Wander Home's book blurb:
Death is what you make it...Eleanor never wanted to leave the daughter she loved so much. The overpowering urge to wander--to search without knowing what she sought--drove her away. She left little Cassidy in her family's loving care. But Cassidy and the others died in an accident before Eleanor could fine her way home. Cassidy has her grandparents and her Great-Grandma. And all of them have what may be eternity. Memories can be relived or shared. The wonders of the world they left behind are only a thought away. The one-way tyranny of aging is no more--a white-haired and stooped great-grandmother one moment can be a laughing young playmate the next. But nothing can ease Cassidy's longing for her mother, and Eleanor's parents know better than to hope that Eleanor's life has been a happy one. Now, they are all reunited, with the chance to understand and heal. But the restlessness that shaped Eleanor's life still haunts her in death. Somehow, she must solve the mystery of her life--or none of them will be at peace.
PREFACE
This book is set in an afterlife: what sort of afterlife, the reader may
decide.
Chapter One
Cassidy stood tall and watched the wave approaching. Fifteen was a good age
for confronting the ocean. That morning she had been five years old, playing
happily in her sandbox; from sand to beach, from beach to ocean waves,
seemed a natural progression.
The wave loomed above her, glowing turquoise and green. She dove under the
crest, through the surging water, and popped up behind the swell, bobbing in
the follower waves. The water held her and rocked her; over the hiss and
roar of the waves, she could hear the distant squawk of seagulls. All around
was the smell of seaweed and salt and sunshine.
Once, her mother had held her, carried her, rocked her, surrounded her with
love and safety. She had no idea how long it had been, but she remembered.
Remembering, she let herself slip younger as she floated on the swells. But
larger waves were coming, so she grew again, six, ten, sixteen; then caught
a wave and rode it into shore.
Her grandparents and her great-grandmother were waiting for her.
Great-Grandma was young today, slim and blonde and straight, standing like a
dancer just before the music starts. Grandma Sarah and Grandpa Jack had
chosen to be older, gray-haired, with the comfortable look of a couple who
for years have weathered each other's moods and followed each other's
thoughts.
Cassidy ran up the beach toward them. She slipped to eight years old as she
reached them, so Grandpa Jack could pick her up and toss her in the air. The
sun flashed in her eyes as she flew up, and again as she fell back toward
his hands. He set her down again and flopped onto the sand, patting the
space next to him. She sat, folding her legs tailor fashion; Great-Grandma
flowed gracefully down to sit on her other side. Only Grandma Sarah remained
standing, younger now, her hair in a long red braid.
Grandpa Jack and Great-Grandma both put their arms around her. Cassidy
looked at Grandpa Jack. He was blinking as if he had something in both his
eyes. She swiveled around toward Great-Grandma; Great-Grandma nodded toward
Grandma Sarah.
Cassidy threw her head back, looking up at Grandma Sarah and squinting in
the sun. Grandma Sarah squatted down in front of her. "Cassie, love, we have
some news for you. Good, important news."
The seabirds were calling as if they wanted to be first with the message,
whatever it was. Grandma Sarah leaned forward to kneel in the sand, reached
out and took Cassidy's hands.
"It's your mother, sweetheart. She's coming. She'll be here soon. We'll all
be seeing her again."
Cassidy felt herself getting smaller, small. She was two years old. She
scrambled to her feet. "Mommy!" Her own shrill voice frightened her, and
she called even louder, twisting from side to side, searching the beach and
the water. "Mommy! MOMMY!"
Great-Grandma had slipped old, white hair shining in the sunlight, her
cheeks pink, soft wrinkles in her face, smelling of flour. She pulled
Cassidy close, crooning, "Hush, hush. It's all right, baby. Shhhh." Cassidy
burrowed against her and breathed the comforting scent. She thought she
might feel better if she got big again, but nothing happened.
She heard Grandpa Jack speak. "Mama, Sarah, let's go somewhere cozier."
Then the sun, the waves, the seabirds were all gone, and they were in
Great-Grandma's living room. She was snuggled up next to Great-Grandma on
the big shabby couch. There were shortbread cookies on the coffee table.
Grandma Sarah sat on Grandpa Jack's lap in the big armchair, Grandpa Jack
playing with Grandma Sarah's hair.
"Cassidy, honey, it's time to be a big girl. We have more to talk about."
Great-Grandma stroked her cheek, then kissed it.
Cassidy squeezed her eyes tight. "I'm trying. It's hard. Why is it hard?"
Grandpa Jack spoke. "Well, baby, you were just this age when your mama left.
You're remembering it so hard, right now, that you're maybe a little stuck.
Relax, honey, and know that everything's all right. It'll come."
Cassidy took a deep breath, and another, and another. Great-Grandma
skootched away to give her room. Cassidy opened her eyes. She was thirteen
years old. She reached for a cookie.
"There, that's better, isn't it?" Great-Grandma picked out a cookie for
herself and took a hearty bite.
"When will she be here? When can I see her?"
Grandma Sarah brought Cassidy a glass of milk, then sat back down on Grandpa
Jack's lap. "Honey, those are two different questions. She'll be here very
soon, and you can see her just a little while after that. It's going to be
-"
"Why can't I see her right away?" She didn't want to yell at Grandma Sarah,
but she felt like yelling. It was always harder to be patient at thirteen.
She slipped to twenty, but it felt wrong, too big, too grown up for a little
girl missing her mother. She slid back to ten.
"Cassie, you were so young when you got here, only six years old. You
weren't set in your ways yet - you expected to learn new things every day,
to have adventures and surprises. Coming here was just another and bigger
adventure. But it's different for older people. It's more of a shock. We
think it'd be best if Great-Grandma welcomes her first, and explains
things."
"How long will that take?" Cassidy swallowed tears and washed them away
with a gulp of milk.
Great-Grandma moved back over and hugged her.
"Not as long as it will feel
to you. I'll bring her to see you as soon as I can."
About the author:
Karen A. Wyle was born a Connecticut Yankee, but moved every few years
throughout her childhood and adolescence. After college in California, law
school in Massachusetts, and a mercifully short stint in a large San
Francisco law firm, she moved to Los Angeles, where she met her now-husband,
who hates L.A. They eventually settled in Bloomington, Indiana, home of
Indiana University.
Wyle's childhood ambition was to be the youngest ever published novelist.
While writing her first novel at age ten, she was mortified to learn that
some British upstart had beaten her to the goal at age nine.
Wyle has been a voracious and compulsive reader as long as she can remember.
Do not strand this woman on a plane without reading matter! Wyle was an
English and American Literature major at Stanford University, which suited
her, although she has in recent years developed some doubts about whether
studying literature is, for most people, a good preparation for enjoying it.
Her most useful preparation for writing novels, besides reading them, has
been the practice of appellate law -- in other words, writing large
quantities of persuasive prose, on deadline, year after year.
Wyle's voice is the product of almost five decades of reading both literary
and genre fiction. It is no doubt also influenced, although she hopes not
fatally tainted, by her years of law practice. Her personal history has led
her to focus on often-intertwined themes of family, communication, the
impossibility of controlling events, and the persistence of unfinished
business.
Find Karen:
Karen's website
Karen's Facebook page
Showing posts with label forgiveness. Show all posts
Showing posts with label forgiveness. Show all posts
Sunday, November 11, 2012
Book excerpt from Wander Home
Labels:
afterlife,
family,
family mystery,
family relationships,
family secrets,
forgiveness,
reconciliation,
unfinished business,
wandering
Friday, November 9, 2012
Talking With Author Karen Wyle
Author Karen Wyle is here to talk about her book, Wander Home, a family drama with mystery elements set in an afterlife. Before we begin, take a look at a little more about Karen's book.
About Wander Home:
Death is what you make it. . . . Eleanor never wanted to leave the daughter she loved so much. The overpowering urge to wander -- to search, without knowing what she sought -- drove her away. She left little Cassidy in her family's loving care. But Cassidy and the others died in an accident before Eleanor could find her way home. Cassidy has her grandparents, and her Great-Grandma. And all of them have what may be eternity. Memories can be relived, or shared. The wonders of the world they left behind are only a thought away. The one-way tyranny of aging is no more -- a white-haired and stooped great-grandmother one moment can be a laughing young playmate the next. But nothing can ease Cassidy's longing for her mother; and Eleanor's parents know better than to hope that Eleanor's life has been a happy one. Now, they are all reunited, with the chance to understand and heal. But the restlessness that shaped Eleanor's life still haunts her in death. Somehow, she must solve the mystery of her life -- or none of them will be at peace.
Hi, Karen, and welcome to A Blue Million Books. Let's begin with your thoughts on writing. What do you like best about it?
I love having a story or its characters surprise me--for example, when an element I added casually or for one purpose turns out to be important for some quite different reason.
I know exactly what you mean! What’s your least favorite thing about writing?
The hardest part of writing, for me, is fighting the invisibility of self-published work by new authors. But my least favorite aspect might be the constant threat of carpal tunnel syndrome.
I’ve never had trouble with carpal tunnel, but I’m with you on the invisibility thing. How did you come up with the title of your book?
I'm basically bad at naming things, tending toward the dull and literal. My daughters' special sleep-toys were named Special Bear and Puppy. I once had a coffee plant named Coffee. My first novel, Twin-Bred, was named for the human-alien fraternal twins who bore that label in the book. So I had quite a time finding a title for my second novel.
I started with the working title "Reflections," which had some subtle connection to aspects of the book. Various people following my progress, and then some beta readers, found that title boring and thought it didn't (so to speak) reflect the book well enough. I also realized that it had been used quite often, and that one recent book with the almost-identical title Reflection had some thematic overlap with my novel. I came up with a few alternatives that sounded like romance or YA, when my novel was neither. After that, I started reading poetry, hoping that a line would jump out and declare itself a good fit for my book. For a while, I was ready to go with "The Story of Our Days," from a somewhat-appropriate poem by Sir Walter Raleigh – but it reminded me and too many others of the soap opera Days of Our Lives . . . . My next candidate, "Nor Whence Nor Whither," was adapted from a stanza in The Rubaiyat of Omar Khayyam – but not even the people who liked it could remember it. Finally, I spent some time thinking about my book and free-associating words and phrases, writing them all down and reading them over and over. My final two possibilities were "The Road Behind" and the title I finally chose, Wander Home. I liked the feel of the latter, and its slightly paradoxical and somewhat optimistic connotations suited me.
I like it too. Good choice! Did you have any say in your cover art?
As a self-published author, I had total control of my cover art, within my technical limitations – which are substantial. I needed to collaborate with designers to realize my ideas.
I wanted faces on this cover, although I know the arguments against using faces. After a couple of attempts to find an artist to draw my characters, I decided to use stock photos that came close to how I imagined them. I encountered some frustrations in this process: in one case, the version of a photo that I saw online and fell in love with was subtly but crucially different when I bought and downloaded the full-size file. The photos I ended up using don't completely match my character descriptions, but they're close enough to content me, and they're wonderfully striking photographs. (The photographer credits are in the front matter of the book.)
Tell us about the artist.
Two designers in a row had the unenviable task of coping with my many requests for tweaks. (The first one eventually dropped out of the process; the second, Michelle Hartz, who is also an author and our local NaNoWriMo municipal liaison, picked up where the first left off and actually still talks to me.)
What do you think of it?
I'm very pleased with the final result!
Sophie’s choice: Do you have a favorite of your characters?
It'd be a close competition between Eleanor's father Jack and Jack's mother Amanda. Jack is a big strong hunk who's not afraid of strong and somewhat dominating women (including his wife Sarah). He's a thoroughly nice and affectionate fellow, and he's good with his hands. What's not to like? Amanda is (at certain points) a very talented ballet dancer, hailing from a different background than many of the inhabitants of that world. She's both shrewd and wise, with a talent for accepting people as they are. In her latter years, she looks like my maternal grandmother, of whom I have warm memories.
When you start a new book, do you know what the entire cast will be?
Some day I may work out my whole plot and all my characters ahead of time, but so far, I start with a situation, some scenes, and a few key characters, and then let the story lead me.
Are any of your characters inspired by real people?
Eleanor, the central character in Wander Home, has some resemblance to my late brother. He was a troubled soul who caused a fair amount of heartache to those close to him but was fundamentally a good and decent person and deeply creative. One could say the same of Eleanor – although the reasons for her problems and life choices are unrelated to my brother's lifelong mental health issues.
Tell us about your favorite scene in the book.
I'm not good at choosing a favorite anything -- but I'm quite fond of the very first scene, and of the very last scene. Other contenders include Eleanor's introduction to the surprising features of the afterlife, and her reunion with Cassidy (the portion that takes place in Grandma/Amanda's kitchen.)
How do you handle criticism of your work?
I remind myself that there are other readers who love my work, sometimes more than it deserves. I acknowledge any areas where I agree, at least in part, with the criticism. If the reader doing the criticizing appears to have misunderstood some aspect of the book, i.e. on what planet it takes place, (this actually happened with Twin-Bred) I examine whether there is some deficiency in the book that made that misunderstanding more likely. Finally, I look for any grammatical or logical flaws in the criticism that allow me to feel superior to the critic. (I'm only human!)
I love that! Tell us one weird thing, one nice thing, and one fact about where you live.
Weird: it isn't anywhere. That is, we're not in any municipality -- only in a county.
Nice: we're in the woods, and it's beautiful much of the year.
One fact: Indiana University basketball is coming BACK! (Yes, it's a fact! . . .)
It certainly is. They’re currently number one. And I’d like to point out that the University of Louisville and the University of Kentucky are numbers two and three! Go CATS! Okay…if you could take a trip anywhere in the world, where would you go? (Don’t worry about the money. Your publisher is paying. )
I would go to Venice during Carnavale. I visited Venice once for two days, many years ago, and felt as if I'd been there much longer. I found it not only beautiful, but soothing, at a time when I needed some emotional healing.
What are you working on now?
I'm in the middle of editing the sequel to Twin-Bred, tentatively titled Reach (or, more completely, Reach: A Twin-Bred Novel). I also plan to format Wander Home for paperback publication via CreateSpace.
And then there's NaNoWriMo (National Novel Writing Month)! I’m hoping to finish the VERY rough draft of my latest novel.
I hope you’ll come back and talk about it here when you publish it. Thanks for being here today.
Thanks, Amy!
About the author:
Karen A. Wyle was born a Connecticut Yankee, but moved every few years throughout her childhood and adolescence. After college in California, law school in Massachusetts, and a mercifully short stint in a large San Francisco law firm, she moved to Los Angeles, where she met her now-husband, who hates L.A. They eventually settled in Bloomington, Indiana, home of Indiana University. Wyle's childhood ambition was to be the youngest ever published novelist. While writing her first novel at age ten, she was mortified to learn that some British upstart had beaten her to the goal at age nine. Wyle has been a voracious and compulsive reader as long as she can remember. Do not strand this woman on a plane without reading matter! Wyle was an English and American Literature major at Stanford University, which suited her, although she has in recent years developed some doubts about whether studying literature is, for most people, a good preparation for enjoying it. Her most useful preparation for writing novels, besides reading them, has been the practice of appellate law -- in other words, writing large quantities of persuasive prose, on deadline, year after year.
Karen's website
Facebook page
Twitter
About Wander Home:
Death is what you make it. . . . Eleanor never wanted to leave the daughter she loved so much. The overpowering urge to wander -- to search, without knowing what she sought -- drove her away. She left little Cassidy in her family's loving care. But Cassidy and the others died in an accident before Eleanor could find her way home. Cassidy has her grandparents, and her Great-Grandma. And all of them have what may be eternity. Memories can be relived, or shared. The wonders of the world they left behind are only a thought away. The one-way tyranny of aging is no more -- a white-haired and stooped great-grandmother one moment can be a laughing young playmate the next. But nothing can ease Cassidy's longing for her mother; and Eleanor's parents know better than to hope that Eleanor's life has been a happy one. Now, they are all reunited, with the chance to understand and heal. But the restlessness that shaped Eleanor's life still haunts her in death. Somehow, she must solve the mystery of her life -- or none of them will be at peace.
Hi, Karen, and welcome to A Blue Million Books. Let's begin with your thoughts on writing. What do you like best about it?
I love having a story or its characters surprise me--for example, when an element I added casually or for one purpose turns out to be important for some quite different reason.
I know exactly what you mean! What’s your least favorite thing about writing?
The hardest part of writing, for me, is fighting the invisibility of self-published work by new authors. But my least favorite aspect might be the constant threat of carpal tunnel syndrome.
I’ve never had trouble with carpal tunnel, but I’m with you on the invisibility thing. How did you come up with the title of your book?
I'm basically bad at naming things, tending toward the dull and literal. My daughters' special sleep-toys were named Special Bear and Puppy. I once had a coffee plant named Coffee. My first novel, Twin-Bred, was named for the human-alien fraternal twins who bore that label in the book. So I had quite a time finding a title for my second novel.
I started with the working title "Reflections," which had some subtle connection to aspects of the book. Various people following my progress, and then some beta readers, found that title boring and thought it didn't (so to speak) reflect the book well enough. I also realized that it had been used quite often, and that one recent book with the almost-identical title Reflection had some thematic overlap with my novel. I came up with a few alternatives that sounded like romance or YA, when my novel was neither. After that, I started reading poetry, hoping that a line would jump out and declare itself a good fit for my book. For a while, I was ready to go with "The Story of Our Days," from a somewhat-appropriate poem by Sir Walter Raleigh – but it reminded me and too many others of the soap opera Days of Our Lives . . . . My next candidate, "Nor Whence Nor Whither," was adapted from a stanza in The Rubaiyat of Omar Khayyam – but not even the people who liked it could remember it. Finally, I spent some time thinking about my book and free-associating words and phrases, writing them all down and reading them over and over. My final two possibilities were "The Road Behind" and the title I finally chose, Wander Home. I liked the feel of the latter, and its slightly paradoxical and somewhat optimistic connotations suited me.
I like it too. Good choice! Did you have any say in your cover art?
As a self-published author, I had total control of my cover art, within my technical limitations – which are substantial. I needed to collaborate with designers to realize my ideas.
I wanted faces on this cover, although I know the arguments against using faces. After a couple of attempts to find an artist to draw my characters, I decided to use stock photos that came close to how I imagined them. I encountered some frustrations in this process: in one case, the version of a photo that I saw online and fell in love with was subtly but crucially different when I bought and downloaded the full-size file. The photos I ended up using don't completely match my character descriptions, but they're close enough to content me, and they're wonderfully striking photographs. (The photographer credits are in the front matter of the book.)
Tell us about the artist.
Two designers in a row had the unenviable task of coping with my many requests for tweaks. (The first one eventually dropped out of the process; the second, Michelle Hartz, who is also an author and our local NaNoWriMo municipal liaison, picked up where the first left off and actually still talks to me.)
What do you think of it?
I'm very pleased with the final result!
Sophie’s choice: Do you have a favorite of your characters?
It'd be a close competition between Eleanor's father Jack and Jack's mother Amanda. Jack is a big strong hunk who's not afraid of strong and somewhat dominating women (including his wife Sarah). He's a thoroughly nice and affectionate fellow, and he's good with his hands. What's not to like? Amanda is (at certain points) a very talented ballet dancer, hailing from a different background than many of the inhabitants of that world. She's both shrewd and wise, with a talent for accepting people as they are. In her latter years, she looks like my maternal grandmother, of whom I have warm memories.
When you start a new book, do you know what the entire cast will be?
Some day I may work out my whole plot and all my characters ahead of time, but so far, I start with a situation, some scenes, and a few key characters, and then let the story lead me.
Are any of your characters inspired by real people?
Eleanor, the central character in Wander Home, has some resemblance to my late brother. He was a troubled soul who caused a fair amount of heartache to those close to him but was fundamentally a good and decent person and deeply creative. One could say the same of Eleanor – although the reasons for her problems and life choices are unrelated to my brother's lifelong mental health issues.
Tell us about your favorite scene in the book.
I'm not good at choosing a favorite anything -- but I'm quite fond of the very first scene, and of the very last scene. Other contenders include Eleanor's introduction to the surprising features of the afterlife, and her reunion with Cassidy (the portion that takes place in Grandma/Amanda's kitchen.)
How do you handle criticism of your work?
I remind myself that there are other readers who love my work, sometimes more than it deserves. I acknowledge any areas where I agree, at least in part, with the criticism. If the reader doing the criticizing appears to have misunderstood some aspect of the book, i.e. on what planet it takes place, (this actually happened with Twin-Bred) I examine whether there is some deficiency in the book that made that misunderstanding more likely. Finally, I look for any grammatical or logical flaws in the criticism that allow me to feel superior to the critic. (I'm only human!)
I love that! Tell us one weird thing, one nice thing, and one fact about where you live.
Weird: it isn't anywhere. That is, we're not in any municipality -- only in a county.
Nice: we're in the woods, and it's beautiful much of the year.
One fact: Indiana University basketball is coming BACK! (Yes, it's a fact! . . .)
It certainly is. They’re currently number one. And I’d like to point out that the University of Louisville and the University of Kentucky are numbers two and three! Go CATS! Okay…if you could take a trip anywhere in the world, where would you go? (Don’t worry about the money. Your publisher is paying. )
I would go to Venice during Carnavale. I visited Venice once for two days, many years ago, and felt as if I'd been there much longer. I found it not only beautiful, but soothing, at a time when I needed some emotional healing.
What are you working on now?
I'm in the middle of editing the sequel to Twin-Bred, tentatively titled Reach (or, more completely, Reach: A Twin-Bred Novel). I also plan to format Wander Home for paperback publication via CreateSpace.
And then there's NaNoWriMo (National Novel Writing Month)! I’m hoping to finish the VERY rough draft of my latest novel.
I hope you’ll come back and talk about it here when you publish it. Thanks for being here today.
Thanks, Amy!
About the author: Karen A. Wyle was born a Connecticut Yankee, but moved every few years throughout her childhood and adolescence. After college in California, law school in Massachusetts, and a mercifully short stint in a large San Francisco law firm, she moved to Los Angeles, where she met her now-husband, who hates L.A. They eventually settled in Bloomington, Indiana, home of Indiana University. Wyle's childhood ambition was to be the youngest ever published novelist. While writing her first novel at age ten, she was mortified to learn that some British upstart had beaten her to the goal at age nine. Wyle has been a voracious and compulsive reader as long as she can remember. Do not strand this woman on a plane without reading matter! Wyle was an English and American Literature major at Stanford University, which suited her, although she has in recent years developed some doubts about whether studying literature is, for most people, a good preparation for enjoying it. Her most useful preparation for writing novels, besides reading them, has been the practice of appellate law -- in other words, writing large quantities of persuasive prose, on deadline, year after year.
Karen's website
Facebook page
Labels:
afterlife,
family,
family drama,
family mystery,
family relationships,
family secrets,
forgiveness,
Karen Wyle,
reconciliation,
unfinished business,
Wander Home,
wandering
Wednesday, October 24, 2012
Book Excerpt: Broken Build by Rachelle Ayala
She drove down Trimble and turned left on Zanker. She had to install the new fileserver today. A single car sat in the Shopahol parking lot. Jen pulled next to it and smashed the curb with a sickening crunch. Damn. She reversed it and cut the engine.
A gust blew dried leaves in a circle on the sidewalk. Jen locked her car and bent to examine the damage—a cracked air dam on her brand new Eclipse. She dropped her keys and spit on her finger to rub out the black scratch.
The neighboring car’s bumper stretched over the sidewalk. That’s why she had misjudged. Her eyes widened. Dried brownish streaks flaked off the bumper and grill, and a tuft of black hair was pinched to the license plate holder.
Jen stood and backed from the car—a white Camry! She must not scream. Drive away. Pretend she didn’t see it. Whose car was this? Her breath came in sharp puffs, and she doubled over, trying not to hyperventilate or faint. She quickly retrieved her keys from the sidewalk. A pair of trousered legs met her on the way up. The scream erupted from her throat, and strong hands clamped her wrists.
Steel-grey eyes bore into hers. “Calm down. Are you okay?”
Words scattered from her throat. She tried to pull away, but the man, the CEO, the delectable Dave Jewell, held her tight. He picked up her backpack and pulled her toward the building.
“I-I ah…” Jen gasped, but she followed him through the door.
“Let’s get you some water.” He handed her the backpack and steered her through the lobby toward his office. “It’s only a little front end damage. I’m sure your insurance will take care of it.”
He appeared calm, too calm to have blood on his car. Jen’s brain burst with silent screams. She forced herself to breathe evenly. A CEO wouldn’t be driving a Camry, would he?
There had to be an innocent explanation, and she sure as hell didn’t want to get involved. She’d pretend nothing was wrong. Consciously relaxing, she disengaged from his hold and accepted the bottle of water. “Sure. I’ll be down in the server room. I hope Bruce unpacked the boxes and racked the filer. Is that his car parked next to mine?”
Dave looked up from his Blackberry. “Huh? I have to go. I came to grab a file. Let me know if you need anything else.”
He jingled his keys, one with a Toyota emblem, and he patted her shoulder. “Don’t worry about your car. I’ll pay for the damage. I should have had parking blocks installed, especially where the curb’s too high. Let’s go check it out. I know a body shop that’ll do you good.”
Jen fought for her breath again. How could he be so light-hearted and casual? But wasn’t that the case with psychopaths? Especially charming, handsome, successful ones? The last one anyone suspected. He acted as if he didn’t remember meeting her last night at the pizza place. Oh, yes. Stupid. Of course. He was the boss, and this was work. Well, she’d pretend she never shared a video game with him, either.
“No… no, I have to go to the lab.”
“Okay, I’ll take a look on the way out and call someone to fix it. You just worry about the filer. Promise me you won’t break anything?” He smiled and pantomimed tipping his nonexistent hat.
Was he a loon on top of being a murderer? Jen shuddered and backed out of his office. When she saw him exit, she ran to a window near her cubicle.
Dave squatted in front of her car. He traced the crack and pulled on the broken air dam. He glanced at the white car and froze. Slowly he eased himself to his feet and looked at the office building. Their gazes locked.
About the author
Rachelle Ayala was a software engineer until she discovered storytelling works better in fiction than real code. She has over thirty years of writing experience and has always lived in a multi-cultural environment.
Rachelle is an active member of online critique group, Critique Circle, and a volunteer for the World Literary Cafe. She is a very happy woman and lives in California with her husband. She has three children and has taught violin and made mountain dulcimers.
Scroll down for an interview with Rachelle!
Rachelle's website
Buy Broken Build
Labels:
forgiveness,
love story,
murder,
Rachelle Ayala,
romance,
secret identity,
Silicon Valley
Monday, October 22, 2012
Talking With Rachelle Ayala
Rachelle Ayala's book, Broken Build, was published in September by Amiga Books, and she's here today to tell us a little about it.
Book blurb:
Jen Jones hides a horrible secret behind her new degree, toned body, and exciting job at Silicon Valley’s hottest startup—until a man is killed in a hit-and-run at her work.
CEO and founder Dave Jewell is about to land a huge deal. What he doesn’t need is blood on his car, threatening phone calls, and Jen wrapped in broken code and blackmail.
A gang of thugs hunts Jen, and she takes refuge in Dave’s protective arms. Together, they must thwart a killer and rescue an innocent victim from their past. Love blossoms, but a damaging revelation points straight at Jen, threatening to tear them apart forever.
Hello, Rachelle, I’m happy to have you here today to talk about your work. You’ve published three books. Do you outline, write by the seat of your pants, or let your characters tell you what to write?
I daydream the big moments in advance so I know who the villain is and what the setup of the climax would be. Other than that, I write by the seat of my skirt (I don’t wear pants since I outgrew my jeans.) When I write, a movie is playing in my mind. I record everything, and oftentimes it goes with what the characters are thinking and feeling. They don’t necessarily tell me what to write, but if they won’t go a certain way and I’ve tried to nudge them that way a few times, I give up. If I keep dictating to them to do this or do that, they go on strike, and I get blocked, and no writer likes to get blocked.
I’m constantly on the lookout for new names. How do you name your characters?
Names pop into my head. I don’t really give it much thought. I suppose it is free association. I try to keep the names very common so that no one can say it is about them, hence Jones, Walker, Williams, Cruz, Jewell, Mathews are used as surnames. I live in a multi-cultural environment so Indian, Spanish, and Chinese names pop into my mind frequently.
What would Jen, your main character, say about you?
She doesn’t like me very much. I’m too mean to her, expose all her secret fears and weaknesses and make her go through lots of trauma, physical and emotional. I gave her a broken man, one she broke with her past misdeeds, and had her fall in love with him while fearing he’d reject her when he finds out what she’d done.
Are you like any of your characters? How so?
My female characters have tender hearts. They may have their own problems, but they’re all nurturers and melt at the sight of small children and baby animals. They tend to be impulsive in love like I am. This means I need to write a different character next time, but I find it tough to relate to a hard-as-nails independent woman with a chip on her shoulder. Perhaps that is why I never finished my book, Kyra’s Shield, about a woman who grew up as a man in ancient Philistia.
With which of your characters would you most like to be stuck on a deserted island?
Well, gosh, this is hard. I have such hot male characters. There’s King David, Prince Ittai, Michal’s second husband, Phalti the scribe, CEO Dave Jewell and my latest sweetie, triathlete Lucas Knight.
Tell us about your favorite scene in the book.
This one is from Broken Build. I loved to play pinball back in the 1980’s. There was a game called William’s Time Warp with yellow banana shaped paddles. I must have been in the zone one evening at UCLA. Usually, I’m pretty bad and my friend, Kathy Curry, would whip me, but that night, with Time Warp, I scored one high score after another. I didn’t even notice that everyone around me had stopped playing and that a crowd had gathered.
So I relived this pinball game in Dave’s garage at his Tahoe cabin. Only, he was playing with a hot female sitting on the table facing him. Uhmmm… my favorite scene was actually deleted. Instead, he tells her what he’d do to her on the table without actually doing it. My characters were both too emotionally damaged to go through with the hot scene I’d written.
What book are you currently reading?
Scent of Triumph by Jan Moran, I’m fascinated by women who struggle through cataclysmic times to survive, gain love and reunite their family. The heroine in Scent of Triumph reminds me of my protagonist, Michal, in Michal’s Window who loses her husband, King David, to her father’s murderous rage, only to go on an epic journey to reunite with him, sidetracked by lovers and rivals, wartime destitution and queenly duties, death and sacrifice, but ultimate triumph.
How do you handle criticism of your work?
I don’t expect every reader to like my writing, so it is fine if they criticize it. I generally absorb it to see if there is anything I can improve, but I do not struggle to change my vision to suit critics. For example, my first book, Michal’s Window, has too much sex for its genre. I have my fair share of one-star reviews to prove it. But I truly believe I could not have captured the depth of Michal’s obsessive love for David and the distraction by her lover if I did not include the scenes. And honestly, they were not that explicit. It’s just that the ordinary reader of Biblical fiction is not used to on-scene sex.
Do you ever get writer’s block? What do you do when it happens?
I rarely get blocked, but as I said earlier, when I do, it’s because I’m not being true to myself—I’m trying to live up to someone else’s expectation of how my book should be structured. Here’s an example. My current WIP, Hidden Under Her Heart, is about abortion. In order to not offend any potential Christian readers, I decided that my two lovers would not have pre-marital sex. I’m writing along and get to the 2/3rds mark where they’re reunited after a long estrangement of 10 weeks. These two have talked it out, they’ve averted sex three times already, but they insist on escaping the party to go camping in a tent. At this point my readers are likely to be just as frustrated as my characters. The situation borders on unrealistic. So my characters simply went on strike until they got what they wanted. Of course, sex complicates their relationship, but hey, complications are good. And unbeknownst to them, the “Delete” key is always available.
What are you working on now?
I’m working on a novel with abortion as the main topic. I read a post on the taboos of romance. [URL: http://shewandapugh.blogspot.com/2012/08/the-unspoken-rules-of-romance-part-i.html] Abortion was mentioned as the #1 no-no. I’m an indie author, no one tells me what I can and cannot write about. As I started asking myself the “what-if’s” the story gelled. My main character, Maryanne Torres, is a nurse, not a pregnant teenager. I wanted her to be completely knowledgeable and responsible for her own choices. There will be obvious complications and a series of decisions to make. I don’t want to give too much of the story away, but I’m excited about the concept and hope it will make for an emotional story, no matter which side of the debate you are on.
I'm sure it will. Thank you, Rachelle, for stopping by to chat about Broken Build. Good luck with it and your WIP. I hope you'll come back when it's published.
About Rachelle:
Rachelle Ayala was a software engineer until she discovered storytelling works better in fiction than real code. She has over thirty years of writing experience and has always lived in a multi-cultural environment.
Rachelle is an active member of online critique group, Critique Circle, and a volunteer for the World Literary Cafe. She is a very happy woman and lives in California with her husband. She has three children and has taught violin and made mountain dulcimers.
Follow Rachelle:
Website/blog
Facebook page
Goodreads author page
Amazon
Labels:
Broken Build,
forgiveness,
love story,
murder,
Rachelle Ayala,
romance,
secret identity,
Silicon Valley
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