Showing posts with label Feminism. Show all posts
Showing posts with label Feminism. Show all posts

Friday, December 28, 2018

FEATURED AUTHOR: EMMANUELLA HRISTOVA




ABOUT THE BOOK


The Day My Kisses Tasted Like Disorder is a collection of poems that explores a tumultuous year of love, heartbreak, and all kinds of unimaginable loss. Emmanuella's debut poetry book documents the birth and death of a relationship, and the death of her sister. Each poem is an emotional time-stamp that plunges the reader into the depths of the author’s feelings as they burgeon and wane. The book reads like a diary and chronicles the boundaries of the things that we all feel: passion, heartache, and pain that gives way to hope.





Book Details:

Title: The Day My Kisses Tasted Like Disorder    

Author’s name: Emmanuella Hristova

Genre: Poetry 


Publisher: Self-published through Lulu (April, 2018)

Print length: 50 pages






INTERVIEW WITH EMMANUELLA HRISTOVA


Q: Emmanuella, how long have you been writing, and how did you start?
A: I started writing when I was young, but I didn’t know it. When I traveled with my mom, I took copious amounts of descriptive notes about each trip we would take. Then, as a teenager I wrote short emo love quotes for my Xanga page (which I later deleted, much to my regret). But as for poetry, I didn’t start writing what I would now categorize as poetry until I was in graduate school, three years ago.

Q: What inspired you to write this book?
A: When I graduated with my bachelor’s degree, a young woman I used to mentor gave me a green Moleskin notebook. She told me to document all of my adventures. My undergraduate graduation characterized many changes in my life, and at the time I was working out my own definition of feminism. But what began as short musings about sexism jotted down on the BART train, eventually became woeful poems about oppression, harassment, and assault.
And then, two months later, I fell in love for the first time. I never decided to write my poetry collection; it came out of me, rather. I documented the relationship from beginning to end, birth to death. I wrote to express my feelings and sentiments. It wasn’t intentional. Pent-up emotions swelled up inside of me, and they didn’t have any place to spill other than onto blank pages. Eventually, that green Moleskin became a chronological account of one of the darkest periods of my life.

Q: How long did it take you to write this book?
A: I wrote all the poems in The Day My Kisses Tasted Like Disorder over a period of one year, from June 2015 – June 2016. Then I let the completed word document sit in my computer for about two years, because I wasn’t ready to face it. And, I was still in love with my ex-boyfriend for quite some time after we split. So, I couldn’t face what I had written about him and what I had written about my sister’s passing. It wasn’t until two years after my sister passed away that I opened up the document again and read some poems to a friend. She told me to publish. I worked with a dear coworker of mine, Maria Ciccone, who helped me edit the content and order of the poems. That took about two months because we both did it while we were teaching full time. The editing and putting myself out there were the hardest parts, even harder than writing the collection.

Q: What do you hope readers will get from this book?
A: When I first began this book, it was my diary. It helped me heal through the most difficult part of my life. I took the time and effort to craft and edit what I had written during that time period, in order to give it to others so they too can heal. I published the most intimate parts of myself in order to help others going through a heartbreak or losing someone to cancer. I especially wrote it for women, as a lot of the poetry is written through a lamenting, feminist lens. As one reviewer put it, I am “simply a woman in a man’s world, and this period in [my] life has acted as a catalyst for [my] revolution”. The final chapter is dedicated to grieving and healing women:
The aftermath.

For crying girls everywhere, 


hiding in the bathroom stall.

May you find your healing.

Q: How did you come up with the title of your book?
A: The title of my book came from a poem in the collection called “October 7th.” The line is:
The inexpression of my

internal sexuality 

spilled out to my lips and 

my kisses tasted like disorder.


It’s about wanting to proceed in a relationship, but being unable to due to lack of trust. It’s about wanting, but not acting, and your world coming undone as a result. The title The Day My Kisses Tasted Like Disorder refers to the fact that most poems are named after the day they were written; it reads like a diary because it was my diary. The title is different and unique, and I love it for that.

Q: Do you have a day job?

A:
I was a high school ESL teacher for two years, but I’ve taken a break from full-time work to finish writing my first novel. I moved to Vietnam, so I could live off of my savings and write for enjoyment.

Q: How would you describe your book in a tweet?
A: Reads like a diary and chronicles the boundaries of the things that we all feel: love, heartache, and pain that gives way to hope.

Q: How did you come up with your cover art?
A: The cover art is very special to me. It began as a painting that I completed while I was writing my book, when I was depressed over a spurned lover. It perfectly characterized the raw emotions I felt at the time through a bleak, black background and dark red paint splatters. When it came time to self-publish my book, I designed everything myself using Photoshop. My painting became the background, then I overlayed simple text on top that that included the title, my name, and a short description. I wanted something minimalistic, that could look good while small for the eBook market, and something that represented me and the themes of the book. 


Q: Tell us about your favorite chapter in the book.
A: Even though it’s really hard to pick a favorite, I love the fourth chapter called “The end.”
The end.
I cannot stop writing 

about you without

seeing the end of everything.


It’s up to debate, but the fourth chapter is arguably the darkest chapter of the whole book, since it deals with my breakup and finding out that my sister was dying. I love this chapter because it holds some of my favorite poems. When I was at my lowest point, my poetry got the most raw and angry. There’s something about embracing anger and scorn that evokes the most powerful and real emotion.

Q: Who are your favorite authors?
A: My biggest influence would be Georgi Gospodinov--his novel The Physics of Sorrow in particular. He's a contemporary Bulgarian author, and the novel is about a sense of apathy and identity-finding following the communist fall in Bulgaria. It also dabbles slightly in magical realism, which is surprising to see outside of Latin American literature, but it's fantastic.
One Hundred Years of Solitude by Gabriel Garcia Marquez is also another novel that has kept inspiring me long after I finished it.
Sylvia Plath is one of my favorite poets; her boldness in exploring her own darkness encourages me to explore mine.
Similarly, the musical artist BANKS and her album Goddess is the soundtrack to which I wrote The Day My Kisses Tasted Like Disorder.
rupi kaur inspired me to self-publish and promote myself on Instagram! And, I also think we have similar writing styles and themes.
I also really enjoy supporting female authors. Yaa Gyasi wrote one of my favorite books that I read in 2018: Homegoing.
And then lastly, George Orwell and Charles Dickens stand as two of my favorite classic authors; their novels 1984 and Tale of Two Cities still resonate with me to this day.

Q: What book are you currently reading and in what format (e-book/paperback/hardcover)?
A: Currently, I’m reading Miss Peregrine’s Home for Peculiar Children on my Kindle. It’s such a breathtaking and imaginative story! I also love how the author writes, it’s both figurative and curt at times.

Q: Where do you prefer to do your writing?
A: Back at home in the Bay Area, I frequent the same writing cafés: Caffè Strada in Berkeley, Farley's in Oakland, Barrelista in Martinez, Coffee Shop in Walnut Creek. The ambiance needs to be peaceful and romantic; twinkling lights, kitschy furniture, and a patio are preferable. I like to write with a delicious latte in hand and a luxurious string of words on my mind. Now that I’m in Vietnam, I still go to cafés but I drink a Vietnamese iced coffee instead—they’re equally delicious. 

Q: Where do you call home? 

A:
Home is the San Francisco Bay Area in California. The west coast is the best coast!



Q: Are you an introvert or an extrovert?
A:

I’m a very social introvert, but an introvert nonetheless. That’s why I write, to express the feelings I struggle to say out loud. 



Q: What’s the hardest thing you’ve ever had to write?
A:
The hardest thing I ever had to write was one of the final chapters in the novel I’m currently working on. One of the closing scenes is a literal description of my sister passing away in front of me. There’s also another incredible aspect about that scene that happened that I can’t share, lest I give away the end of the book. In order to write the chapter, I had to listen to a sound recording of the day she passed away. I’ve had that sound recording in my computer for almost three years, but haven’t touched it. And I put off writing that chapter for a long time. I’m actually still working on it; it’s holding up the completion of my novel.

Q: What are you working on now?
A: Currently, I'm writing my first novel. It's about my life, but it's written in novel form. It tells the story of a young Emmy, a gifted daughter born to Bulgarian immigrants in the United States. Upon moving, they never imagined that they’d lose everything. And not even Emmy’s gift of prophesy and her religious faith could have prevented the deaths of most of her family members. Meanwhile in another realm, a golden statue of a young girl wakes up. Once Zoe realizes who she is and why she's there, she embarks on the perilous mission to get Emmy out of the labyrinth-like castle. Meanwhile, Emmy's left to deal with the psychological trauma of losing loved ones too soon, and with her inability to make the American Dream materialize. She turns inward--to the fantastical world she's built for herself to hide from her grief. However, this home she's created is holding her captive, and she can't seem to get out of her own mind. Guided by some fantastical sidekicks, she loses herself inside the dream-world that she hasn't shared with anyone. The world in her dreams, and in between dreams, and she doesn’t know if she’ll make it out alive.





ABOUT THE AUTHOR


Emmanuella Hristova was born in Oakland, California and grew up in the Bay Area. She is the third daughter to Bulgarian parents who immigrated to California shortly before she was born. She began drawing at the ripe age of four, and studied the fine arts for five years in high school. There, she received many art accolades including a Congressional award for her piece "Boy in Red" in 2009. In 2015, she received her Bachelor of Arts in Linguistics from the University of California, Berkeley. She began writing poetry at age twenty-four when she was in graduate school. She earned her Master's in Education from the same alma mater in 2017. Emmanuella spent two years as an English teacher in Richmond, California. During that time, she self-published her first poetry collection: The Day My Kisses Tasted Like Disorder. Currently, she is writing her first novel. She speaks English, Bulgarian, Spanish and is now learning French.



Connect with Emmanuella:

Website  |  Goodreads  |  Instagram


Buy the book:
Amazon  |  Barnes & Noble  |  iBooks  |  Kobo  |  Lulu  |  Bookshout

Monday, April 22, 2013

Featured Author: Diana Milesko

Diana Milesko is here to talk about Faith Stories of One Good Catholic Girl, a wry and thoughtful rendering of Catholicism that sheds new insights on the dichotomy between Church rulings and the message of Christ. Viewed through the author’s sometimes amusing experience as a Catholic as well as her research, it provides a compassionate look at the challenges and possibilities for renewal in the Church today.

Interview with Diana Milesko

I love the title Faith Stories of One Good Catholic Girl. How did you come up with it?
Faith Stories of One Good Catholic Girl is the title for this book because, when we were children, a good Catholic girl was presumably the highest compliment anyone could bestow on my four sisters or me.

Where and when do you prefer to do your writing?

I prefer to write in my office in quiet.

Where’s home for you?


Sometimes I think home is my car, as I travel so much.

Do you ever get writer’s block? What do you do when it happens?


When I get writer’s block I do something else and forget about writing for awhile. It lets my subconscious take over, so when I return to writing my ideas have become clarified.

Is there anything in particular that you do to help the writing flow? Music? Acting out the scene? Long showers?


A good light, comfortable chair, and plenty of quiet help me write.

What’s your favorite line from a book?


“Knowing God is impossible unless we enter into a life of love and communion with others.” (Quest for the Living God, by Elizabeth A. Johnson.2007.P 223.

Did you have any say in your cover art?

I’m a photo-journalist and took the picture for the book’s cover. The sunrise and silhouette of a sea-gull seemed appropriate symbols of how we are drawn to enlightenment as well as to the cosmos.

Who are your favorite authors?

Currently my favorite authors are Sr. Joan Chittister, Elizabeth A. Johnson, Gary Macy, and Michael Morwood.

What are your favorite books or favorite authors...

a) as a child
As a child my favorite books were the Flicka, Ricka and Dicka and Snip, Snap and Snur series by Maj Lindman (c) 1946, probably because they were the first books I could read all by myself.

b) as a teenager
I enjoyed the Nancy Drew series as a teenager, as well as all of Agatha Christie’s books.  I loved mystery stories and puzzling out how to solve the problem.

c) as an adult
It’s impossible to mention all the books I love and read as an adult. A few include William Faulkner’s As I Lay Dying, all of Donald Westlake and Terry Pratcher’s Books, and many of Janet Evanovich’s books. I’m a fan of humourous mystery stories. However, non-fiction is probably my favorite reading material. For example, Nicholas and Alexandra by Robert Massie is a riveting account of the last Russian Tsar before the Bolshevik Revolution.

Which author would you most like to invite to dinner, and what would you fix him or her?

It would be wonderful to meet and talk with Sr. Joan Chittister, who has written many books about spirituality. She is an eloquent and profound writer. I’d serve soup, because it is easy to eat and doesn’t get in the way of conversation.

What book are you currently reading?

Currently I’m reading The Baltic: A New History of the Region and Its People by Alan Palmer. I’m also re-reading the Frog and Toad series and Fancy Nancy to the grandchildren.

How do you handle criticism of your work?

Gratefully.  While praise is nice, criticism can be educational.

What’s one of your favorite quotes?

“I only made one mistake in my life, and that was when I thought I was wrong.”

Ha! I think my mother said that. What three books have you read recently and would recommend?

The Gift of Years: Growing Older Gracefully by Joan Chittister
The Case for God by Karen Armstrong
The Hidden History of Women’s Ordination by Gary Macy

What do you like to do when you’re not writing?

Hike, bike, sail, swim, read, and play the piano.

If you could live anywhere in the world, where would it be?


Anywhere beautiful and safe.

If you could take a trip anywhere in the world, where would you go? (Don’t worry about the money. Your publisher is paying.)

If they’re REALLY paying, I’d take my entire family--spouse, children, grandchildren and self--on a first class trip to Alaska, New Zealand, and Australia. After flying to Alaska first class, we’d take an educational cruise to the glaciers and take side-trips to hike, kayak and visit other areas, then fly first class (it’s a LONG flight!) to Australia, Tasmania and New Zealand. They’d book educational tours at all places for us in advance.

What are you working on now?

Right now I’m planning that free trip! ;-)



BOOK EXCERPT from
Faith Stories of One Good Catholic Girl


Why can’t I?

    Children want to be many things when they grow up, and their ideas change as they mature. They may decide to be a doctor or astronaut one day, a fireman, engineer, policeman or priest, another day.

    Seldom does an adult say, “No, you can’t be that. You’re not good enough,” because most adults know two things. First, a child’s career thoughts vary widely from day to day, and second, telling a child they can’t be something diminishes that child’s self esteem.

    One of many careers I considered as a child was to become a priest, mostly because I couldn’t fathom God. I reckoned a priest got to shake hands with God. They were close; they understood each other. Another reason was that the priesthood was highly valued in the Church. I wanted the Church and God to value me highly.

    At daily Mass before school, I marveled how the priest could chant a phrase, create magic, and turn bread and wine into the real body and blood of Christ even though it still looked like bread and wine. Since I could never figure out God, I thought it would be great to be a priest. Then I would know how God did it. I wanted to peek into the magician’s empty hat, as it were, and see how God pulled it off.

    One day in first grade, Sister went around the classroom and asked each student what they wanted to be when they grew up. Before my turn came, I thought of many possible vocations, then settled on one.

    At my turn, I stood and said, “I want to be a priest.” The class hooted with laughter.

    Sister said, “You can’t be a priest.”

    “Why not?” I was baffled.

    “Because you’re a girl,” she replied crossly.

    “Why can’t girls be priests?”

    “Sit down,” she ordered. I sat down, flabbergasted.

    Whoever heard of such a thing! A person couldn’t be a priest because she was a girl? Being a priest didn’t take muscles, like opening a pickle jar!

    Now I began to think it would be great to be a priest. I would understand God, maybe, and help others to understand God. The giggles subsided, and we went onto arithmetic. That statement from Sister shifted my thoughts about Christianity. It wasn’t that I had a burning desire to become a priest. Children want to be many things. The upsetting thing was that Sister said I couldn’t be a priest just because I was a girl—not because of my desire to love God, or due to bad behavior or poor abilities. It was nothing I could work on or make better. I couldn’t be a priest because God made me wrong. Why would God make someone inferior on purpose? It was crazy. Girls were as good as boys.

    Sister must be wrong, I thought. I’ll ask Mother. Mother confirmed what Sister said, but in kinder terms. “You wouldn’t want to be a priest. It’s too much work.” If mother said it was too much work, it probably was. I dropped the subject, but felt devalued. The Catholic Church, which was such a big part of my life, said I could only ever be a second-class citizen. It wasn’t fair! I didn’t understand how the priesthood worked. When my uncle was ordained, I wondered how a priest, a man, could marry God. But I didn’t puzzle over it. I had been told bluntly that ordination wasn’t my sacrament. Years later, I was able to articulate why the attitude of the Church is so destructive. Women are easily as spiritual as men, if not more so.

    And they contribute in too many ways—-as homemakers, breadwinners, astronauts, engineers, theologians, educators, politicians, government and business leaders—to be told by their religion they are second-rate. It’s simply not true.

    The belief that ordination is not a sacrament for Catholic women is changing with the worldwide ordination of women priests through the Roman Catholic Women Priests (RCWP) movement. Women priests were once the Church’s best kept secret. Not any more.

    When women see a problem that’s not being addressed, they roll up their sleeves and address it—-with or without going through official channels. They believe sometimes it is better to ask forgiveness than permission. Women priests are a critical component of ordination. They represent the half of God’s love which flows in women.



Author bio:

Diana Milesko is a professional speaker, writer, and photo-journalist who has taught humanities, media, and English at universities through high schools in Illinois, Connecticut, and Florida. Other careers include that of counselor, speech writer, and publisher.

She earned her bachelor’s degree at the University of Illinois, her master’s at Loyola University Chicago, and her doctorate at Global Ministries University.

Milesko has been a Catholic throughout her life, serving as cantor, communion minister, and choir member in several states, and in her earlier life, playing the organ and singing for Masses and weddings. Her lifelong passion for music is demonstrated by her love of playing the piano. At one time she sang in a female barbershop chorus; as a young adult she played guitar and harmonica (predating Bob Dylan), at schools and clubs.

Her engaging talks at churches, universities, clubs, and libraries illuminate contemporary issues such as ethics, health, and the environment. Topics include, " What’s Eating America?" (about today’s food industry), "How to Live Well and Long," and "Planet Pollution." She has participated in discussion groups such as the University of Chicago’s Roundtable on Teaching the Adult Learner.

Buy the book:
Website | Amazon | Barnes & Noble | Virtual Bookworm Publishing