Our parents married,” Robert said. “Legally, PJ was my sister.”
“I see,” she said.
Another wave of regret washed over Robert. He clasped his hands together and hung his head so she wouldn’t see the sheen of tears in his eyes.
“I did read your employment record,” Dr. Herzenberg said. “You’ve had quite the last couple of weeks.”
Robert snorted. “Yeah. You could say that.”
“You failed the bureau’s lie detector test, separated from your wife, shot and killed a man, and your sister – your second-cousin, I mean – died. I’d say all of that qualifies you for a little paid leave.”
Then there was the business with his daughter, which he couldn’t talk about, as well as the thing concerning his infidelity, which he likewise couldn’t bring himself to talk about. His shoulders drooped.
“I don’t want paid leave,” he said. “I want to get back to work. All I do is sit around and mope. If I can work, I’ll feel better.” He looked up, into her concerned face. “What can I do to convince you I’m fit for returning to work – that, in fact, it’ll help me recover?”
She tilted her head and scrutinized him. He fidgeted under the weight of those amazing green eyes.
“You can’t run from your grief, Robert. Turning your attention elsewhere will only cause it to fester and grow into something uncontrolled.”
He sighed. “I was afraid you’d say that.”
On top of the bookcase, the cat stood and stretched elegantly, her back a deeply curved S. She sat on her haunches and used her paw to clean her snout. Robert watched, fascinated.
“Tell me more about your sister,” Dr. Herzenberg said.
Another wave of regret reminded Robert of his failures, and, with it, a twinge of fear piqued his soul. He’d already said too much.
“You were close, I take it,” the psychiatrist said.
“Yeah,” Robert said.
Dr. Herzenberg waited. Robert looked around the room again, his gaze settling on the quarter-height of window, through which a gray fall sky was visible.
“What bothers you most about her death?” she asked.
Robert’s eyes lost their focus as his attention turned inward. Guilt weighed heavy in his heart as he remembered the past two weeks and his role in the whole mess.
“I never…” He couldn’t bring himself to say it.
Dr. Herzenberg perked up. “You never what?”
He stared at the cat, who stared back unblinkingly. The odd sense of unreality overtook him again and he found himself speaking the truth once more.
“I never told her how much I loved her,” he said.
“I’m sure she knew,” Dr. Herzenberg said.
Robert shook his head. “No. She didn’t.”
“What makes you think that?”
“I pushed her away. She wanted more from me. I should have given it to her.”
Dr. Herzenberg’s brow furrowed and her eyes darkened. “What are we talking about, Robert? You’ve told me she wasn’t your blood sister. How did you see her? As your little sister? Or, as something more than that?”
Robert ground his teeth. How did they get onto this topic? He was here to get back to work, not to get himself fired for inappropriate feelings toward PJ.
“I shouldn’t have said it that way,” he said. “Of course, I meant it platonically.”
She studied him. “You know that everything you tell me is confidential.”
He frowned. “I know you have to report what I say to my superiors,” he said.
“No,” she said. “I have to report my overall opinions. Your disclosures are entirely between us alone.”
Robert stared up at Bella, whose golden gaze had never seemed to leave him. He was pretty sure the cat saw right through him, and he wondered how much of that ability Dr. Herzenberg had.
He said nothing.
***
Excerpt from Road To Nowhere by Cy Wyss. Copyright 2019 by Cy Wyss. Reproduced with permission from Cy Wyss. All rights reserved.




ABOUT THE AUTHOR



Cy Wyss is a writer based in Indianapolis, Indiana. They have a Ph.D. in computer science and their day job involves wrangling and analyzing genetic data. Cy is the author of three full-length novels as well as a collection of short stories and the owner and chief editor of Nighttime Dog Press, LLC.

Before studying computer science, Cy obtained their undergraduate degree in mathematics and English literature as well as masters-level degrees in philosophy and artificial intelligence. They studied overseas for three years in the UK, although they never managed to develop a British accent.

Cy currently resides in Indianapolis with their spouse, daughter, and two obstreperous but lovable felines. In addition to writing, they enjoy reading, cooking, and walking 5k races to benefit charity.


Connect with Cy:

cywyss.com
  |  Goodreads  |  BookBub  |  Twitter  |  Facebook

Buy the book:

Amazon


Wednesday, July 3, 2019

FEATURED AUTHOR: CY WYSS




ABOUT THE BOOK

Inspector Lukas Richter is a San Francisco police detective with a cybernetic eye and heightened senses. Out of a dark and obscure past, he is the future of urban warfare: smarter and faster than his colleagues and more perceptive than a polygraph. If you’re guilty, he’ll see it.



In An Eye for a Lie, Richter’s first full-length novel, he is accused of cold-blooded murder when a firearms analysis confirms his gun as the murder weapon. In the background, the city is aflame over Richter’s shooting of an unarmed man, an incident some are calling “the Asian Ferguson.” Has Richter gone rogue? Or, is his insanity an unintentional side-effect of his augmentations?



In prose so smooth and descriptive you’ll be lost in this devious mystery from the beginning, An Eye for a Lie delivers on the promise of unforgettable characters, unexpected technologic twists, and unstoppable action. Intrigue abounds in this police procedural with a hint of cyberpunk. Pick up your copy today!


Book Details:


Title: An Eye for a Lie


Author: Cy Wyss


Genre: mystery


Series: Inspector Richter, Book 1

Publisher: Nighttime Dog Press, LLC (May 22, 2019)


Print length: 258 pages

On tour with: Partners In Crime Virtual Book Tours



   




LOVE IT OR LEAVE IT WITH CY WYSS



Things you need in order to write: really, all I need is my laptop. Everything else is vanity.
Things that hamper your writing: cats! (When they’re being really loving and decide to come sit on my keyboard.) Just kidding – I love my cats. But they can be absolute pests, usually when I have finally made a writing breakthrough and am raring to go.


Things you love about writing: I find journaling very relaxing. On the other hand, if I have inspiring music playing and am lost in my own little world, it is very stimulating. I feel almost euphoric, as if I’m about to enter a battle on the losing side.
Things you hate about writing: trying to find an audience. It’s like throwing darts at a huge wall in pitch blackness and hoping they hit this tiny little dartboard that is somewhere on the wall, but you have no idea where. Marketing drives me crazy. I suppose in some kind of masochistic way it is actually fun, but I would much prefer if there was a reliable way to get to your fans. I don’t mind working for it, what I mind is not knowing what will work.

Easiest thing about being a writer: first drafts, especially when I tell myself it won’t be published. I can write 100,000 words easily in a month (or more) and in 2018 my word count was over one million. Quantity is not the problem. And, it is fairly good quality – but it could always be improved. I’m a firm believer in practice. The more I write, the smoother it gets.

Hardest thing about being a writer: revising kills me every time. I grew up being told everything I wrote was gold, so I never learned to revise properly. That talent only takes you so far. Now that I’m writing for a living, it is crucial to be able to revise efficiently. Instead, I end up rewriting, largely from scratch. I do manage to improve successive drafts until I have something publishable, but the process is time-intensive and difficult. I don’t know if it is me or the process that needs an attitude adjustment.



Words that describe you: intelligent, charismatic, friendly, trustworthy. Also, stubborn, opinionated, and headstrong.
Words that describe you, but you wish they didn’t: short, fat, lazy, and out-of-shape.

Favorite music: For writing, it is definitely the “soundtrack” (or role-playing) music of Future World Music or Epic Score. Inspiring, made up, movie-esque soundtrack music.
Music that makes your ears bleed: I’m actually quite picky. There is something from every genre I love, but there is a lot from every genre I hate. What I hate most: other people’s music, even if I would ordinarily like it – because I don’t have a say in what it is, how loud, when, etc.

Something you’re really good at: writing and databases.

Something you’re really bad at: running (although I love it) and revising.


Something you like to do: design and create my own covers. I really love graphic design, it turns out. And, I’m getting better at it the more I do it. (I did the Richter cover myself.)

Something you wish you’d never done: I got sucked into one of those spam scams where they promise a gift card, all you have to do is sign up with your email address for a hundred so-called “deals.” Now my email address gets spammed daily with something like 500 emails I just have to delete. And, it is a good email address so I can’t transfer everything and delete it. Sigh. Stupid spammers.

Things you’d walk a mile for: junk food: cookies, chocolate, chips – all those yummy things I’m not supposed to have. I suppose if I walked enough miles for them, then I’d be fine, but, of course, I don’t.
Things that make you want to run screaming from the room: crowds. I am not really a people person (at least, not an acquaintance/stranger person).

Things you always put in your books: some kind of next-generation technology, which is something from our current level of technology just taken to its logical next step. Also, cats.

Things you never put in your books: I’m not sure anything is off the table. I have first drafts with some pretty far out things in them, ranging from the improbable to the downright taboo.

Things to say to an author: “I just wrote you a great review on Amazon!”

Things to say to an author if you want to be fictionally killed off in their next book: “It’s a good thing it’s only a hobby because you’ll never make money off of writing.”

Favorite genre: mystery and science fiction.

Books you would ban: religious agenda propaganda.

People you’d like to invite to dinner (living): Michael Connelly (Harry Bosch series), Joanna Penn (big indie author), Cathy Guisewite (cartoonist), Chimamanda Ngozi Adichie (literary fiction).

People you’d cancel dinner on: Donald Trump (do I need to explain?), Stephen King (he wrote that the best thing about a decent hard-boiled mystery is that it has no cats – not that cats are the be-all-end-all of fiction, but it just strikes me as rather closed-minded in a particularly patriarchal kind of way).

The last thing you did for the first time: I hired a friend to do a cover reveal for An Eye for a Lie. It went well! I’ll definitely hire her again. Love the idea of a cover reveal, where you post glimpses of the cover for a couple of days and have prizes for readers.

Something you’ll never do again: attempt to quit writing because I’m not seeing quick success. First of all, it takes effort and time. Secondly, success is in the eye of the beholder. If I enjoy it and have a niche to fit in – isn’t that ultimately all it takes?





EXCERPT FROM AN EYE FOR A LIE


"All units, active shooter in progress, be advised perp is SFPD . . ."
The police frequencies in Vessa's sedan couldn't get enough of the situation. She was hardly in her car before the address where Richter was came over the air. She headed there immediately, lights flashing, accelerator floored.
He was in a townhouse on ninth, near Tehama, only a handful of blocks from the Hall of Justice. The entire area was cordoned off and blanketed with police cars. Vessa badged her way through and got to Commander Bayes who stood with Deputy Chief Forrest several yards from the front door. The townhouse was painted lime green and the entrance stood ajar.
"Commander, what's the situation?" Vessa asked.
"He's holed up in there," Bayes shook his head toward the house. "Got a hostage."
"A hostage? You're kidding."
"Wish I was. Teenage girl, still up there. He let the rest of the family go."
Now, Bayes shook his head a different way, indicating Vessa should look near one of the ambulances. There was a man and a woman, firmly behind police lines. Both were slender with brown hair and the woman wore a red sweater. She was crying and the man and a paramedic were trying to comfort her.
"Commander, none of this makes sense. Can you imagine Richter taking a hostage? It doesn't feel right."
"C'mon, Agent Drake," Bayes said. "None of us can say we really know him now."
Vessa frowned up at the building. Between her and the front door lay perhaps twenty feet of tarmac and parked cars. Bayes turned to Forrest and they conferred. Before Vessa even knew what she was doing, she was off --crossing the street at a sprint.
"Hey!" Bayes yelled.
Forrest pointed. "Stop her!"
It was too late. She broke away from the lines and was at the door before anyone could grab her. She pushed the dark portal open and slipped inside, shutting it behind her, closing it fully so it locked. Inside, it took a couple of minutes for her eyes to adjust to the pale strobe lights coming through the front blinds and door windows. She was in an open living room. It was small and closely furnished with a dining room capping it off near the back of the building. She guessed the kitchen would be around the corner. To her right, a staircase led upward. The landing was dark.
Vessa had taken her gun out without consciously realizing it. Now, she stared at it in the undulating red and blue lights. What was she going to do with it? Shoot her lover when she found him?
She holstered the gun. "Oh, Luke," she said softly. As if in answer, something moved above her, making a dull thud on the floor. She startled.
Slowly, she made her way up the stairs. "Luke?" she called. "I'm coming upstairs."
There was no answer. At the top of the stairs were three doors. Two were dark and closed. Wan light traced the outline of the third door. She opened it cautiously.
"Luke?"
The door creaked on its hinges to reveal a seemingly empty bedroom. The air was stale although the room was tidy and sparsely furnished with a queen-sized bed and two nightstands. The fluorescent lights from the street diffused around the edges of a thick curtain drawn across a large window. The occluded light wasn't strong enough to dispel the rooms shadows.
"Luke?" Vessa noticed she was whispering. She cleared her throat and spoke with as normal a voice as she could muster. "Luke? Where are you?"
"Here," came a reply.
She was practically on top of him by that time. He sat with his back to a wall across from the foot of the bed.
Vessa jumped. "Oh! You startled me."
He was staring at her. She half expected his evil eye to glow in the dimness but instead, she saw only normal dark eyes glittering from his outlined face. He sat with his knees bent and his arms resting between his legs. In his hands was a mass of blackness-his gun. That ugly piece of metal was a cursed reminder of what was going on and why they were here, facing each other in this shadowed space.
Vessa craned her neck around but didn't see anyone else. "Where's the girl?"
Richter watched Vessa intently for several seconds before answering. "The couple's outside. I let them go."
"No, apparently there's still a teenager in here somewhere."
Richter's gaze dropped to the carpet in front of him. "That would explain why it's just you and not SWAT. They think I have a hostage. Well, I don't."
"You have me."
His head snapped up. "You're not a hostage. Why are you here, anyway?"
"I'm here to get you. I don't want them gunning you down."
"You're here to arrest me, Special Agent Vessa Belle Drake?"
"Oh, Luke. We'll figure this out."
Richter brought the gun up in his right hand and pressed it to the underside of his chin, angled back toward his brain.
Vessa gasped. "No!" She was rooted to the spot, eyes wide.
He stared at her. "I guess whether I do it or SWAT does it, it's still death by cop."
Tears burned her eyes. "No, Luke. No. Why would you even think it? There must be some mistake. There must be some reason why those bullets matched."
"I won't be locked up. I won't be put back in the cage and poked and prodded, and studied to death this time."
Vessa remembered the shaking man sweating beside her in his bed at night. Even though he didn't speak of them, she knew he was having nightmares. Was it possible he was actually capable of pulling that trigger? Her chin throbbed where he'd bitten her. She couldn't stand this. How could she have been so wrong? She was never wrong. She swallowed. Never before had she fallen for a guilty man. How was she so blinded by hubris that she could feel this way about Richter when he was a merciless killer?
He stared at her, gun in his hand. He didn't move. She shook slightly with the emotions flooding her. Here she was, at the cusp of what she felt was the most important moment in her life. The man she loved sat before her, ready to take his own life if she didn't do or say the right thing next. She was paralyzed-absolutely paralyzed. All her training, and here she was, a shaking, paralyzed ball of nerves.
She burst into tears. How utterly professional.
Richter frowned.
Vessa's nose and eyes ran uncontrollably and she heaved great sighs. She didn't dare wave her arms around and wipe her face. Instead, she simply stood there and let her emotions pour down her cheeks.
Richter sighed. He lowered the gun. He dropped it with a thud to the carpet and kicked it toward her.
"How am I supposed to kill myself with you crying like that?"
She rushed to pick up the weapon and tucked it into the small of her back, under her blazer. She faced Richter, this time allowing herself to wipe the fluids from her face with her hands and sleeves. She could only imagine how many shades of fired she would be if Bully Benson had seen her outburst. She almost felt like declaring herself unfit for duty on the spot.
"I can't stand it," she said. "I can't lose you this way."
He said nothing. What was there to say? They stared at each other. Tears fell from her eyes until the momentum of her outburst ran its course and she finally managed to get a grip on herself.
Richter sat, inordinately relaxed, leaning against the wall, hands folded innocently between his legs.
"What now?" he asked.
She glanced toward the thick curtains shielding them from the snipers across the street.
"I'll have to cuff you. Then you won't be seen as a threat. Keep your head down, and I'll stay between you and them."
He craned his neck and looked over the bed toward the window. He watched the dark cloth for several seconds.
"Is your eye working? What do you see?"
"It's working," he said. "And, I see only reflections. Your temperature is up, though."
She came over and stood beside him. "Stay low," she said softly.
He got up and they crossed the room with him crouched low. They entered the windowless landing. Vessa closed the bedroom door behind them. She looked at the other two doors. The girl was probably behind one of them, asleep or with her headphones on, completely oblivious. Vessa pulled her cuffs out. Richter stood tall.
"All right?" she asked. She needed him to cooperate. She wasn't about to subdue such a large man in such a small space.
"Just a second," he said.
He bent and kissed her. They embraced. Vessa wanted the floor to open up and swallow them so they could stay like this forever. Of course it did not, and the moment had to end.
He straightened up again, turned his back to her, and extended his arms behind him so she could easily cuff him.
"I didn't shoot him," he said.
Before she could even think about it, Vessa responded.
"I know. I believe you."
***
Excerpt from An Eye for a Lie by Cy Wyss. Copyright 2019 by Cy Wyss. Reproduced with permission from Cy Wyss. All rights reserved.



ABOUT THE AUTHOR


Cy Wyss is a writer based in Indianapolis, Indiana. She has a Ph.D. in computer science and her day job involves wrangling and analyzing genetic data. Cy is the author of three full-length novels as well as a collection of short stories and the owner and chief editor of Nighttime Dog Press, LLC.

Before studying computer science, Cy obtained her undergraduate degree in mathematics and English literature as well as masters-level degrees in philosophy and artificial intelligence. She studied overseas for three years in the UK, although she never managed to develop a British accent.

Cy currently resides in Indianapolis with her husband, daughter, and two obstreperous but lovable felines. In addition to writing, she enjoys reading, cooking, and walking 5k races to benefit charity.





Connect with Cy:


Website  |  Blog  |  Facebook  |  Twitter  |  Goodreads  |  Amazon

Buy the book:
Amazon